Trailers

Behind the scenes

We love when filmmakers drop in to give our viewers a deeper insight into their passion for protecting our environment through art. Please enjoy these highlights of our recent conversations.

Explore the spring's streams

Cinema Verde is showcasing our most impactful films yet to encourage every culture across the globe to help save our environment before it’s too late. Become immersed in the trailers for our Cinema Verde Virtual Screenings to learn how you can help build a sustainable future. Click each film poster to view a trailer.

L’eau Est La Vie (Water Is Life): From Standing Rock To The Swamp
L'eau Est La Vie (Water Is Life): From Standing Rock to the Swamp (United States, 25 min). Directed by Sam Vinal. On the banks of Louisiana, fierce Indigenous women are ready to fight—to stop the corporate blacksnake and preserve their way of life. They are risking everything to protect Mother Earth from the predatory fossil fuel companies that seek to poison it. The film follows water protector Cherri Foytlin in the swamps of Louisiana as she leads us on a no-nonsense journey of indigenous resistance to the Bayou Bridge Pipeline (BBP), which is an extension of the Dakota Access Pipeline (DAPL). The pipelines are part of an ongoing legacy of colonization and slow genocide. At the heart of the struggle is a battle between people and profit.
A Low Carbon Future for China’s Furnace Cities
A Low Carbon Future for China's Furnace Cities (United Kingdom [UK], 10 min). Directed by Monika Koeck. China’s economic development and rapid urbanization has led to a dramatic rise in energy consumption due to excessive heating and air-conditioning causing carbon emissions of immense proportions. China’s government has set the ambitious target of reducing CO2 emissions by 40–45% by 2020 against the 2005 baseline. A UK/China-funded team working on how to solve the problem in some of the most extreme climate regions in China. The team discovers groundbreaking solutions using computational-fluid-dynamics simulations.
MINE
Mine (United States, 9 min) Directed by Sasha Chudacoff. A dance and music collaboration between sisters exploring a 1920s coal mining site where an iconic structure called the Gronk still stands. The sisters collected stories and myths about mines from elders in Crested Butte, Colorado. The Gronk overlooks spectacular views of Paradise Divide in the West Elk mountain range. The sights are beautiful and popular for outdoor recreation; however sadly still toxic. The land has only partially recuperated from destruction. Mosses are the first step in ecological restoration of toxic mine sites. Very few mosses are growing here. After land violence, how is spirit of place honored?
Jetty Cats
Jetty Cats (USA, 56 min 35 sec) explores contemporary animal rights issues through a focus on a feral cat colony that has survived on a rocky, seaside jetty in Southern California for decades. There is an ongoing debate over feral cat colonies involving advocates who support the trap, neuter, and return -- or "TNR" -- model of management, and those who argue that trapping and euthanizing the cats is more humane. This documentary’s point-of-view supports the TNR model and the related “no-kill” animal shelter policy, and features an exclusive interview with Richard Avanzino, the "Father" of the no-kill movement.
Voices of Transition
Voices of Transition An enthusiastic documentary on farmer- and community-led responses to food insecurity in a scenario of climate change, peak oil, and economic crisis. Concrete examples from Cuba, France, and the United Kingdom tell of a future society where our monoculture deserts will be restored to living soil, where fields will be introduced into our cities, and where independence from oil will help us live a richer, more fulfilling life.
Standing Rock - Take Me From The River
Standing Rock Take Me From The River (USA, 29 min) Most Revealing Directed by Denny Rauen. Thousands from across the political spectrum were inspired to travel to Standing Rock and join the resistance to the Dakota Access Pipeline. In Spring 2016, the call went out, and no one would have guessed the movement would gain so much support around the world. The fight is not over: The sacred fire has been kicked out, but the embers are still ablaze in water protectors everywhere as Native Americans lead the important challenges to protect our environment.
Juskatla
Juskatla (United States, 14 min). Directed by Georg Koszulinski - weaves together perspectives of the people who live on the islands of Haida Gwaii—an archipelago on Canada’s Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People’s territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.
Eryngium Proteiflorum
Eryngium Proteiflorum (Mexico-in Spanish, 10 min). Directed by Dia Amida. Exists the ideal space-time with appropriate conditions for each organism fulfills its life cycle. Exists places to be fully habitats: The Eryngium Proteiflorum is an endangered endemic flower of the Mexican Transverse Volcanic Axis. Every being has its own space and time and the reflection on the human right to alter it takes relevance in a historical moment where protecting biodiversity can be a deadly battle, where the lives of those who fight for prevention are being taken, every human has its own metaphorical Eryngium. It is not just about a flower, it is about the idea that we can posses anything we want without considering its destruction. This film honors those who have no voice and whose future is plunging into extinction.
Drops and Stardust
Drops and Stardust (Japan, 1 min). Directed by Atobe Hiroshi. Director’s notes: “I found two words 'spontaneously' and 'simultaneously' alongside one another in a vocabulary notebook and thought it seemed to be wonderful that the meanings of the two words conjoined. I embody the idea by using a turntable with a running mirror under the photo panel, and it could imply how I and others relate across the media symbolism. Consequently water turns into the starry night, like howling dreams come true. Water drops turning to the starry night.”
Wild Florida's Vanishing Call
Wild Florida's Vanishing Call. (United States, 5 min). Filmed and directed by Alycin Hayes and Jimmy Evans. A moving, powerful inside look at what has happened to the wild, rarely seen, real Florida. A compelling, emotional soundtrack carries the viewer through the past destruction of wild Florida habitats, to beautiful scenes of Florida's rarely seen native wild animals, including the most endangered cat in North America, the Florida Panther, and ends with a positive message encouraging the viewer to work to protect Florida's wildlife and habitat before it is too late.
El País de la Eterna Primavera (Land of the Eternal Spring)
El País De La Eterna Primavera, El – Land of the Eternal Spring (Guatemala, 4 min). Directed by Boaz Dvir. San Francisco-based photojournalist Jason Henry (New York Times, Vice, Wall Street Journal) treks to Guatemala’s most infamous landfill, Teculután. Against the backdrop of the Sierra de las Minas mountains, Henry tries to maintain his composure as he shoots children digging through the garbage in search of shreds of sustenance in a monstrous heap of human and animal waste and burning ash. Surrounded by swarming flies and accompanied by writer Erik Maza (Baltimore Sun, Town & Country), Henry observes, “This is their playground.”
Waters of the U.S.
Waters of the U.S. (United States, 21 min). Directed by Remi Escudié. The current administration is rolling back crucial protections for streams and wetlands across the country in a direct assault on the Clean Water Act. This incredibly beautiful film tells the story of the rivers, streams, and wetlands of Alabama to illustrate the dangers of the proposed regulation. By doing so, it shows the economic benefits, ecological health, and cultural way of life that hang in the balance. The director hails from Miami, Florida, with a strong passion for environmental advocacy. With a degree in Editing, Writing & Media from Florida State University and a background in environmental journalism, he intends to make documentaries to inspire protection wildlife and our natural resources.
Life- Plastic Wrapped (2020)
Life: Plastic Wrapped was filmed and edited during 2020 Quarantine. Did you know plastics are making a HUGE comeback due to COVID-19? The increase of plastic production and waste has been directly affected by this global pandemic. The poem, "I am a head in a plastic bag (for Sasha)" was written by collaborator Haley White in relation to my obsession with our plastic problem. Taking ownership of my own participation in our plastic world and climate catastrophe has allowed me to contemplate these issues on a deeper level.
Sentinels of Silence? Whale Watching, Noise, and the Orca (2020)
Does whale watching protect or harm whales? This film explores heated controversies over whale watching, boat noise, and orca conservation in Washington State and British Columbia. Whale watching companies claim that they serve as "sentinels" protecting the orca from unwary recreational boaters, ferries, and ships. A number of local conservationists and scientists have argued that whale watching boats crowd and harass whales, while adding noise to the orcas' immediate environment that makes it difficult for the social species to survive. "Sentinels of Silence?" uses dramatic imagery, peer-reviewed science, and interviews with conservationists, scientists, and industry officials to bring a fascinating chapter in the orca conservation story to light.
Swallowtail - An Apprenticeship Story (2020)
Swallowtail: An Apprenticeship Story follows six young aspiring farmers as they navigate the rollercoaster season of 2019-2020 in North Central Florida. The film centers on the thoughts and experiences of these apprentices who leave home to live at Swallowtail Farm and how the COVID-19 pandemic turned an already challenging learning experience into an unprecedented one. Throughout their journey, they reflect on issues of food security, sustainability practices, and community.
Bury Me at Taylor Hollow (2020)
Bury Me at Taylor Hollow follows the growing pains of Larkspur as they set out to raise $210,000 to buy 112 acres for both natural burial and conservation. With breathtaking footage and intimate moments of a soul finding its way, director Orion Pahl and writer/editor Rebekah Pahl weave an unforgettable glimpse into a new way of approaching death. More than just a film about death, Bury Me is about the through-line present in all our lives if we keep our ears close to the ground and listen.