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See 15 Stunning Images From the Ocean Photographer of the Year Awards

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Thursday, September 12, 2024

The vastness of the ocean evokes both wonder and mystery. And for centuries, photographers have been trying to capture its essence. Since the first underwater photography began in 1856, technology has evolved to allow divers to take breathtaking images that bring to life this unique ecosystem. The Ocean Photographer of the Year Contest, sponsored by Oceanographic Magazine and Blancpain, channels the passion of ocean photographers into a yearly competition. The contest has a simple mission: “To shine a light on the wonder and fragility of our blue planet and celebrate the photographers giving it a voice.” This year, photographers from around the globe submitted more than 15,000 coastal, drone and underwater images to the contest. The shots fell into seven categories: wildlife, fine art, adventure, conservation impact, conservation hope, human connection and young photographer. The competition awards an overall winner—the Ocean Photographer of the Year—in addition to category winners, the Ocean Portfolio Award honoring a photographer’s collection of work and the Female Fifty Fathom Award, which celebrates a boundary-pushing woman in ocean photography. Winners of the 2024 contest were announced September 12, and the recognized photographs include dramatic wildlife encounters, beautiful examples of humans’ connection with the ocean and stark reminders of society’s impact on the marine environment. The image winners will go on exhibition at the Australian National Maritime Museum in Sydney, Australia, on November 28, followed by several yet-to-be-announced venues in early 2025. Below are the stunning images awarded in this year’s contest, as well as a selection of finalists that also wowed the judges. Overall Winner, Rafael Fernández Caballero A Bryde’s whale opens its mouth, about to devour a heart-shaped bait ball in Baja California Sur, Mexico. Rafael Fernández Caballero The overall winning image shows a Bryde’s whale about to devour a bait ball—a last-ditch defensive measure that occurs when fish swarm together and pack tightly, typically performed by small schooling fish when they feel threatened by predators. In the photo, light shines through the water. Research suggests Bryde’s whales spend most of the day within 50 feet of the water’s surface. While this school of fish may seem like a hearty snack, Bryde’s whales eat an estimated 1,320 to 1,450 pounds of food daily—so this whale likely fed again shortly after. “The image captures perhaps the most special—and craziest—moment of my life,” says photographer Rafael Fernández Caballero in a statement. “It fills me with joy having lived this moment—and to have captured the image.” Female Fifty Fathoms Award Winner, Ipah Uid Lynn A tiny goby perches on a delicate sea whip, surrounded by colors at Romblon Island in the Philippines. Ipah Uid Lynn Ipah Uid Lynn, a Malaysian photographer, took home the Female Fifty Fathoms Award with her body of work that featured this colorful image of a goby. This award works differently than the others. Instead of submitting photos, the recipient is nominated by her peers and judged by a special panel. “It’s a recognition that goes beyond personal achievement,” Lynn says in a statement. “It highlights the importance of storytelling through photography and the voices of women in this field.” This vibrant photograph highlights the beauty of small creatures in the ocean. It depicts a goby resting on a sea whip, a type of soft coral. Sea whips can grow to two feet in total height, making this a spectacular close-up capture. Portfolio Award Winner, Shane Gross Baby plainfin midshipman fish, still attached to their yolk sacs. Shane Gross Canadian photographer Shane Gross encountered this group of baby plainfin midshipman fish still attached to their yolk sacs in British Columbia, Canada. For these fish, it’s the males that provide parental care. While the plainfin midshipman is known to be a deep-sea marine fish, it transcends habitats during the breeding season in summer and migrates to the fluctuating intertidal zone. As the tide moves in and out, the fish face changing temperatures and oxygen levels. While the fish might swim in comfortable cold water in the morning, their rocks could be completely exposed to air in the afternoon. Despite this stressful environment, the male midshipman remains to care for his young. The babies “are guarded over by their father until they are big enough to swim … to ocean depths,” Gross says in a statement. Human Connection Winner, Zhang Xiang A beach reflects the golden haze of the sunset while a traditional fisher wades through the water in Fujian, China. Zhang Xiang A traditional Chinese fisher traverses a beach as the sunset’s golden haze is reflected by the sand and water. China is the world’s largest seafood producer and exporter, accounting for about 35 percent of global production. The sea around China contains 3,000 marine species, of which more than 100 are fished commercially, including mackerel, anchovy, shrimp and crab. Here, the beauty of the landscape brings another economic value to the area in Fujian province. “The gorgeous sight attracts many tourists, bringing income to local people,” photographer Zhang Xiang says in a statement. Adventure Winner, Tobias Friedrich A scuba diver is dwarfed by a shipwreck in the Bahamas. Tobias Friedrich The photo above was a surprise find for German photographer Tobias Friedrich. “We were on a liveaboard cruise to take underwater images of tiger and hammerhead sharks,” he says in a statement. “But due to bad weather conditions, we had to seek shelter and look for alternative dive sites. We decided to dive on this wreck … At that time, the sand under the bow was washed out, which made it an excellent photographic opportunity.” The region surrounding the Grand Bahama has 176 shipwrecks, according to an analysis of historical records done last year. The ship pictured above was intentionally sunken by a dive center. Known as scuttling, this practice of purposefully sinking ships has grown; it can produce dive training sites and increase revenue options for dive centers. However, some scuttling has also been done for ecological reasons, helping to create new artificial reef sites for fish. Conservation (Hope) Winner, Shane Gross A green sea turtle is released by a researcher after being accidentally captured while trying to catch sharks. Shane Gross This green sea turtle was accidentally caught by researchers when they were trying to find sharks. Here, the creature is returned to the ocean after a researcher untangled it from the net, took measurements and tagged the turtle for conservation purposes. Tagging an animal is a crucial way for scientists understand and learn about its species. The practice could help researchers understand migratory patterns, lifespan and how the species spends time. Shane Gross, who snapped the photo, remarks on the future of the tagged green sea turtle: “She is now an ambassador for her species.” The green sea turtle is the largest hard-shelled sea turtle. As herbivores, the animals’ diet of seagrasses and algae gives their fat a greenish color. Green sea turtles can be found worldwide, nesting in more than 80 countries and swimming in the coastal areas of more than 140 countries. Conservation (Impact) Winner, Frederik Brogaard A fin whale, the second-biggest whale species on Earth, at a whaling plant in Iceland. Frederik Brogaard For the 2024 hunting season, Iceland made the controversial decision to distribute a license to a whaling company for the hunting of fin whales. Above, a dead fin whale waits to get butchered at a whaling plant before being sent to Japan. “The picture might induce a feeling of hopelessness, but public uproar throughout the last two years has resulted in the cancellation of last year’s whaling season in Iceland. Unfortunately, a whaling quota was again issued this year,” says Frederik Brogaard, the Denmark-based photographer who captured this image, in a statement. “I hope this picture raises awareness and serves as an inspiration to keep the public pressure on. These whales are crucial in our fight against climate change, sequestering tonnes of CO2 in their lifetime, and are worth more to us alive than dead.” Young Ocean Photographer Winner, Jacob Guy An elusive algae octopus shows off its fluorescence under ultraviolet light in North Sulawesi, Indonesia. Jacob Guy The algae octopus is elusive. “Normally coming out to hunt at dusk, with incredible camouflage, these creatures blend seamlessly into the reef—until they are viewed under a different light,” says photographer Jacob Guy of the United Kingdom in a statement. He spotted this individual off of North Sulawesi, Indonesia. “On my last dive of the trip, I got lucky and found one of these beautiful creatures on the hunt for a meal and managed to capture the intense look from its yellow eyes.” Under ultraviolet light, the algae octopus has an uncommon ability—it glows with fluorescence, absorbing the light to emit it at visible wavelengths. But in its resting camouflage state, the animal looks like a shell overgrown with algae—which is how it gets its name. When an algae octopus is hungry, you may find it in an unexpected place: on land. It can move between tidal pools on a beach when hunting for crabs. Fine Art Winner, Henley Spiers Juvenile Munk’s devil rays are attracted by a green light on a boat, seemingly flying through the water in the Sea of Cortez, Baja California Sur, Mexico. Henley Spiers Munk’s devil rays, like the ones above, are found in tropical oceanic waters of the eastern Pacific Ocean. Munk’s devil rays are quite acrobatic. They can leap out of the water, either alone or in groups, performing vertical jumps and somersaults. They mainly feed on opossum shrimp and zooplankton but can also eat small fish. The rays are known to form enormous congregations when feeding, resting or—in at least one instance—mating. Henley Spiers of the U.K. describes in a statement how he captured the photo: “At night, we hung a green light from the back of our boat. As plankton gathered around it, the mobula rays gratefully swooped in for a microscopic buffet. The rays seem to fly through the water as they pursue their dinner. Entranced by their glance, I used a two-second exposure to capture their movements, which, to my eye, felt like an aquatic ballet.” Wildlife Winner, Manuel Castellanos Raboso A mahi-mahi, also called a common dolphinfish, proudly displays its catch amidst a feeding frenzy. Manuel Castellanos Raboso A sunlit mahi-mahi enjoys its catch from the bait ball behind it in Baja California Sur, Mexico. The large fish, which can grow to seven feet long, eat a variety of species, including small pelagic fish, juvenile tuna and invertebrates. Mahi-mahi can reproduce at a relatively young age, as early as four to five months old, and their productivity is one reason why scientists assume the mahi-mahi population is stable. “Its vibrant yellow and green hues shimmer brilliantly under the refracted sunlight against the stunning blue of the Pacific Ocean,” Spanish photographer Manuel Castellanos Raboso says in a statement. “[The mahi-mahi were] moving like torpedoes in front of us. This scene captures the hunt and the energy of the Baja’s marine life.” Finalist, Jake Wilton This rare leucistic green sea turtle was discovered among nests, supported by local conservation efforts, in Papua New Guinea’s Conflict Islands. Jake Wilton Typical sea turtles have deep green coloring, but the individual above has a rare condition: leucism. An animal with leucism experiences a partial loss of pigmentation. This often leads to white coloration in splotches on the animal’s skin or fur. Leucism is not exclusive to turtles; it can be found in horses, cows, cats, dogs, crocodiles, penguins and other species. Notice the dark color of the turtle’s eyes in the photo—this is one trait that distinguishes leucism from albinism, since leucism does not affect the eyes’ pigmentation. Albino animals, on the other hand, have pink, red or light blue eyes. For Australian photographer Jake Wilton, hitting the shutter with just the right timing was critical to achieving this shot. “Using the surface of the calm water, I captured the striking reflection of the hatchling as it surfaced for air,” Wilton says in a statement. In Papua New Guinea’s Conflict Islands, conservation efforts have boosted the numbers of turtle hatchlings. The discovery of this rare leucistic turtle, Wilton adds, “is a testament to the successful turnaround in conservation efforts and the beauty of these endangered creatures.” Finalist, Filippo Borghi One of the Southern Ocean’s most formidable predators, the leopard seal, approaches the camera with its mouth wide open. Filippo Borghi “In the frigid waters of the Southern Ocean, just off the coast of Antarctica, I had the opportunity to capture a breathtaking encounter with one of the region’s most formidable predators—the leopard seal,” says Italian photographer Filippo Borghi in a statement. The leopard seal, sometimes referred to as a sea leopard, is the second-largest species of seal in the Antarctic, behind the southern elephant seal. Its only natural predator is an orca. Sea leopards feed on fish, squid, small crustaceans, penguins, smaller seals and even whale carcasses. Borghi describes his nerves the moment he got the shot. “I held my breath, my heart racing with a mixture of awe and trepidation, as the seal approached, its spotted coat and powerful jaws seeming suspended in the crystalline waters,” he adds. “[Its] dark eyes were fixed on mine.” Finalist, Daisuke Kurashima A diver swims through colorful waters off Iwo Jima. Daisuke Kurashima Iwo Jima is one of the Japanese Volcano Islands, a group of three islands in Micronesia governed by Japan. The effect displayed in the photo above is a product of a special environmental feature of Iwo Jima: hot springs. “When the water from the hot springs flows into the sea, the shallower the water is, the more red or orange it turns,” Japanese photographer Daisuke Kurashima says in a statement. “The visible colors in the water vary depending on the concentration of the hot spring’s components, and the appearance is compared to an aurora borealis.” Finalist, Edwar Herreño Parra Beside the Sharkwater research vessel, which was initially used by the Japanese fishing fleet, swims a whale shark with its distinctive spotted pattern. Edwar Herreño Parra The boat pictured above, aptly named Sharkwater, is a former fishing ship turned research vessel. Beneath it swims an endangered whale shark. Whale sharks have distinctive spotted patterns on their backs, which help divers and researchers to photograph and track individuals more easily. Despite their name, whale sharks are not whales—though they are some of the largest creatures in the ocean. Whale sharks can weigh up to 30 tons and even grow larger than a school bus. Like whales, they are filter-feeders, meaning they eat by straining plankton through their gills. Adult whale sharks do not stay with their young after birth, and only around 10 percent of them make it to adulthood. However, if they grow to adult size, the sharks enjoy a lifestyle with few predators, meaning they can enjoy a long life of up to 150 years. Colombian photographer Edwar Herreño Parra describes his moment with the shark on a tagging expedition. “I stayed in the water with the shark for almost an hour trying to take an image of the endangered species below the scientific vessel. It all came together, and the moody lighting and the rough sea add to the image’s appeal,” he says in a statement. Finalist, Kate Jonker An octopus peeks curiously out from its hiding spot in South Africa. Kate Jonker Octopuses are some of the most physically flexible creatures in all of nature. Beyond this, the common octopus featured here excels at camouflaging with its surroundings. The cephalopod achieves this feat through a network of pigment cells called chromatophores just below the surface of its skin. South African photographer Kate Jonker describes her encounter with the hiding creature in a statement: “This little common octopus was so well camouflaged among the hydroids that I almost missed it. It would peek out, then hide, lifting its head cautiously.” Octopuses are quite intelligent—they can complete puzzles, untie knots and open jars. Interestingly, their intellect is based in a different kind of anatomy than humans’—about two out of three of their neurons are located not in their head, but in their arms. Jonker adds that she spent about 15 minutes just watching this creature, “noticing its curiosity and caution. Gradually, it became braver, spending more time observing me and my camera. Eventually, it allowed me to capture its photo before slipping away beneath her rock.” Reflecting on the experience of getting the shot, Jonker notes that “moments like these are humbling, reminding us we are visitors in their environment, yet they are willing to share a connection.” Get the latest stories in your inbox every weekday.

The winning and highly commended underwater photography spotlights breathtaking animal behavior, conservation needs and the otherworldly environment of Earth's oceans

The vastness of the ocean evokes both wonder and mystery. And for centuries, photographers have been trying to capture its essence. Since the first underwater photography began in 1856, technology has evolved to allow divers to take breathtaking images that bring to life this unique ecosystem.

The Ocean Photographer of the Year Contest, sponsored by Oceanographic Magazine and Blancpain, channels the passion of ocean photographers into a yearly competition. The contest has a simple mission: “To shine a light on the wonder and fragility of our blue planet and celebrate the photographers giving it a voice.”

This year, photographers from around the globe submitted more than 15,000 coastal, drone and underwater images to the contest. The shots fell into seven categories: wildlife, fine art, adventure, conservation impact, conservation hope, human connection and young photographer. The competition awards an overall winner—the Ocean Photographer of the Year—in addition to category winners, the Ocean Portfolio Award honoring a photographer’s collection of work and the Female Fifty Fathom Award, which celebrates a boundary-pushing woman in ocean photography.

Winners of the 2024 contest were announced September 12, and the recognized photographs include dramatic wildlife encounters, beautiful examples of humans’ connection with the ocean and stark reminders of society’s impact on the marine environment. The image winners will go on exhibition at the Australian National Maritime Museum in Sydney, Australia, on November 28, followed by several yet-to-be-announced venues in early 2025.

Below are the stunning images awarded in this year’s contest, as well as a selection of finalists that also wowed the judges.

Overall Winner, Rafael Fernández Caballero

An open-mouthed whale about to eat a group of fish swimming in the background.
A Bryde’s whale opens its mouth, about to devour a heart-shaped bait ball in Baja California Sur, Mexico. Rafael Fernández Caballero

The overall winning image shows a Bryde’s whale about to devour a bait ball—a last-ditch defensive measure that occurs when fish swarm together and pack tightly, typically performed by small schooling fish when they feel threatened by predators.

In the photo, light shines through the water. Research suggests Bryde’s whales spend most of the day within 50 feet of the water’s surface. While this school of fish may seem like a hearty snack, Bryde’s whales eat an estimated 1,320 to 1,450 pounds of food daily—so this whale likely fed again shortly after.

“The image captures perhaps the most special—and craziest—moment of my life,” says photographer Rafael Fernández Caballero in a statement. “It fills me with joy having lived this moment—and to have captured the image.”

Female Fifty Fathoms Award Winner, Ipah Uid Lynn

A goby surrounded by rainbow light on a plant-like sea whip.
A tiny goby perches on a delicate sea whip, surrounded by colors at Romblon Island in the Philippines. Ipah Uid Lynn

Ipah Uid Lynn, a Malaysian photographer, took home the Female Fifty Fathoms Award with her body of work that featured this colorful image of a goby. This award works differently than the others. Instead of submitting photos, the recipient is nominated by her peers and judged by a special panel.

“It’s a recognition that goes beyond personal achievement,” Lynn says in a statement. “It highlights the importance of storytelling through photography and the voices of women in this field.”

This vibrant photograph highlights the beauty of small creatures in the ocean. It depicts a goby resting on a sea whip, a type of soft coral. Sea whips can grow to two feet in total height, making this a spectacular close-up capture.

Portfolio Award Winner, Shane Gross

A group of baby plainfin midshipman fish on top of yellow spheres
Baby plainfin midshipman fish, still attached to their yolk sacs. Shane Gross

Canadian photographer Shane Gross encountered this group of baby plainfin midshipman fish still attached to their yolk sacs in British Columbia, Canada. For these fish, it’s the males that provide parental care. While the plainfin midshipman is known to be a deep-sea marine fish, it transcends habitats during the breeding season in summer and migrates to the fluctuating intertidal zone. As the tide moves in and out, the fish face changing temperatures and oxygen levels. While the fish might swim in comfortable cold water in the morning, their rocks could be completely exposed to air in the afternoon.

Despite this stressful environment, the male midshipman remains to care for his young. The babies “are guarded over by their father until they are big enough to swim … to ocean depths,” Gross says in a statement.

Human Connection Winner, Zhang Xiang

A beach at sunset with a fisherman wading through the body of water
A beach reflects the golden haze of the sunset while a traditional fisher wades through the water in Fujian, China. Zhang Xiang

A traditional Chinese fisher traverses a beach as the sunset’s golden haze is reflected by the sand and water. China is the world’s largest seafood producer and exporter, accounting for about 35 percent of global production. The sea around China contains 3,000 marine species, of which more than 100 are fished commercially, including mackerel, anchovy, shrimp and crab.

Here, the beauty of the landscape brings another economic value to the area in Fujian province. “The gorgeous sight attracts many tourists, bringing income to local people,” photographer Zhang Xiang says in a statement.

Adventure Winner, Tobias Friedrich

A scuba diver next to a large shipwreck on top of a rocky ocean floor.
A scuba diver is dwarfed by a shipwreck in the Bahamas. Tobias Friedrich

The photo above was a surprise find for German photographer Tobias Friedrich. “We were on a liveaboard cruise to take underwater images of tiger and hammerhead sharks,” he says in a statement. “But due to bad weather conditions, we had to seek shelter and look for alternative dive sites. We decided to dive on this wreck … At that time, the sand under the bow was washed out, which made it an excellent photographic opportunity.”

The region surrounding the Grand Bahama has 176 shipwrecks, according to an analysis of historical records done last year. The ship pictured above was intentionally sunken by a dive center. Known as scuttling, this practice of purposefully sinking ships has grown; it can produce dive training sites and increase revenue options for dive centers. However, some scuttling has also been done for ecological reasons, helping to create new artificial reef sites for fish.

Conservation (Hope) Winner, Shane Gross

A hand holds the shell of a turtle under clear water.
A green sea turtle is released by a researcher after being accidentally captured while trying to catch sharks. Shane Gross

This green sea turtle was accidentally caught by researchers when they were trying to find sharks. Here, the creature is returned to the ocean after a researcher untangled it from the net, took measurements and tagged the turtle for conservation purposes.

Tagging an animal is a crucial way for scientists understand and learn about its species. The practice could help researchers understand migratory patterns, lifespan and how the species spends time. Shane Gross, who snapped the photo, remarks on the future of the tagged green sea turtle: “She is now an ambassador for her species.”

The green sea turtle is the largest hard-shelled sea turtle. As herbivores, the animals’ diet of seagrasses and algae gives their fat a greenish color. Green sea turtles can be found worldwide, nesting in more than 80 countries and swimming in the coastal areas of more than 140 countries.

Conservation (Impact) Winner, Frederik Brogaard

A deceased whale surrounded by flying gulls in front of a whaling plant waiting to be butchered.
A fin whale, the second-biggest whale species on Earth, at a whaling plant in Iceland. Frederik Brogaard

For the 2024 hunting season, Iceland made the controversial decision to distribute a license to a whaling company for the hunting of fin whales. Above, a dead fin whale waits to get butchered at a whaling plant before being sent to Japan.

“The picture might induce a feeling of hopelessness, but public uproar throughout the last two years has resulted in the cancellation of last year’s whaling season in Iceland. Unfortunately, a whaling quota was again issued this year,” says Frederik Brogaard, the Denmark-based photographer who captured this image, in a statement. “I hope this picture raises awareness and serves as an inspiration to keep the public pressure on. These whales are crucial in our fight against climate change, sequestering tonnes of CO2 in their lifetime, and are worth more to us alive than dead.”

Young Ocean Photographer Winner, Jacob Guy

An octopus in the dark with bright yellow eyes
An elusive algae octopus shows off its fluorescence under ultraviolet light in North Sulawesi, Indonesia. Jacob Guy

The algae octopus is elusive. “Normally coming out to hunt at dusk, with incredible camouflage, these creatures blend seamlessly into the reef—until they are viewed under a different light,” says photographer Jacob Guy of the United Kingdom in a statement. He spotted this individual off of North Sulawesi, Indonesia. “On my last dive of the trip, I got lucky and found one of these beautiful creatures on the hunt for a meal and managed to capture the intense look from its yellow eyes.”

Under ultraviolet light, the algae octopus has an uncommon ability—it glows with fluorescence, absorbing the light to emit it at visible wavelengths. But in its resting camouflage state, the animal looks like a shell overgrown with algae—which is how it gets its name. When an algae octopus is hungry, you may find it in an unexpected place: on land. It can move between tidal pools on a beach when hunting for crabs.

Fine Art Winner, Henley Spiers

Several devil rays flipping through the water with green light
Juvenile Munk’s devil rays are attracted by a green light on a boat, seemingly flying through the water in the Sea of Cortez, Baja California Sur, Mexico. Henley Spiers

Munk’s devil rays, like the ones above, are found in tropical oceanic waters of the eastern Pacific Ocean. Munk’s devil rays are quite acrobatic. They can leap out of the water, either alone or in groups, performing vertical jumps and somersaults. They mainly feed on opossum shrimp and zooplankton but can also eat small fish. The rays are known to form enormous congregations when feeding, resting or—in at least one instance—mating.

Henley Spiers of the U.K. describes in a statement how he captured the photo: “At night, we hung a green light from the back of our boat. As plankton gathered around it, the mobula rays gratefully swooped in for a microscopic buffet. The rays seem to fly through the water as they pursue their dinner. Entranced by their glance, I used a two-second exposure to capture their movements, which, to my eye, felt like an aquatic ballet.”

Wildlife Winner, Manuel Castellanos Raboso

A mahi-mahi hunting with fish scattering in the background.
A mahi-mahi, also called a common dolphinfish, proudly displays its catch amidst a feeding frenzy. Manuel Castellanos Raboso

A sunlit mahi-mahi enjoys its catch from the bait ball behind it in Baja California Sur, Mexico. The large fish, which can grow to seven feet long, eat a variety of species, including small pelagic fish, juvenile tuna and invertebrates. Mahi-mahi can reproduce at a relatively young age, as early as four to five months old, and their productivity is one reason why scientists assume the mahi-mahi population is stable.

“Its vibrant yellow and green hues shimmer brilliantly under the refracted sunlight against the stunning blue of the Pacific Ocean,” Spanish photographer Manuel Castellanos Raboso says in a statement. “[The mahi-mahi were] moving like torpedoes in front of us. This scene captures the hunt and the energy of the Baja’s marine life.”

Finalist, Jake Wilton

A leucistic sea turtle swimming, with the reflection making it appear that there are two turtles swimming on top of each other, back-to-back.
This rare leucistic green sea turtle was discovered among nests, supported by local conservation efforts, in Papua New Guinea’s Conflict Islands. Jake Wilton

Typical sea turtles have deep green coloring, but the individual above has a rare condition: leucism. An animal with leucism experiences a partial loss of pigmentation. This often leads to white coloration in splotches on the animal’s skin or fur. Leucism is not exclusive to turtles; it can be found in horses, cows, cats, dogs, crocodiles, penguins and other species. Notice the dark color of the turtle’s eyes in the photo—this is one trait that distinguishes leucism from albinism, since leucism does not affect the eyes’ pigmentation. Albino animals, on the other hand, have pink, red or light blue eyes.

For Australian photographer Jake Wilton, hitting the shutter with just the right timing was critical to achieving this shot. “Using the surface of the calm water, I captured the striking reflection of the hatchling as it surfaced for air,” Wilton says in a statement.

In Papua New Guinea’s Conflict Islands, conservation efforts have boosted the numbers of turtle hatchlings. The discovery of this rare leucistic turtle, Wilton adds, “is a testament to the successful turnaround in conservation efforts and the beauty of these endangered creatures.”

Finalist, Filippo Borghi

The open mouth of a leopard seal with its teeth and tongue visible.
One of the Southern Ocean’s most formidable predators, the leopard seal, approaches the camera with its mouth wide open. Filippo Borghi

“In the frigid waters of the Southern Ocean, just off the coast of Antarctica, I had the opportunity to capture a breathtaking encounter with one of the region’s most formidable predators—the leopard seal,” says Italian photographer Filippo Borghi in a statement.

The leopard seal, sometimes referred to as a sea leopard, is the second-largest species of seal in the Antarctic, behind the southern elephant seal. Its only natural predator is an orca. Sea leopards feed on fish, squid, small crustaceans, penguins, smaller seals and even whale carcasses.

Borghi describes his nerves the moment he got the shot. “I held my breath, my heart racing with a mixture of awe and trepidation, as the seal approached, its spotted coat and powerful jaws seeming suspended in the crystalline waters,” he adds. “[Its] dark eyes were fixed on mine.”

Finalist, Daisuke Kurashima

A diver swimming through blue, red, orange, and green water colored by a hot spring.
A diver swims through colorful waters off Iwo Jima. Daisuke Kurashima

Iwo Jima is one of the Japanese Volcano Islands, a group of three islands in Micronesia governed by Japan. The effect displayed in the photo above is a product of a special environmental feature of Iwo Jima: hot springs.

“When the water from the hot springs flows into the sea, the shallower the water is, the more red or orange it turns,” Japanese photographer Daisuke Kurashima says in a statement. “The visible colors in the water vary depending on the concentration of the hot spring’s components, and the appearance is compared to an aurora borealis.”

Finalist, Edwar Herreño Parra

A whale shark swims alongside a research vessel.
Beside the Sharkwater research vessel, which was initially used by the Japanese fishing fleet, swims a whale shark with its distinctive spotted pattern. Edwar Herreño Parra

The boat pictured above, aptly named Sharkwater, is a former fishing ship turned research vessel. Beneath it swims an endangered whale shark. Whale sharks have distinctive spotted patterns on their backs, which help divers and researchers to photograph and track individuals more easily.

Despite their name, whale sharks are not whales—though they are some of the largest creatures in the ocean. Whale sharks can weigh up to 30 tons and even grow larger than a school bus. Like whales, they are filter-feeders, meaning they eat by straining plankton through their gills.

Adult whale sharks do not stay with their young after birth, and only around 10 percent of them make it to adulthood. However, if they grow to adult size, the sharks enjoy a lifestyle with few predators, meaning they can enjoy a long life of up to 150 years.

Colombian photographer Edwar Herreño Parra describes his moment with the shark on a tagging expedition. “I stayed in the water with the shark for almost an hour trying to take an image of the endangered species below the scientific vessel. It all came together, and the moody lighting and the rough sea add to the image’s appeal,” he says in a statement.

Finalist, Kate Jonker

A camouflaged octopus poking its head out.
An octopus peeks curiously out from its hiding spot in South Africa. Kate Jonker

Octopuses are some of the most physically flexible creatures in all of nature. Beyond this, the common octopus featured here excels at camouflaging with its surroundings. The cephalopod achieves this feat through a network of pigment cells called chromatophores just below the surface of its skin.

South African photographer Kate Jonker describes her encounter with the hiding creature in a statement: “This little common octopus was so well camouflaged among the hydroids that I almost missed it. It would peek out, then hide, lifting its head cautiously.”

Octopuses are quite intelligent—they can complete puzzles, untie knots and open jars. Interestingly, their intellect is based in a different kind of anatomy than humans’—about two out of three of their neurons are located not in their head, but in their arms.

Jonker adds that she spent about 15 minutes just watching this creature, “noticing its curiosity and caution. Gradually, it became braver, spending more time observing me and my camera. Eventually, it allowed me to capture its photo before slipping away beneath her rock.”

Reflecting on the experience of getting the shot, Jonker notes that “moments like these are humbling, reminding us we are visitors in their environment, yet they are willing to share a connection.”

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Giant Sloths and Many Other Massive Creatures Were Once Common on Our Planet. With Environmental Changes, Such Giants Could Thrive Again

If large creatures like elephants, giraffes and bison are allowed to thrive, they could alter habitats that allow for the rise of other giants

Giant Sloths and Many Other Massive Creatures Were Once Common on Our Planet. With Environmental Changes, Such Giants Could Thrive Again If large creatures like elephants, giraffes and bison are allowed to thrive, they could alter habitats that allow for the rise of other giants Riley Black - Science Correspondent July 11, 2025 8:00 a.m. Ancient sloths lived in trees, on mountains, in deserts, in boreal forests and on open savannas. Some grew as large as elephants. Illustration by Diego Barletta The largest sloth of all time was the size of an elephant. Known to paleontologists as Eremotherium, the shaggy giant shuffled across the woodlands of the ancient Americas between 60,000 and five million years ago. Paleontologists have spent decades hotly debating why such magnificent beasts went extinct, the emerging picture involving a one-two punch of increasing human influence on the landscape and a warmer interglacial climate that began to change the world’s ecosystems. But even less understood is how our planet came to host entire communities of such immense animals during the Pleistocene. Now, a new study on the success of the sloths helps to reveal how the world of Ice Age giants came to be, and hints that an Earth brimming with enormous animals could come again. Florida Museum of Natural History paleontologist Rachel Narducci and colleagues tracked how sloths came to be such widespread and essential parts of the Pleistocene Americas and published their findings in Science this May. The researchers found that climate shifts that underwrote the spread of grasslands allowed big sloths to arise, the shaggy mammals then altering those habitats to maintain open spaces best suited to big bodies capable of moving long distances. The interactions between the animals and environment show how giants attained their massive size, and how strange it is that now our planet has fewer big animals than would otherwise be here. Earth still boasts some impressively big species. In fact, the largest animal of all time is alive right now and only evolved relatively recently. The earliest blue whale fossils date to about 1.5 million years ago, and, at 98 feet long and more than 200 tons, the whale is larger than any mammoth or dinosaur. Our planet has always boasted a greater array of small species than large ones, even during prehistoric ages thought of as synonymous with megafauna. Nevertheless, Earth’s ecosystems are still in a megafaunal lull that began at the close of the Ice Age. “I often say we are living on a downsized planet Earth,” says University of Maine paleoecologist Jacquelyn Gill.Consider what North America was like during the Pleistocene, between 11,000 years and two million ago. The landmass used to host multiple forms of mammoths, mastodons, giant ground sloths, enormous armadillos, multiple species of sabercat, huge bison, dire wolves and many more large creatures that formed ancient ecosystems unlike anything on our planet today. In addition, many familiar species such as jaguars, black bears, coyotes, white-tailed deer and golden eagles also thrived. Elsewhere in the world lived terror birds taller than an adult human, wombats the size of cars, woolly rhinos, a variety of elephants with unusual tusks and other creatures. Ecosystems capable of supporting such giants have been the norm rather than the exception for tens of millions of years. Giant sloths were among the greatest success stories among the giant-size menagerie. The herbivores evolved on South America when it was still an island continent, only moving into Central and North America as prehistoric Panama connected the landmasses about 2.7 million years ago. Some were small, like living two- and three-toed sloths, while others embodied a range of sizes all the way up to elephant-sized giants like Eremotherium and the “giant beast” Megatherium. An Eremotherium skeleton at the Houston Museum of Natural Science demonstrates just how large the creature grew. James Nielsen / Houston Chronicle via Getty Images The earliest sloths originated on South America about 35 million years ago. They were already big. Narducci and colleagues estimate that the common ancestor of all sloths was between about 150 and 770 pounds—or similar to the range of sizes seen among black bears today—and they walked on the ground. “I was surprised and thrilled” to find that sloths started off large, Narducci says, as ancestral forms of major mammal groups are often small, nocturnal creatures. The earliest sloths were already in a good position to shift with Earth’s climate and ecological changes. The uplift of the Andes Mountains in South America led to changes on the continent as more open, drier grasslands spread where there had previously been wetter woodlands and forests. While some sloths became smaller as they spent more time around and within trees, the grasslands would host the broadest diversity of sloth species. The grasslands sloths were the ones that ballooned to exceptional sizes. Earth has been shifting between warmer and wetter times, like now, and cooler and drier climates over millions of years. The chillier and more arid times are what gave sloths their size boost. During these colder spans, bigger sloths were better able to hold on to their body heat, but they also didn’t need as much water, and they were capable of traveling long distances more efficiently thanks to their size. “The cooler and drier the climate, especially after 11.6 million years ago, led to expansive grasslands, which tends to favor the evolution of increasing body mass,” Narducci says. The combination of climate shifts, mountain uplift and vegetation changes created environments where sloths could evolve into a variety of forms—including multiple times when sloths became giants again. Gill says that large body size was a “winning strategy” for herbivores. “At a certain point, megaherbivores get so large that most predators can’t touch them; they’re able to access nutrition in foods that other animals can’t really even digest thanks to gut microbes that help them digest cellulose, and being large means you’re also mobile,” Gill adds, underscoring advantages that have repeatedly pushed animals to get big time and again. The same advantages underwrote the rise of the biggest dinosaurs as well as more recent giants like the sloths and mastodons. As large sloths could travel further, suitable grassland habitats stretched from Central America to prehistoric Florida. “This is what also allowed for their passage into North America,” Narducci says. Sloths were able to follow their favored habitats between continents. If the world were to shift back toward cooler and drier conditions that assisted the spread of the grasslands that gave sloths their size boost, perhaps similar giants could evolve. The sticking point is what humans are doing to Earth’s climate, ecosystems and existing species. The diversity and number of large species alive today is vastly, and often negatively, affected by humans. A 2019 study of human influences on 362 megafauna species, on land and in the water, found that 70 percent are diminishing in number, and 59 percent are getting dangerously close to extinction. But if that relationship were to change, either through our actions or intentions, studies like the new paper on giant sloths hint that ecosystems brimming with a wealth of megafaunal species could evolve again. Big animals change the habitats where they live, which in turn tends to support more large species adapted to those environments. The giant sloths that evolved among ancient grasslands helped to keep those spaces open in tandem with other big herbivores, such as mastodons, as well as the large carnivores that preyed upon them. Paleontologists and ecologists know this from studies of how large animals such as giraffes and rhinos affect vegetation around them. Big herbivores, in particular, tend to keep habitats relatively open. Elephants and other big beasts push over trees, trample vegetation underfoot, eat vast amounts of greenery and transport seeds in their dung, disassembling vegetation while unintentionally planting the beginnings of new habitats. Such broad, open spaces were essential to the origins of the giant sloths, and so creating wide-open spaces helps spur the evolution of giants to roam such environments. For now, we are left with the fossil record of giant animals that were here so recently that some of their bones aren’t even petrified, skin and fur still clinging to some skeletons. “The grasslands they left behind are just not the same, in ways we’re really only starting to understand and appreciate,” Gill says. A 2019 study on prehistoric herbivores in Africa, for example, found that the large plant-eaters altered the water cycling, incidence of fire and vegetation of their environment in a way that has no modern equivalent and can’t just be assumed to be an ancient version of today’s savannas. The few megaherbivores still with us alter the plant life, water flow, seed dispersal and other aspects of modern environments in their own unique ways, she notes, which should be a warning to us to protect them—and the ways in which they affect our planet. If humans wish to see the origin of new magnificent giants like the ones we visit museums to see, we must change our relationship to the Earth first. Get the latest Science stories in your inbox.

How changes in California culture have influenced the evolution of wild animals in Los Angeles

A new study argues that religion, politics and war affect how animals and plants in cities evolve, and the confluence of these forces seem to be actively affecting urban wildlife in L.A.

For decades, biologists have studied how cities affect wildlife by altering food supplies, fragmenting habitats and polluting the environment. But a new global study argues that these physical factors are only part of the story. Societal factors, the researchers claim, especially those tied to religion, politics and war, also leave lasting marks on the evolutionary paths of the animals and plants that share our cities.Published in Nature Cities, the comprehensive review synthesizes evidence from cities worldwide, revealing how human conflict and cultural practices affect wildlife genetics, behavior and survival in urban environments.The paper challenges the tendency to treat the social world as separate from ecological processes. Instead, the study argues, we should consider the ways the aftershocks of religious traditions, political systems and armed conflicts can influence the genetic structure of urban wildlife populations. (Gabriella Angotti-Jones / Los Angeles Times) “Social sciences have been very far removed from life sciences for a very long time, and they haven’t been integrated,” said Elizabeth Carlen, a biologist at Washington University in St. Louis and co-lead author of the study. “We started just kind of playing around with what social and cultural processes haven’t been talked about,” eventually focusing on religion, politics and war because of their persistent yet underexamined impacts on evolutionary biology, particularly in cities, where cultural values and built environments are densely concentrated.Carlen’s own work in St. Louis examines how racial segregation and urban design, often influenced by policing strategies, affect ecological conditions and wild animals’ access to green spaces.“Crime prevention through environmental design,” she said, is one example of how these factors influence urban wildlife. “Law enforcement can request that there not be bushes … or short trees, because then they don’t have a sight line across the park.” Although that design choice may serve surveillance goals, it also limits the ability of small animals to navigate those spaces.These patterns, she emphasized, aren’t unique to St. Louis. “I’m positive that it’s happening in Los Angeles. Parks in Beverly Hills are going to look very different than parks in Compton. And part of that is based on what policing looks like in those different places.” This may very well be the case, as there is a significantly lower level of urban tree species richness in areas like Compton than in areas like Beverly Hills, according to UCLA’s Biodiversity Atlas. A coyote wanders onto the fairway, with the sprinklers turned on, as a golfer makes his way back to his cart after hitting a shot on the 16th hole of the Harding golf course at Griffith Park. (Mel Melcon / Los Angeles Times) The study also examines war and its disruptions, which can have unpredictable effects on animal populations. Human evacuation from war zones can open urban habitats to wildlife, while the destruction of green spaces or contamination of soil and water can fragment ecosystems and reduce genetic diversity.In Kharkiv, Ukraine, for example, human displacement during the Russian invasion led to the return of wild boars and deer to urban parks, according to the study. In contrast, sparrows, which depend on human food waste, nearly vanished from high-rise areas.All of this, the researchers argue, underscores the need to rethink how cities are designed and managed by recognizing how religion, politics and war shape not just human communities but also the evolutionary trajectories of urban wildlife. By integrating ecological and social considerations into urban development, planners and scientists can help create cities that are more livable for people while also supporting the long-term genetic diversity and adaptability of the other species that inhabit them.This intersection of culture and biology may be playing out in cities across the globe, including Los Angeles.A study released earlier this year tracking coyotes across L.A. County found that the animals were more likely to avoid wealthier neighborhoods, not because of a lack of access or food scarcity, but possibly due to more aggressive human behavior toward them and higher rates of “removal” — including trapping and releasing elsewhere, and in some rare cases, killing them. In lower-income areas, where trapping is less common, coyotes tended to roam more freely, even though these neighborhoods often had more pollution and fewer resources that would typically support wild canines. Researchers say these patterns reflect how broader urban inequities are written directly into the movements of and risks faced by wildlife in the city.Black bears, parrots and even peacocks tell a similar story in Los Angeles. Wilson Sherman, a PhD student at UCLA who is studying human-black bear interactions, highlights how local politics and fragmented municipal governance shape not only how animals are managed but also where they appear. (Carolyn Cole / Los Angeles Times) “Sierra Madre has an ordinance requiring everyone to have bear-resistant trash cans,” Sherman noted. “Neighboring Arcadia doesn’t.” This kind of patchwork governance, Sherman said, can influence where wild animals ultimately spend their time, creating a mosaic of risk and opportunity for species whose ranges extend across multiple jurisdictions.Cultural values also play a role. Thriving populations of non-native birds, such as Amazon parrots and peacocks, illustrate how aesthetic preferences and everyday choices can significantly influence the city’s ecological makeup in lasting ways.Sherman also pointed to subtler, often overlooked influences, such as policing and surveillance infrastructure. Ideally, the California Department of Fish and Wildlife would be the first agency to respond in a “wildlife situation,” as Sherman put it. But, he said, what often ends up happening is that people default to calling the police, especially when the circumstances involve animals that some urban-dwelling humans may find threatening, like bears.Police departments typically do not possess the same expertise and ability as CDFW to manage and then relocate bears. If a bear poses a threat to human life, police policy is to kill the bear. However, protocols for responding to wildlife conflicts that are not life-threatening can vary from one community to another. And how police use non-lethal methods of deterrence — such as rubber bullets and loud noises — can shape bear behavior.Meanwhile, the growing prevalence of security cameras and motion-triggered alerts has provided residents with new forms of visibility into urban biodiversity. “That might mean that people are suddenly aware that a coyote is using their yard,” Sherman said. In turn, that could trigger a homeowner to purposefully rework the landscape of their property so as to discourage coyotes from using it. Surveillance systems, he said, are quietly reshaping both public perception and policy around who belongs in the city, and who doesn’t. A mountain lion sits in a tree after being tranquilized along San Vicente Boulevard in Brentwood on Oct. 27, 2022. (Wally Skalij / Los Angeles Times) Korinna Domingo, founder and director of the Cougar Conservancy, emphasized how cougar behavior in Los Angeles is similarly shaped by decades of urban development, fragmented landscapes and the social and political choices that structure them. “Policies like freeway construction, zoning and even how communities have been historically policed or funded can affect where and how cougars move throughout L.A.,” she said. For example, these forces have prompted cougars to adapt by becoming more nocturnal, using culverts or taking riskier crossings across fragmented landscapes.Urban planning and evolutionary consequences are deeply intertwined, Domingo says. For example, mountain lion populations in the Santa Monica and Santa Ana mountains have shown signs of reduced genetic diversity due to inbreeding, an issue created not by natural processes, but by political and planning decisions — such as freeway construction and zoning decisions— that restricted their movement decades ago.Today, the Wallis Annenberg Wildlife Crossing, is an attempt to rectify that. The massive infrastructure project is happening only, Domingo said, “because of community, scientific and political will all being aligned.”However, infrastructure alone isn’t enough. “You can have habitat connectivity all you want,” she said, but you also have to think about social tolerance. Urban planning that allows for animal movement also increases the likelihood of contact with people, pets and livestock — which means humans need to learn how to interact with wild animals in a healthier way.In L.A., coexistence strategies can look very different depending on the resources, ordinances and attitudes of each community. Although wealthier residents may have the means to build predator-proof enclosures, others lack the financial or institutional support to do the same. And some with the means simply choose not to, instead demanding lethal removal., “Wildlife management is not just about biology,” Domingo said. “It’s about values, power, and really, who’s at the table.”Wildlife management in the United States has long been informed by dominant cultural and religious worldviews, particularly those grounded in notions of human exceptionalism and control over nature. Carlen, Sherman and Domingo all brought up how these values shaped early policies that framed predators as threats to be removed rather than species to be understood or respected. In California, this worldview contributed not only to the widespread killing of wolves, bears and cougars but also to the displacement of American Indian communities whose land-based practices and beliefs conflicted with these approaches. A male peacock makes its way past Ian Choi, 21 months old, standing in front of his home on Altura Road in Arcadia. (Mel Melcon / Los Angeles Times) Wildlife management in California, specifically, has long been shaped by these same forces of violence, originating in bounty campaigns not just against predators like cougars and wolves but also against American Indian peoples. These intertwined legacies of removal, extermination and land seizure continue to influence how certain animals and communities are perceived and treated today.For Alan Salazar, a tribal elder with the Fernandeño Tataviam Band of Mission Indians, those legacies run deep. “What happened to native peoples happened to our large predators in California,” he said. “Happened to our plant relatives.” Reflecting on the genocide of Indigenous Californians and the coordinated extermination of grizzly bears, wolves and mountain lions, Salazar sees a clear parallel.“There were three parts to our world — the humans, the animals and the plants,” he explained. “We were all connected. We respected all of them.” Salazar explains that his people’s relationship with the land, animals and plants is itself a form of religion, one grounded in ceremony, reciprocity and deep respect. Salazar said his ancestors lived in harmony with mountain lions for over 10,000 years, not by eliminating them but by learning from them. Other predators — cougars, bears, coyotes and wolves — were also considered teachers, honored through ceremony and studied for their power and intelligence. “Maybe we had a better plan on how to live with mountain lions, wolves and bears,” he said. “Maybe you should look at tribal knowledge.”He views the Wallis Annenberg Wildlife Crossing — for which he is a Native American consultant — as a cultural opportunity. “It’s not just for mountain lions,” he said. “It’s for all animals. And that’s why I wanted to be involved.” He believes the project has already helped raise awareness and shift perceptions about coexistence and planning, and hopes that it will help native plants, animals and peoples.As L.A. continues to grapple with the future of wildlife in its neighborhoods, canyons and corridors, Salazar and others argue that it is an opportunity to rethink the cultural frameworks, governance systems and historical injustices that have long shaped human-animal relations in the city. Whether through policy reform, neighborhood education or sacred ceremony, residents need reminders that evolutionary futures are being shaped not only in forests and preserves but right here, across freeways, backyards and local council meetings. The Wallis Annenberg Wildlife Crossing under construction over the 101 Freeway near Liberty Canyon Road in Agoura Hills on July 12, 2024. (Myung J. Chun / Los Angeles Times) The research makes clear that wildlife is not simply adapting to urban environments in isolation; it is adapting to a range of factors, including policing, architecture and neighborhood design. Carlen believes this opens a crucial frontier for interdisciplinary research, especially in cities like Los Angeles, where uneven geographies, biodiversity and political decisions intersect daily. “I think there’s a lot of injustice in cities that are happening to both humans and wildlife,” she said. “And I think the potential is out there for justice to be brought to both of those things.”

Something Strange Is Happening to Tomatoes Growing on the Galápagos Islands

Scientists say wild tomato plants on the archipelago's western islands are experiencing "reverse evolution" and reverting back to ancestral traits

Something Strange Is Happening to Tomatoes Growing on the Galápagos Islands Scientists say wild tomato plants on the archipelago’s western islands are experiencing “reverse evolution” and reverting back to ancestral traits Sarah Kuta - Daily Correspondent July 9, 2025 4:29 p.m. Scientists are investigating the production of ancestral alkaloids by tomatoes in the Galápagos Islands. Adam Jozwiak / University of California, Riverside Some tomatoes growing on the Galápagos Islands appear to be going back in time by producing the same toxins their ancestors did millions of years ago. Scientists describe this development—a controversial process known as “reverse evolution”—in a June 18 paper published in the journal Nature Communications. Tomatoes are nightshades, a group of plants that also includes eggplants, potatoes and peppers. Nightshades, also known as Solanaceae, produce bitter compounds called alkaloids, which help fend off hungry bugs, animals and fungi. When plants produce alkaloids in high concentrations, they can sicken the humans who eat them. To better understand alkaloid synthesis, researchers traveled to the Galápagos Islands, the volcanic chain roughly 600 miles off the coast of mainland Ecuador made famous by British naturalist Charles Darwin. They gathered and studied more than 30 wild tomato plants growing in different places on various islands. The Galápagos tomatoes are the descendents of plants from South America that were probably carried to the archipelago by birds. The team’s analyses revealed that the tomatoes growing on the eastern islands were behaving as expected, by producing alkaloids that are similar to those found in modern, cultivated varieties. But those growing on the western islands, they found, were creating alkaloids that were more closely related to those produced by eggplants millions of years ago. Tomatoes growing on the western islands (shown here) are producing ancestral alkaloids.  Adam Jozwiak / University of California, Riverside Researchers suspect the environment may be responsible for the plants’ unexpected return to ancestral alkaloids. The western islands are much younger than the eastern islands, so the soil is less developed and the landscape is more barren. To survive in these harsh conditions, perhaps it was advantageous for the tomato plants to revert back to older alkaloids, the researchers posit. “The plants may be responding to an environment that more closely resembles what their ancestors faced,” says lead author Adam Jozwiak, a biochemist at the University of California, Riverside, to BBC Wildlife’s Beki Hooper. However, for now, this is just a theory. Scientists say they need to conduct more research to understand why tomato plants on the western islands have adapted this way. Scientists were able to uncover the underlying molecular mechanisms at play: Four amino acids in a single enzyme appear to be responsible for the reversion back to the ancestral alkaloids, they found. They also used evolutionary modeling to confirm the direction of the adaptation—that is, that the tomatoes on the western islands had indeed returned to an earlier, ancestral state. Among evolutionary biologists, “reverse evolution” is somewhat contentious. The commonly held belief is that evolution marches forward, not backward. It’s also difficult to prove an organism has reverted back to an older trait through the same genetic pathways. But, with the new study, researchers say they’ve done exactly that. “Some people don’t believe in this,” says Jozwiak in a statement. “But the genetic and chemical evidence points to a return to an ancestral state. The mechanism is there. It happened.” So, if “reverse evolution” happened in wild tomatoes, could something similar happen in humans? In theory, yes, but it would take a long time, Jozwiak says. “If environmental conditions shifted dramatically over long timescales, it’s possible that traits from our distant past could re-emerge, but whether that ever happens is highly uncertain,” Jozwiak tells Newsweek’s Daniella Gray. “It’s speculative and would take millions of years, if at all.” Get the latest stories in your inbox every weekday.

Lifesize herd of puppet animals begins climate action journey from Africa to Arctic Circle

The Herds project from the team behind Little Amal will travel 20,000km taking its message on environmental crisis across the worldHundreds of life-size animal puppets have begun a 20,000km (12,400 mile) journey from central Africa to the Arctic Circle as part of an ambitious project created by the team behind Little Amal, the giant puppet of a Syrian girl that travelled across the world.The public art initiative called The Herds, which has already visited Kinshasa and Lagos, will travel to 20 cities over four months to raise awareness of the climate crisis. Continue reading...

Hundreds of life-size animal puppets have begun a 20,000km (12,400 mile) journey from central Africa to the Arctic Circle as part of an ambitious project created by the team behind Little Amal, the giant puppet of a Syrian girl that travelled across the world.The public art initiative called The Herds, which has already visited Kinshasa and Lagos, will travel to 20 cities over four months to raise awareness of the climate crisis.It is the second major project from The Walk Productions, which introduced Little Amal, a 12-foot puppet, to the world in Gaziantep, near the Turkey-Syria border, in 2021. The award-winning project, co-founded by the Palestinian playwright and director Amir Nizar Zuabi, reached 2 million people in 17 countries as she travelled from Turkey to the UK.The Herds’ journey began in Kinshasa’s Botanical Gardens on 10 April, kicking off four days of events. It moved on to Lagos, Nigeria, the following week, where up to 5,000 people attended events performed by more than 60 puppeteers.On Friday the streets of Dakar in Senegal will be filled with more than 40 puppet zebras, wildebeest, monkeys, giraffes and baboons as they run through Médina, one of the busiest neighbourhoods, where they will encounter a creation by Fabrice Monteiro, a Belgium-born artist who lives in Senegal, and is known for his large-scale sculptures. On Saturday the puppets will be part of an event in the fishing village of Ngor.The Herds’ 20,000km journey began in Kinshasa, the Democratic Republic of the Congo. Photograph: Berclaire/walk productionsThe first set of animal puppets was created by Ukwanda Puppetry and Designs Art Collective in Cape Town using recycled materials, but in each location local volunteers are taught how to make their own animals using prototypes provided by Ukwanda. The project has already attracted huge interest from people keen to get involved. In Dakar more than 300 artists applied for 80 roles as artists and puppet guides. About 2,000 people will be trained to make the puppets over the duration of the project.“The idea is that we’re migrating with an ever-evolving, growing group of animals,” Zuabi told the Guardian last year.Zuabi has spoken of The Herds as a continuation of Little Amal’s journey, which was inspired by refugees, who often cite climate disaster as a trigger for forced migration. The Herds will put the environmental emergency centre stage, and will encourage communities to launch their own events to discuss the significance of the project and get involved in climate activism.The puppets are created with recycled materials and local volunteers are taught how to make them in each location. Photograph: Ant Strack“The idea is to put in front of people that there is an emergency – not with scientific facts, but with emotions,” said The Herds’ Senegal producer, Sarah Desbois.She expects thousands of people to view the four events being staged over the weekend. “We don’t have a tradition of puppetry in Senegal. As soon as the project started, when people were shown pictures of the puppets, they were going crazy.”Little Amal, the puppet of a Syrian girl that has become a symbol of human rights, in Santiago, Chile on 3 January. Photograph: Anadolu/Getty ImagesGrowing as it moves, The Herds will make its way from Dakar to Morocco, then into Europe, including London and Paris, arriving in the Arctic Circle in early August.

Dead, sick pelicans turning up along Oregon coast

So far, no signs of bird flu but wildlife officials continue to test the birds.

Sick and dead pelicans are turning up on Oregon’s coast and state wildlife officials say they don’t yet know why. The Oregon Department of Fish and Wildlife says it has collected several dead brown pelican carcasses for testing. Lab results from two pelicans found in Newport have come back negative for highly pathogenic avian influenza, also known as bird flu, the agency said. Avian influenza was detected in Oregon last fall and earlier this year in both domestic animals and wildlife – but not brown pelicans. Additional test results are pending to determine if another disease or domoic acid toxicity caused by harmful algal blooms may be involved, officials said. In recent months, domoic acid toxicity has sickened or killed dozens of brown pelicans and numerous other wildlife in California. The sport harvest for razor clams is currently closed in Oregon – from Cascade Head to the California border – due to high levels of domoic acid detected last fall.Brown pelicans – easily recognized by their large size, massive bill and brownish plumage – breed in Southern California and migrate north along the Oregon coast in spring. Younger birds sometimes rest on the journey and may just be tired, not sick, officials said. If you find a sick, resting or dead pelican, leave it alone and keep dogs leashed and away from wildlife. State wildlife biologists along the coast are aware of the situation and the public doesn’t need to report sick, resting or dead pelicans. — Gosia Wozniacka covers environmental justice, climate change, the clean energy transition and other environmental issues. Reach her at gwozniacka@oregonian.com or 971-421-3154.Our journalism needs your support. Subscribe today to OregonLive.com.

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