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How ‘loving corrections’ could transform our relationships with one another — and the Earth

News Feed
Wednesday, August 21, 2024

The vision “I foresee a movement with a wide stance, a strong connection to ancestral wisdom, a fortified sense of self that inspires all who see and touch and join it. We spend our time transforming ourselves and our relationships to earth and each other. We show the way with our bodies and behavior, rather than shaming anyone for where they are. There is love at the center.” — adrienne maree brown in Loving Corrections The spotlight “We need each other.” Those words begin a new book by activist and scholar adrienne maree brown: Loving Corrections. It’s a scientific fact that humans rely on one another; even the most introverted among us require social connection, collaboration, and community to thrive. Yet we’re living through what even the surgeon general has deemed an “epidemic of loneliness and isolation,” and our country seems to grow more divided by the day — politically, culturally, even by gender. Loving Corrections is written as a practical guide to begin to remedy some of those divisions, to reinject empathy into our interactions, and to offer an alternative to the harms of cancel culture. “Even among those of us who long for justice and liberation, I noticed an emerging trend within our movements that looked and felt like policing each other, disposing of each other, and destroying each other,” brown writes in the introduction. Brown (who uses both she and they pronouns) is an author, activist, and scholar, and a leading voice on the politics of activism and collective liberation, with a particular emphasis on climate and environmental justice. She has written and edited a number of books that explore themes of self-care, self-help, and best practices in movements for change — including the 2017 book Emergent Strategy, considered by many to be a movement classic. Loving Corrections is the latest in that series. The book draws on brown’s extensive experience as a facilitator; in that role, they said, they learned how to hold a space in which people could slow down, connect as human beings, and really hear one another through sometimes difficult conversations. They thought they might be able to do the same thing as a writer. (Brown also served as a judge for Grist’s Imagine 2200 climate fiction contest in 2021, and wrote for Grist nearly two decades ago about issues of exclusion in environmentalism — a movement certainly guilty of the kind of policing brown describes in the intro to her book.) “I think of the work I do as growing a garden of healing ideas in public,” brown told me. “I’m constantly trying to hone ideas that I think will be helpful to the collective, to the species, to how we relate to the Earth, how we relate to each other — and Loving Corrections emerged because I kept getting questions from people that were like, ‘OK, but how do we actually do this? How do we hold on to each other while we relinquish these systems of oppression in which we’ve been socialized, in which we’re caught up?” The book offers some specific advice, and even an example of brown in conversation with her two sisters, showing how they’ve instituted regular check-ins with each other as a way of easing familial friction. But it’s also about more than our relationships with fellow humans. The Earth can deliver loving corrections, brown writes, and also requires an attentive relationship. That can happen on an individual level, with the land and ecosystems around us — but for some of the systemic changes that humanity needs to make in order to heal our broken systems of extraction, pollution, and destruction, we first need to imagine better systems in their place, brown said. That, too, can be a form of loving correction. “We live in a world that was imagined by people who didn’t actually care about keeping our connection to the Earth intact and who didn’t really care about us being in right relationship with each other,” she said. “It matters hugely that we articulate to each other what we dream, what the world could be like — and that we don’t settle.” Here’s a short excerpt from brown’s book, exploring ways of thinking about our relationship to the Earth, how to listen, and how to care for this blue dot we call home. (This essay originally appeared in “Murmurations,” a column brown started for YES! Magazine, focusing on themes of accountability.) — Claire Elise Thompson Excerpted chapter: “Accountable to Earth,” from the book Loving Corrections by adrienne maree brown I love sitting with mothers in moments of relaxation. I was recently on vacation with some of my goddess crew, one of whom is a new mom. Her baby was sleeping in the next room, and after a bit of time and talk, we heard the sound of his voice, carried in stereo through the door and the little monitor that let us see and hear him. To be honest, anytime he wasn’t with us, we were watching the little monitor, watching him sleep, dream, move around, self-soothe. My friend sat up, alert, and held up a hand to remind herself (and us) to give him a minute to see if he needed her or was just cycling up to the surface of wakefulness before diving into the next dream. He dove, and we went back to what we were doing. An hour later, he cried out again, louder, demanding, fully awake. She moved quickly to hold him, knowing his needs with the incredible grace of a good parent. Later, I thought I heard him again, but he was awake, and it was an owl hooting deep in the Blue Ridge Mountains, the pitch of the hoot moving up, up, up the scale, and into the moonlight. Another time, it was a cat nearby, mewling for attention. I was reading a book about a talking cat, and for a moment, fiction and fantasy merged as I felt certain I knew what the cat meant: Now, now, now! The baby, the owl, the cat — they all sounded the same to me, each crying out for attention, for care, in a language that translates across species. This pattern of screaming prayer returns me to a familiar question: How do we hear beyond the human cry for help? The Earth seems to be crying. I hear the concurrent calls of one-third of Pakistan underwater in massive floods; Jackson, Mississippi, without water for drinking or toilet flushing for the foreseeable future; Puerto Rico’s power grid flooded out by Hurricane Fiona. And that suffering barely scratches the surface. There are fires that never rest into ash, there is water that doesn’t recede, waves where we need ice, islands whose highest point is now below water, heat waves that send elders into grocery store aisles while chefs cook steak on the hoods of cars. On the recent anniversary of Hurricane Katrina, I noticed how normalized these disasters have become; how comfortable we are becoming with mass displacement and death. What would it look like to answer the demanding cries of Earth, to be accountable to the needs of the planet? Given that these questions are likely already familiar to the readers of this publication, perhaps we need to ask something different: Can those of us willing to be accountable do enough to counter the choices of those bent on destruction? How? Over this past year, I have been experimenting with a climate ban on unnecessary travel. I don’t fly for work or speeches. If I am in transit, it is for love only: going to family, blood or chosen; going to home; going to health. If it’s within reach and my body is up for it, I drive my electric vehicle to get there. I’ve mostly been able to hold this practice, and it has felt like a choice that helps ease my impact on the Earth, while also easing the impact that travel and being away from the sanctuary of home has on my body. I am feeling myself more every day as an earthling, understanding how what is good for my body is good for the Earth, and vice versa. Another practice I’m interested in is folding the Earth into every other thing I do, every decision I make. When I consider any concern I have for people, place, animal, culture, danger, I root myself back to the relationship to our Earth and the changes currently unfolding for her. What would the Earth have me do, have us do? These questions bring me to this brief but powerful wisdom from Margaret Killjoy: “You can’t write fiction on a dead planet.” I think the same is true for everything, far beyond fiction. If the planet effectively dies for us, if it becomes uninhabitable for humans, nothing else we are doing here matters. So many of us have cried this out, in so many ways, for so long — I know I am adding my voice to an ancient wailing, for attention. For care. If every issue was seen through an Earth-related lens, what might we learn? We wouldn’t put down our myriad priorities, but maybe we would reframe and redistribute our time to more accurately account for the care of our only home, currently crumbling and buckling, infested, and burning and flooding in every room. Our home, too, is wailing. But imagine for a moment that everyone was tapped into this pattern of accountability to the planet, of anchoring our actions in consideration of their impact on the Earth. Imagine a common reality of collectively prioritizing our most universal gift: life on Earth. Imagine, for instance, a movement-wide, Earth-forward ban on work travel, and a shared commitment to turn our global attention to the wisdom and need of the Earth beneath our feet and over our heads, flowing all around us. Imagine what we could do together if our movements were focused on sustainability or, even better, sustenance — that which sustains us, that which answers the cry for care. What if movement’s job was to hone the parental instinct of our species? I am not suggesting here that the Earth needs us to parent it in terms of a power dynamic, but rather that there is something communal and universal in the need and offer for care among the species that share this planet. There is a rhythm to care that flows in every direction. Rather than centering a human purpose of domination and forcing the Earth to serve us, imagine if we centered in a human purpose of care, among and beyond our species. More exposure Read: Loving Corrections, out yesterday from AK Press — and check here for tour dates to hear more from adrienne maree brown Read: more from Murmurations, a column featuring the work of brown and other writers (YES! Magazine) Read: Emergent Strategy, brown’s first solo book, heavily inspired by Octavia Butler’s writings about change in her seminal climate fiction novel, Parable of the Sower Read: an article about what we can learn from Parable of the Sower in 2024, the year the story was set (Grist) A parting shot Enjoy this scenic photo of a sunset in the Blue Ridge Mountains — the site of the retreat that brown describes in her essay, and, coincidentally, where I’m from! There’s nothing more soothing to me than the sight of these old, tree-covered mountains, especially in the fall. IMAGE CREDITS Vision: Grist Parting shot: Joe Sohm / Visions of America / Getty Images   This post has been updated to reflect adrienne maree brown’s preferred styling of their name. This story was originally published by Grist with the headline How ‘loving corrections’ could transform our relationships with one another — and the Earth on Aug 21, 2024.

In her newest book, activist and scholar adrienne maree brown offers a practical guide to empathy.

Illustration of ear tuning into sound coming from earth

The vision

“I foresee a movement with a wide stance, a strong connection to ancestral wisdom, a fortified sense of self that inspires all who see and touch and join it. We spend our time transforming ourselves and our relationships to earth and each other. We show the way with our bodies and behavior, rather than shaming anyone for where they are. There is love at the center.”

— adrienne maree brown in Loving Corrections

The spotlight

“We need each other.”

Those words begin a new book by activist and scholar adrienne maree brown: Loving Corrections.

It’s a scientific fact that humans rely on one another; even the most introverted among us require social connection, collaboration, and community to thrive. Yet we’re living through what even the surgeon general has deemed an “epidemic of loneliness and isolation,” and our country seems to grow more divided by the day — politically, culturally, even by gender.

Loving Corrections is written as a practical guide to begin to remedy some of those divisions, to reinject empathy into our interactions, and to offer an alternative to the harms of cancel culture. “Even among those of us who long for justice and liberation, I noticed an emerging trend within our movements that looked and felt like policing each other, disposing of each other, and destroying each other,” brown writes in the introduction.

Brown (who uses both she and they pronouns) is an author, activist, and scholar, and a leading voice on the politics of activism and collective liberation, with a particular emphasis on climate and environmental justice. She has written and edited a number of books that explore themes of self-care, self-help, and best practices in movements for change — including the 2017 book Emergent Strategy, considered by many to be a movement classic.

Loving Corrections is the latest in that series. The book draws on brown’s extensive experience as a facilitator; in that role, they said, they learned how to hold a space in which people could slow down, connect as human beings, and really hear one another through sometimes difficult conversations. They thought they might be able to do the same thing as a writer. (Brown also served as a judge for Grist’s Imagine 2200 climate fiction contest in 2021, and wrote for Grist nearly two decades ago about issues of exclusion in environmentalism — a movement certainly guilty of the kind of policing brown describes in the intro to her book.)

“I think of the work I do as growing a garden of healing ideas in public,” brown told me. “I’m constantly trying to hone ideas that I think will be helpful to the collective, to the species, to how we relate to the Earth, how we relate to each other — and Loving Corrections emerged because I kept getting questions from people that were like, ‘OK, but how do we actually do this? How do we hold on to each other while we relinquish these systems of oppression in which we’ve been socialized, in which we’re caught up?”

The book offers some specific advice, and even an example of brown in conversation with her two sisters, showing how they’ve instituted regular check-ins with each other as a way of easing familial friction.

But it’s also about more than our relationships with fellow humans. The Earth can deliver loving corrections, brown writes, and also requires an attentive relationship. That can happen on an individual level, with the land and ecosystems around us — but for some of the systemic changes that humanity needs to make in order to heal our broken systems of extraction, pollution, and destruction, we first need to imagine better systems in their place, brown said. That, too, can be a form of loving correction.

“We live in a world that was imagined by people who didn’t actually care about keeping our connection to the Earth intact and who didn’t really care about us being in right relationship with each other,” she said. “It matters hugely that we articulate to each other what we dream, what the world could be like — and that we don’t settle.”

Here’s a short excerpt from brown’s book, exploring ways of thinking about our relationship to the Earth, how to listen, and how to care for this blue dot we call home. (This essay originally appeared in “Murmurations,” a column brown started for YES! Magazine, focusing on themes of accountability.)

— Claire Elise Thompson

-----

Excerpted chapter: “Accountable to Earth,” from the book Loving Corrections by adrienne maree brown

I love sitting with mothers in moments of relaxation. I was recently on vacation with some of my goddess crew, one of whom is a new mom. Her baby was sleeping in the next room, and after a bit of time and talk, we heard the sound of his voice, carried in stereo through the door and the little monitor that let us see and hear him.

To be honest, anytime he wasn’t with us, we were watching the little monitor, watching him sleep, dream, move around, self-soothe. My friend sat up, alert, and held up a hand to remind herself (and us) to give him a minute to see if he needed her or was just cycling up to the surface of wakefulness before diving into the next dream. He dove, and we went back to what we were doing. An hour later, he cried out again, louder, demanding, fully awake. She moved quickly to hold him, knowing his needs with the incredible grace of a good parent.

Later, I thought I heard him again, but he was awake, and it was an owl hooting deep in the Blue Ridge Mountains, the pitch of the hoot moving up, up, up the scale, and into the moonlight. Another time, it was a cat nearby, mewling for attention. I was reading a book about a talking cat, and for a moment, fiction and fantasy merged as I felt certain I knew what the cat meant: Now, now, now! The baby, the owl, the cat — they all sounded the same to me, each crying out for attention, for care, in a language that translates across species.

This pattern of screaming prayer returns me to a familiar question: How do we hear beyond the human cry for help?

The Earth seems to be crying. I hear the concurrent calls of one-third of Pakistan underwater in massive floods; Jackson, Mississippi, without water for drinking or toilet flushing for the foreseeable future; Puerto Rico’s power grid flooded out by Hurricane Fiona. And that suffering barely scratches the surface. There are fires that never rest into ash, there is water that doesn’t recede, waves where we need ice, islands whose highest point is now below water, heat waves that send elders into grocery store aisles while chefs cook steak on the hoods of cars. On the recent anniversary of Hurricane Katrina, I noticed how normalized these disasters have become; how comfortable we are becoming with mass displacement and death.

What would it look like to answer the demanding cries of Earth, to be accountable to the needs of the planet? Given that these questions are likely already familiar to the readers of this publication, perhaps we need to ask something different: Can those of us willing to be accountable do enough to counter the choices of those bent on destruction? How?

Over this past year, I have been experimenting with a climate ban on unnecessary travel. I don’t fly for work or speeches. If I am in transit, it is for love only: going to family, blood or chosen; going to home; going to health. If it’s within reach and my body is up for it, I drive my electric vehicle to get there.

I’ve mostly been able to hold this practice, and it has felt like a choice that helps ease my impact on the Earth, while also easing the impact that travel and being away from the sanctuary of home has on my body. I am feeling myself more every day as an earthling, understanding how what is good for my body is good for the Earth, and vice versa.

Another practice I’m interested in is folding the Earth into every other thing I do, every decision I make. When I consider any concern I have for people, place, animal, culture, danger, I root myself back to the relationship to our Earth and the changes currently unfolding for her. What would the Earth have me do, have us do?

These questions bring me to this brief but powerful wisdom from Margaret Killjoy: “You can’t write fiction on a dead planet.” I think the same is true for everything, far beyond fiction. If the planet effectively dies for us, if it becomes uninhabitable for humans, nothing else we are doing here matters. So many of us have cried this out, in so many ways, for so long — I know I am adding my voice to an ancient wailing, for attention. For care.

If every issue was seen through an Earth-related lens, what might we learn? We wouldn’t put down our myriad priorities, but maybe we would reframe and redistribute our time to more accurately account for the care of our only home, currently crumbling and buckling, infested, and burning and flooding in every room. Our home, too, is wailing.

But imagine for a moment that everyone was tapped into this pattern of accountability to the planet, of anchoring our actions in consideration of their impact on the Earth. Imagine a common reality of collectively prioritizing our most universal gift: life on Earth. Imagine, for instance, a movement-wide, Earth-forward ban on work travel, and a shared commitment to turn our global attention to the wisdom and need of the Earth beneath our feet and over our heads, flowing all around us.

Imagine what we could do together if our movements were focused on sustainability or, even better, sustenance — that which sustains us, that which answers the cry for care. What if movement’s job was to hone the parental instinct of our species? I am not suggesting here that the Earth needs us to parent it in terms of a power dynamic, but rather that there is something communal and universal in the need and offer for care among the species that share this planet. There is a rhythm to care that flows in every direction. Rather than centering a human purpose of domination and forcing the Earth to serve us, imagine if we centered in a human purpose of care, among and beyond our species.

-----

More exposure

A parting shot

Enjoy this scenic photo of a sunset in the Blue Ridge Mountains — the site of the retreat that brown describes in her essay, and, coincidentally, where I’m from! There’s nothing more soothing to me than the sight of these old, tree-covered mountains, especially in the fall.

A golden sunset peaks over the horizon of tree-covered mountains

IMAGE CREDITS

Vision: Grist

Parting shot: Joe Sohm / Visions of America / Getty Images

 

This post has been updated to reflect adrienne maree brown’s preferred styling of their name.

This story was originally published by Grist with the headline How ‘loving corrections’ could transform our relationships with one another — and the Earth on Aug 21, 2024.

Read the full story here.
Photos courtesy of

Tribes Celebrate the End of the Largest Dam Removal Project in US History

The largest dam removal project in U.S. history has been completed near the California-Oregon border

The largest dam removal project in U.S. history was completed Wednesday, marking a major victory for tribes in the region who fought for decades to free hundreds of miles of the Klamath River near the California-Oregon border.Through protests, testimony and lawsuits, local tribes showcased the environmental devastation due to the four towering hydroelectric dams, especially to salmon, which are culturally and spiritually significant to tribes in the region.“Without that visioning and that advocacy and activism and the airplane miles that they racked up … to point out the damage that these dams were doing, not only to the environment, but to the social and cultural fabric of these tribal nations, there would be no dam removal,” said Mark Bransom, chief executive of the Klamath River Renewal Corporation, the nonprofit entity created to oversee the project.Power company PacifiCorp built the dams to generate electricity between 1918 and 1962. But the structures halted the natural flow of the waterway that was once known as the third-largest salmon-producing river on the West Coast, disrupting the lifecycle of the region’s salmon. At the same time, the dams only produced a fraction of PacifiCorp’s energy at full capacity — enough to power about 70,000 homes. They also didn’t provide irrigation, drinking water or flood control, according to Klamath River Renewal Corporation.Since breaching the dams, anadromous fish regained access to their habitat, water temperature decreased and its quality improved, explained Michael Belchik, senior water policy analyst for the Yurok Tribe.But tribal advocates and activists see their work as far from finished, with some already refocusing their efforts on revegetation and other restoration work on the Klamath River and the surrounding land.Here’s a look at just a few of the many tribal members at the center of this struggle for dam removal:When Karuk tribal member Molli Myers took her first major step into the fight for Klamath dam removal, she was six months pregnant, had a toddler in tow and was in a foreign country for the first time. It was 2004 and she had organized a group of about 25 tribal members to fly to Scotland for the annual general stockholders meeting for Scottish Power, PacifiCorp’s parent company at the time.For hours, they protested outside with signs, sang and played drums. They cooked fish on Calton Hill over a fire of scotch barrels and gave it out to locals as they explained why they were there.“I really felt an urgency because I was having babies,” said Myers, who was born and raised in the middle Klamath in a traditional fishing family. “And so for me I was internalizing the responsibility to take care of their future.”The initial trigger for her to act came two years before that when she saw some of the tens of thousands of salmon die in the river from a bacterial outbreak caused by low water and warm temperatures.“Looking back on it now I wonder where would we be if that hadn’t happened," said Myers, 41. "Looking back on it now I can say, ‘Was this our creator’s call to action?’”She spent the next two decades protesting and flooding state and federal meetings with tribal testimony, including waiting with other tribal members at the doors of a Berkshire Hathaway shareholder meeting at 4 a.m. in 2007 to ask Warren Buffett what he was going to do about the dams. PacifiCorp was at that point part of Buffett’s Berkshire Hathaway Inc. conglomerate.Today, those same children with her in Scotland are 21 and 19, and with the dams gone Myers said she sees the hope they and her other three children have about the future.“They can do whatever needs to get done because they saw it happen, they lived it, so now there’s no impossible for them," she said.For Yurok elder Jacqueline Winter, her feelings on the newly free-flowing river are more complicated. The 89-year-old’s son, Troy Fletcher, was the tribe’s point person for dam removal for two decades, testifying in front of the U.S. Congress and presenting to state and federal regulatory committees. But his true power came through his ability to bring people with radically conflicting viewpoints — from farmers to commercial fishers to tribal members — together. Winter said that came from his belief that everyone living along the river are relatives and deserve to be heard. “We’re all family. None of us can be left hurting and all of us have to give a little,” she said was his message.But at 53, the former executive director for the Yurok Tribe died unexpectedly from a heart attack, nearly a decade before that vision of a free-flowing river would finally be realized. Winter said when she saw the dams breached last month, it felt like his spirit was there through those he touched and she could finally let him go.“His vision became reality and I think he never doubted it,” she said. “He never doubted it. And those who worked closely with him never doubted it.”Former Klamath Tribes Chairman Jeff Mitchell’s work since the 1970s for dam removal came out of the belief that the salmon are their relatives.“They were gifted to us by our creator and given to us to preserve and to protect and also to help give us life,” said Mitchell, chair of the tribe’s Culture and Heritage Committee. “As such, the creator also instructed us to make sure that we do everything in our power to protect those fish.”The Klamath River’s headwaters lie on the tribe’s homelands in Oregon, and members once depended on salmon for 25% of their food. But for more than a century their waters have not held any salmon, he said.Mitchell and other tribal members’ fight to bring them back has cycled through several forms. There were the years of protesting, even gathering carcasses of fish after the 2002 fish kill and leaving them on the doorsteps of federal office buildings. There were his days of walking the halls of the state Legislature in Salem, Oregon, meeting with lawmakers about the millions in funding needed to make dam removal happen. Today, he said he feels like they achieved the impossible, but there’s still more work to do.“I’m happy that the dams are gone and we have passage,” he said. “But now I’m thinking about what are those fish coming home to? And that’s really the focus now, is how do we get the parties to start taking restoration actions and making that the top priority in all of this?”Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Sept. 2024

Newsom and state court judge throw wet blanket on Inland Empire warehouse boom

A judge tosses San Bernardino County's approval of a warehouse complex and Gov. Gavin Newsom reins in warehouse development with a new law.

In summary A judge tosses San Bernardino County’s approval of a warehouse complex and Gov. Gavin Newsom reins in warehouse development with a new law. It’s been a rough couple weeks for warehouse developers in the Inland Empire. Two weeks ago a San Bernardino Superior Court overturned the county’s approval of a massive warehouse complex on more than 2 million acres in the community of Bloomington. Then on Sunday Gov. Gavin Newsom signed a bill that reins in warehouse development statewide by tightening building standards and restricting diesel truck routes in neighborhoods.  The new law is likely to have a big impact in the Inland Empire, which already includes 4,000 warehouses that sprawl over nearly 40 square miles. Those facilities bring jobs, but also air pollution, noise and traffic. Environmental activists applauded the court case reversing the Bloomington warehouse approval. Developers of the Bloomington warehouse complex proposed building three new distribution centers, including a cavernous facility of more than a million square feet. Their plan involved buying and demolishing more than 100 homes. A coalition of nonprofits sued San Bernardino County and the developer in 2022, saying officials missed the mark on environmental standards. On Sept. 17 Superior Court Judge Donald Alvarez agreed. He overturned the project approval and its environmental impact report, ruling that it failed to offer reasonable alternatives or properly analyze impacts on air quality, noise, energy and greenhouse gas emissions. “We are very happy that the judge has looked at all the evidence and agreed” the environmental review was inadequate, said Alondra Mateo, a community organizer with the San Bernardino-based People’s Collective for Environmental Justice, which sued to stop the project. The demolition of homes that carved away a swath of the community goes beyond typical development concerns, Mateo said: “It’s not just an environmental impact; it’s a cultural impact, it’s a mental health impact.”  Then on Sunday Newsom approved the warehouse law authored by Inland Empire Democratic Assemblymembers Eloise Gómez Reyes and Juan Carillo. The law passed in the final hours of the legislative session in August, provoking criticism from all sides. While advocates for the logistics industry panned the law as a job-killer, community groups say its public health protections aren’t strict enough. Paul Granillo, president and CEO of the Inland Empire Economic Partnership, described the law as bad policy “created in a smoke-filled room without experts.” He predicted it will hurt jobs in  the Inland Empire and other parts of Southern California. Environmental groups weren’t any happier. The law requires warehouse loading docks be set back 300 to 500 feet from to sensitive sites, including homes, schools and playgrounds. That’s not enough of a buffer to protect nearby residents, Mateo said, arguing that the ideal distance should be about one kilometer, which is more than 3,280 feet. Reyes has said the law offers a starting point that local governments can expand on to protect public health. Mateo maintained it gives developers an out, enabling them to comply with the letter of the law by meeting minimum limits. Lawmakers acknowledged the law will require amendments. The critics are ready to go. Industry groups say they’ll press for more flexible rules, while environmental groups want stricter ones. “If anything we’re going to push even harder,” Mateo said.

Who Are the 2024 MacArthur ‘Genius Grant’ Fellows?

The John D

The John D. and Catherine T. MacArthur Foundation announced Tuesday its 2024 class of fellows, often known as recipients of the “genius grant."The 22 fellows will each receive a grant of $800,000 over five years to spend however they want. They were selected from nominations in a yearslong process that solicits input from their communities and peers. Fellows do not apply and are never officially informed that they’ve been nominated unless they are selected for the award.The interdisciplinary award seeks to “enable” people with a track record and the potential to produce additional extraordinary work, said Marlies Carruth, director of the MacArthur Fellows Program.Loka Ashwood, 39, Lexington, Kentucky, a sociologist at the University of Kentucky who studies how environmental issues, corporations and state policy intersect to harm rural communities and reduce their trust in democracy.Ruha Benjamin, 46, Princeton, New Jersey, a transdisciplinary scholar and writer at Princeton University who studies how new technologies and medical research often reinforce social and racial inequality and bias.Justin Vivian Bond, 61, New York, an artist and performer who, in their long career as cabaret singer, has stood up for civil rights, offered solace and humor to members of the gay community and inspired other transgender artists.Jericho Brown, 48, Atlanta, a poet at Emory University whose lyrical work explores contemporary culture in part through vulnerable self-reflection and experimentation in form.Tony Cokes, 68, Providence, Rhode Island, a media artist at Brown University whose video works often use text and fragments from contemporary culture to communicate social critique, including of police violence and torture.Nicola Dell, 42, New York, a computer and information scientist at Cornell Tech, who has studied how technology can be used for intimate partner abuse and has developed tools and programs to help survivors of such abuse. Johnny Gandelsman, 46, New Paltz, New York, a violinist and producer who has revisited classical works using different styles and techniques while also elevating the work of contemporary composers. Sterlin Harjo, 44, Tulsa, Oklahoma, a filmmaker whose work, including the television series “Reservation Dogs” that he co-created, is grounded in the daily lives of Native American communities.Juan Felipe Herrera, 75, Fresno, California, a poet, educator and writer dedicated to expressing the shared experiences of the Mexican-American community through often bilingual work that crosses genres and draws on both contemporary events and the cultures of pre-colonial societies. Ling Ma, 41, Chicago, a fiction writer whose often surreal or speculative stories build from and shed light on contemporary experiences of alienation, immigration and materialism. Jennifer L. Morgan, 58, New York, a historian at New York University whose work focuses on enslaved African women, revealing how the wealth of slaveowners and the growth of the economy was built on their exploitation and reproductive labor. Martha Muñoz, 39, New Haven, Connecticut, an evolutionary biologist at Yale University whose research investigates what factors drive the rates and patterns of evolution. Shaikaja Paik, 50, Cincinnati, a historian of modern India at the University of Cincinnati whose work explores caste discrimination and its intersection with gender and sexuality in the lives of Dalit women. Joseph Parker, 44, Pasadena, California, an evolutionary biologist studying rove beetles at the California Institute of Technology and the evolutionary origins of their symbiotic relationship with other species. Ebony G. Patterson, 43, Kingston, Jamaica and Chicago, a multimedia artist who has created intricate, layered, immersive works using a wide range of materials to explore social histories, sometimes juxtaposing vibrant landscapes with objects of mourning. Shamel Pitts, 39, Brooklyn, New York, a dancer and choreographer whose collaborative work with the artist group TRIBE, which he founded, imagines futures free from oppression, especially for members of the African diaspora. Wendy Red Star, 43, Portland, Oregon, a visual artist who draws on archival material to challenge colonial narratives and center the perspective of Native Americans. Jason Reynolds, 40, Washington, D.C., a children's and young adult writer, whose genre-crossing books often reflect the experiences of Black children and who encouraged children to tell their own stories as a former National Ambassador for Young People’s Literature.Dorothy Roberts, 68, Philadelphia, a legal scholar and public policy researcher at the University of Pennsylvania, who researches the racial inequities in child welfare systems and health systems that have denied agency to especially Black women over their bodies. Keivan G. Stassun, 52, Nashville, Tennessee, a science educator and astronomer at Vanderbilt University who has championed the recruitment of science students from diverse backgrounds, including neurodiverse students, in addition to his research on star evolution. Benjamin Van Mooy, 52, Woods Hole, Massachusetts, an oceanographer at the Woods Hole Oceanographic Institution who studies plankton and the critical role they play in sustaining marine life.Alice Wong, 50 San Francisco, a writer, editor and disability justice activist who founded the Disability Visibility Project in 2014, among other campaigns, to bring attention to the experiences of disabled people and the discrimination and obstacles they face. Associated Press coverage of philanthropy and nonprofits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.Copyright 2024 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Sept. 2024

Mexico's Sheinbaum Takes Office, Making History as First Woman President

By David Alire GarciaMEXICO CITY (Reuters) - When Claudia Sheinbaum takes her oath of office on Tuesday, formally becoming Mexico's first woman...

MEXICO CITY (Reuters) - When Claudia Sheinbaum takes her oath of office on Tuesday, formally becoming Mexico's first woman president, she will adopt a new government logo that nods to the aspirations of young girls."A young Mexican woman will be the emblem of Mexico's government," Sheinbaum wrote a day earlier in a post on social media, unveiling the logo showing a young woman in profile hoisting a Mexican flag, her hair pulled back into a ponytail not unlike the incoming president's signature look.Sheinbaum has embraced her historic feat in one of Latin America's more socially conservative countries, which until now has been ruled by a series of 65 men since winning its independence from Spain two centuries ago.The former mayor of the sprawling Mexican capital, Sheinbaum has been bolstered by the popularity of outgoing leftist President Andres Manuel Lopez Obrador, her political benefactor going back nearly a quarter century.But as the former climate scientist steps out of her predecessor's shadow to lead the world's largest Spanish-speaking nation, Sheinbaum will also face doubts and opposition from critics alarmed by the outgoing president's 11th-hour reform drive.Enacted last month, the reforms included a judicial overhaul that will over the next three years replace all of the country's judges with new jurists elected by popular vote."Our hard-won democracy will be transformed, for all practical purposes, into a one-party autocracy," wrote former President Ernesto Zedillo in a Sunday guest essay for Britain's Economist Magazine.Critics of Lopez Obrador and Sheinbaum fear their ruling Morena party has too much power, and that democratic checks on executive power will be undermined.The judicial overhaul's implementation will fall to Sheinbaum, who will also face a widening government budget deficit that could crimp popular welfare spending and costly crime-fighting initiatives at a time when the economy is only expected to grow modestly.The 62-year-old Sheinbaum promised continuity on the campaign trail, and now faces the balancing act of advancing Lopez Obrador's state-centric economic polices, especially over natural resources such as oil and minerals, while also making progress on issues seen as his weak points like the environment and security.She also makes history as the first president of Jewish heritage in the overwhelmingly Roman Catholic country.Sheinbaum's inauguration caps an unlikely four-decade climb that has taken the daughter of activist academics to the presidential palace.Six years ago, she made history as Mexico City's first elected woman mayor. Until she stepped down last year to run for president, Sheinbaum was known as a data-driven manager, winning plaudits for reducing the megacity's homicide rate by half, by boosting security spending on an expanded police force with higher salaries.She has pledged to replicate the strategy across Mexico, where drug cartels exert widespread influence.Sheinbaum has also promised to continue generous social spending on old-age pensions and youth scholarships, even though the government's 2024 fiscal deficit is estimated at nearly 6% of gross domestic product.While she has expressed interest growing renewable energy projects, she has also said she will ensure the dominance of Mexico's state-owned oil and power companies while opposing any privatizations.In 1995, Sheinbaum earned her doctorate in energy engineering from the National Autonomous University of Mexico, and then pursued an academic career, including a stint on the U.N.'s Intergovernmental Panel on Climate Change, which later shared a Nobel Peace Prize with former U.S. Vice President Al Gore.She launched her political career in 2000, when Lopez Obrador, then-Mexico City's newly elected mayor, tapped her to be his environmental chief, tasked with improving the smoggy capital's air quality, highways and public transport.Sheinbaum served as the chief spokesperson for Lopez Obrador's first campaign for president in 2006, which he narrowly lost.In 2015, she was elected to run Mexico City's largest borough, Tlalpan, and became the capital's mayor three years later. That was the same year that Lopez Obrador's third bid for the presidency ended in his own triumph, winning by a margin of more than 17 million votes.Last June, Sheinbaum bested her mentor's margin of victory, polling more than 19 million votes ahead of her closest competitor, who was also a woman.(Reporting by David Alire Garcia; Editing by Christopher Cushing)Copyright 2024 Thomson Reuters.

To Save the Sea review – Brent Spar oil rig resounds with song in a Greenpeace musical

Tron, GlasgowNearly 30 years on, environmental activists’ occupation of the North Sea fuel store gets an ambitious, heartfelt musical treatmentThis time last year, Just Stop Oil protestors interrupted a performance of Les Misérables. They reasoned a musical about rebellion was the right place to protest about the impending climate catastrophe. To Save the Sea is also a musical about resistance, but there is no cause for a skirmish. It makes the environmental point brilliantly enough on its own.Written and directed by Isla Cowan and Andy McGregor for Sleeping Warrior, it is a through-composed tribute to the Greenpeace occupation of the Brent Spar oil store in 1995. In today’s pessimistic age, the action stands as a beacon of climate activism; for all its precariousness and near defeat, it made a difference. Continue reading...

This time last year, Just Stop Oil protestors interrupted a performance of Les Misérables. They reasoned a musical about rebellion was the right place to protest about the impending climate catastrophe. To Save the Sea is also a musical about resistance, but there is no cause for a skirmish. It makes the environmental point brilliantly enough on its own.Written and directed by Isla Cowan and Andy McGregor for Sleeping Warrior, it is a through-composed tribute to the Greenpeace occupation of the Brent Spar oil store in 1995. In today’s pessimistic age, the action stands as a beacon of climate activism; for all its precariousness and near defeat, it made a difference.After Brent Spar had fulfilled its purpose, Shell had intended to dump its toxic remnants in the North Sea. Prime minister John Major was on side. The German chancellor, Helmut Kohl, was not. The Greenpeace occupation captured the imagination of consumers. Shell had the muscle to dispense with the protesters but not the resources to deal with a boycott. The people won out.To Save the Sea. Photograph: Mihaela BodlovicSpotting the potential of this David-and-Goliath conflict, complete with its high-seas drama, Cowan and McGregor field an eight-strong company in a show that bulges with ambition. Where the activists belt out strident musical-theatre anthems with titles such as One Foot in Front of Another and Bring It On, their opponents trade in comic show tunes, the better to send up their roles as villains of the piece. The songs are clear and catchy, giving not only emotional heft to the activists’ commitment but also a sense of jeopardy – not to mention the sting of satire.It would be great to see the show taken up a scale: it calls out for a live band. But as it stands, it is a galvanising ensemble piece. Staged on a rugged gantry designed by Claire Halleran and dramatically lit by Simon Wilkinson, it has heart, humour and political nous.

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