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See 15 Breathtaking Bird Images From the 16th Annual Audubon Photography Awards

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Friday, September 19, 2025

See 15 Breathtaking Bird Images From the 16th Annual Audubon Photography Awards This year’s competition expanded to Chile and Colombia and introduced new prizes focused on migratory species, habitats and conservation Marta Hill - Staff Contributor September 19, 2025 12:02 p.m. A Brandt's cormorant carries red grape algae and seagrass in La Jolla, California. Barbara Swanson / Audubon Photography Awards. 2025 Plants for Birds Winner, United States and Canada From an island off the coast of Colombia, to northern Chile, to Washington state, the National Audubon Society’s yearly photography contest spread its wings and documented eye-catching birds across much of the Western Hemisphere. The conservation nonprofit revealed the prize winners in its 16th annual contest on Wednesday, featuring 17 overall winners and 15 honorable mentions. The submissions to this year’s contest were judged anonymously by two independent panels. For the first time, photographers from Chile and Colombia were invited to submit their work to the Audubon Photography Awards in a new contest alongside the long-standing one for photographers from the United States and Canada. These two South American countries boast some of the “most astounding avian biodiversity,” write the editors of Audubon magazine, and are home to many migratory birds that might breed in North America. Several of the species featured in this year’s winners—including the royal tern, snow goose and blackburnian warbler, which migrate between the South American countries and Canada and the United States—are vulnerable to climate change, the National Audubon Society says in a statement. With those facts in mind, this year’s contest includes two new categories: Birds Without Borders and Conservation. The former features birds with migratory journeys that cross international boundaries and the latter depicts conservation challenges currently facing avian species. “This is our first year awarding the Conservation prize, and the winning photographs powerfully capture both the challenges birds face and the ways they adapt,” says Sabine Meyer, photography director for the National Audubon Society, in the statement.Grand Prize Winners: Ringed Kingfisher and Magnificent Frigatebird A Ringed kingfisher takes off from the water after diving to hunt fish in Valdivia, Chile. Felipe Esteban Toledo Alarcón / Audubon Photography Awards. 2025 Grand Prize Winner, Chile and Colombia With every drop of water perfectly frozen mid-splash, the Chile and Columbia contest’s Grand Prize-winning photo captures a ringed kingfisher just after a dive. Photographer Felipe Esteban Toledo Alarcón was trying to photograph frogs’ mating rituals, when he got the opportunity to capture this crisp photo of the blue and white bird. Ringed kingfishers, the largest of the kingfisher species in the Americas, dive headfirst into their hunts for fish—literally. These birds perch at a spot up to 30 feet in the air, keeping a lookout for fish, then dive in when they see one, according to Audubon. “After the bird made six dives, I got the image that I’d been chasing: a kingfisher explosively rising out of the water, displaying its beauty, elegance and power,” the Chilean photographer tells Audubon. Nearly two dozen magnificent frigatebirds fly in front of the sun, which is ringed by a bright halo, in Teacapán, Mexico. Liron Gertsman / Audubon Photography Awards. 2025 Grand Prize Winner, United States and Canada The winner from the United States and Canada contest captures birds in a different way: in silhouette. Shot looking up at the sun in Mexico, the image by photographer Liron Gertsman reveals a flock of magnificent frigatebirds framed by a sun halo. “This image immediately stood out in this year’s competition. The layers are deep, the silhouettes remarkable and the whimsical, mystical feeling of the image is outstanding,” judge Daniel Dietrich tells Audubon.Conservation Winners: Burrowing Owl and Savanna Hawk A burrowing owl peers out from a stack of lumber on Marco Island, Florida. Jean Hall / Audubon Photography Awards. 2025 Conservation Winner Jean Hall’s striking image of a burrowing owl is the inaugural Conservation prize winner for the United States- and Canada-based contest. The owl—a “defiant guy,” as she tells Audubon—is sitting in a stack of lumber, a stark contrast to its normal nesting environment of underground burrows. Hall first found this owl on an outing with a biologist as part of her role as a volunteer with Audubon of the Western Everglades’ Owl Watch program. After spotting the bird’s unusual hangout spot on Marco Island in Florida, Hall went back on a handful of occasions, hoping to glimpse the owl again. Unlike most owl species, burrowing owls are diurnal, meaning they are more active during the daytime, at least during breeding season. “You just had to hope. You had to be patient. And finally, the light was decent—because you have to worry about the light—and he popped out at the right time,” Hall tells Smithsonian magazine. Burrowing owls usually nest in underground burrows, either by repurposing tunnels from prairie dog colonies or digging their own holes. The housing search is getting harder for burrowing owls, though, as suitable land is taken up by agriculture and housing developments, according to Audubon. “We humans continue to expand into wild places, often aggressively displacing local wildlife. This image shocked me immediately, because it shows that,” contest judge Lucas Bustamante tells the publication. “This lumber pile used to be a forest—now processed as timber—and yet the burrowing owl still finds habitat in such an unnatural place.” When Hall first started doing wildlife photography, she focused on beauty and behavioral shots, but one of the scientists she’s worked with over the years shifted her perspective on the role of her photographs. “I used to walk away when something awful was happening. I didn’t want to document it,” Hall tells Smithsonian magazine. “These biologists were telling me, ‘You’re going to make much, much more of an impact if you start documenting bad stuff.’ That was like a light bulb went on about treating this more journalistically.” Though she has been entering Audubon’s contest for about a decade and has been recognized in the top 100 images before, this marks Hall’s first time winning an Audubon contest category outright. “I couldn’t believe it,” she says. “It was a burrowing owl, which in many ways was my spark bird,” a birding term for the species that ignites someone’s interest in the animals. “I fell in love with burrowing owls on Marco [Island] so deeply.” A savanna hawk stands in front of a controlled burn that got out of hand in Colombia. Luis Alberto Peña / Audubon Photography Awards. 2025 Conservation Winner, Chile and Colombia The conservation winner from the Chile and Colombia contest similarly shows a bird in a bit of an unnatural setting. That is where the similarities end. Luis Alberto Peña’s photo captures a savanna hawk’s intense gaze against the striking background of a controlled burn of a rice field. “Attentive and patient, this bird never strayed from the dense smoke and heat; in fact, it returned again and again, hoping to hunt disoriented animals fleeing the flames,” he tells Audubon. “Before I left, I captured this visual testimony to one of the many ways that wildlife survives and adapts in the face of extreme environmental conditions.”Birds Without Borders Winners: Royal Tern and Snow Goose An adult royal tern feeds its young a fish on San Andrés Island, Colombia. Jacobo Giraldo Trejos / Audubon Photography Awards. 2025 Birds Without Borders Winner, Chile and Colombia The winners of the new Birds Without Borders category highlight animals more than 1,000 miles apart. Jacob Giraldo Trejos won the category in the South American contest with an eye-catching image of an adult and juvenile royal tern sharing a meal. Unlike most songbirds, these seabirds have a long adolescence, according to Audubon, with the parents feeding their hatchlings for up to eight months. “Many people think that dedication and affection for our young is exclusive to humans, but nature, as usual, proves us wrong,” the Colombian photographer tells Audubon. “I feel a deep respect for these birds’ efforts: Photographing this moment was a privilege worth every second—and every drop of sweat.” The photo’s technical qualities—its sharpness, soft background and well-controlled light—add to its visual effect, contest judge Natalia Ekelund tells Audubon. “The moment of the food being delivered in mid-flight, with the adult’s wings open and the terns’ gazes intertwined, creates a powerful visual narrative,” Ekelund adds. Thousands of snow geese at the moment the flock started to take off. Yoshiki Nakamura / Audubon Photography Awards. 2025 Birds Without Borders Winner, United States and Canada For all the sharpness the photo of royal terns brought, the North American Birds Without Borders winner brought just as much movement and blurring. Shot in Mount Vernon, Washington, photographer Yoshiki Nakamura’s image captures the “mesmerizing mixture of order and chaos” that the simultaneous launch of a flock of snow geese creates, he tells Audubon. “To express this ephemeral choreography, I used a slow shutter speed. The result is what I call a ‘melting flight’: a blend of motion, form and instinct,” Nakamura says to the publication. “What I find most beautiful is how this chaos has coherence. There are no collisions, no commands—just a shared sense of movement.” “Snow geese are creatures of habit,” according to Audubon, with mated pairs returning to the same spot every summer. Young birds learn these migration routes from older generations, creating huge flocks, sometimes numbering more than 10,000, in the same areas year to year. “The blurred wings of the lifting flock dominate upon first look. It takes little time to then get lost in identifying the hundreds of individual geese emerging from the chaos. Your eyes travel nonstop throughout the image as they seek explanation,” contest judge Dietrich tells Audubon. Here are more of the photographs honored in the contest, capturing eye-catching birds, their stunning behaviors and the habitats that help them thrive.Birds in Landscapes Winners: Northern Gannet, Blue-Headed Parrot and Chilean Flamingo Thousands of northern gannets sit atop a dark rock in Newfoundland and Labrador, Canada. Joe Subolefsky / Audubon Photography Awards. 2025 Birds in Landscapes Winner, United States and Canada Two blue-headed parrots peer out from a tree near a road in Cali, Colombia. Shamir Shah / Audubon Photography Awards. 2025 Birds in Landscapes Colombia Winner A group of Chilean flamingos stand in Puerto Natales, Chile. Caro Aravena Costa / Audubon Photography Awards. 2025 Birds in Landscapes Chile Winner Plants for Birds Winners: Brandt’s Cormorant and Purple-Backed Thornbill A purple-backed thornbill dips its beak into a cluster of golden floewrs in Caldas, Colombia. Cristian Valencia / Audubon Photography Awards. 2025 Plants for Birds Colombia Winner A Brandt's cormorant carries red grape algae and seagrass in La Jolla, California. Barbara Swanson / Audubon Photography Awards. 2025 Plants for Birds Winner, United States and Canada Youth Winners: Blackburnian Warbler and Long-Eared Owl A long-eared owl flies above a marsh in Fremont, California. Parham Pourahmad / Audubon Photography Awards. 2025 Youth Winner, United States and Canada A blackburnian warbler perches on a branch, holding a month in its beak, in Valle del Cuaca, Colombia. Camilo Sanabria Grajales / Audubon Photography Awards. 2025 Youth Winner, Colombia and Chile Coastal Birds Winner: American Oystercatcher A black and white American oystercatcher feeds a chick a mollusk in Antofagasta, Chile. Francisco Castro Escobar / Audubon Photography Awards. 2025 Coastal Bird Chile Winner Female Bird Winner: Chipping Sparrow A chipping sparrow sits on a branch holding fine strands of material in her bill near Boise, Idaho. Sean Pursley / Audubon Photography Awards. 2025 Female Bird Winner, United States and Canada Get the latest stories in your inbox every weekday.

This year’s competition expanded to Chile and Colombia and introduced new prizes focused on migratory species, habitats and conservation

See 15 Breathtaking Bird Images From the 16th Annual Audubon Photography Awards

This year’s competition expanded to Chile and Colombia and introduced new prizes focused on migratory species, habitats and conservation

Marta Hill - Staff Contributor

A black cormorant in profile fills the frame. Its wings sweep forward, and its bright blue eye stands out. Its bill carries grassy material and a strand of pink bulbous algae.
A Brandt's cormorant carries red grape algae and seagrass in La Jolla, California. Barbara Swanson / Audubon Photography Awards. 2025 Plants for Birds Winner, United States and Canada

From an island off the coast of Colombia, to northern Chile, to Washington state, the National Audubon Society’s yearly photography contest spread its wings and documented eye-catching birds across much of the Western Hemisphere.

The conservation nonprofit revealed the prize winners in its 16th annual contest on Wednesday, featuring 17 overall winners and 15 honorable mentions. The submissions to this year’s contest were judged anonymously by two independent panels.

For the first time, photographers from Chile and Colombia were invited to submit their work to the Audubon Photography Awards in a new contest alongside the long-standing one for photographers from the United States and Canada. These two South American countries boast some of the “most astounding avian biodiversity,” write the editors of Audubon magazine, and are home to many migratory birds that might breed in North America.

Several of the species featured in this year’s winners—including the royal tern, snow goose and blackburnian warbler, which migrate between the South American countries and Canada and the United States—are vulnerable to climate change, the National Audubon Society says in a statement.

With those facts in mind, this year’s contest includes two new categories: Birds Without Borders and Conservation. The former features birds with migratory journeys that cross international boundaries and the latter depicts conservation challenges currently facing avian species.

“This is our first year awarding the Conservation prize, and the winning photographs powerfully capture both the challenges birds face and the ways they adapt,” says Sabine Meyer, photography director for the National Audubon Society, in the statement.

Grand Prize Winners: Ringed Kingfisher and Magnificent Frigatebird

A blue and grey kingfisher flies out of the water, creating a splash around its wet body, shaggy crest, white collar, and rufous belly. The bird and countless tiny droplets are in sharp focus.
A Ringed kingfisher takes off from the water after diving to hunt fish in Valdivia, Chile. Felipe Esteban Toledo Alarcón / Audubon Photography Awards. 2025 Grand Prize Winner, Chile and Colombia

With every drop of water perfectly frozen mid-splash, the Chile and Columbia contest’s Grand Prize-winning photo captures a ringed kingfisher just after a dive. Photographer Felipe Esteban Toledo Alarcón was trying to photograph frogs’ mating rituals, when he got the opportunity to capture this crisp photo of the blue and white bird.

Ringed kingfishers, the largest of the kingfisher species in the Americas, dive headfirst into their hunts for fish—literally. These birds perch at a spot up to 30 feet in the air, keeping a lookout for fish, then dive in when they see one, according to Audubon.

“After the bird made six dives, I got the image that I’d been chasing: a kingfisher explosively rising out of the water, displaying its beauty, elegance and power,” the Chilean photographer tells Audubon.

Nearly two dozen birds fly in a dark blue sky. Their long, narrow wings and forked tails stand out against wispy clouds and the sun, which is surrounded by a bright halo.
Nearly two dozen magnificent frigatebirds fly in front of the sun, which is ringed by a bright halo, in Teacapán, Mexico. Liron Gertsman / Audubon Photography Awards. 2025 Grand Prize Winner, United States and Canada

The winner from the United States and Canada contest captures birds in a different way: in silhouette. Shot looking up at the sun in Mexico, the image by photographer Liron Gertsman reveals a flock of magnificent frigatebirds framed by a sun halo.

“This image immediately stood out in this year’s competition. The layers are deep, the silhouettes remarkable and the whimsical, mystical feeling of the image is outstanding,” judge Daniel Dietrich tells Audubon.

Conservation Winners: Burrowing Owl and Savanna Hawk

A pile of lumber boards with numbers on them fills the frame, nearly all slightly out of focus. In the right third of the image, a small owl in sharp focus looks at the viewfinder.
A burrowing owl peers out from a stack of lumber on Marco Island, Florida. Jean Hall / Audubon Photography Awards. 2025 Conservation Winner

Jean Hall’s striking image of a burrowing owl is the inaugural Conservation prize winner for the United States- and Canada-based contest. The owl—a “defiant guy,” as she tells Audubon—is sitting in a stack of lumber, a stark contrast to its normal nesting environment of underground burrows.

Hall first found this owl on an outing with a biologist as part of her role as a volunteer with Audubon of the Western Everglades’ Owl Watch program. After spotting the bird’s unusual hangout spot on Marco Island in Florida, Hall went back on a handful of occasions, hoping to glimpse the owl again. Unlike most owl species, burrowing owls are diurnal, meaning they are more active during the daytime, at least during breeding season.

“You just had to hope. You had to be patient. And finally, the light was decent—because you have to worry about the light—and he popped out at the right time,” Hall tells Smithsonian magazine.

Burrowing owls usually nest in underground burrows, either by repurposing tunnels from prairie dog colonies or digging their own holes. The housing search is getting harder for burrowing owls, though, as suitable land is taken up by agriculture and housing developments, according to Audubon.

“We humans continue to expand into wild places, often aggressively displacing local wildlife. This image shocked me immediately, because it shows that,” contest judge Lucas Bustamante tells the publication. “This lumber pile used to be a forest—now processed as timber—and yet the burrowing owl still finds habitat in such an unnatural place.”

When Hall first started doing wildlife photography, she focused on beauty and behavioral shots, but one of the scientists she’s worked with over the years shifted her perspective on the role of her photographs.

“I used to walk away when something awful was happening. I didn’t want to document it,” Hall tells Smithsonian magazine. “These biologists were telling me, ‘You’re going to make much, much more of an impact if you start documenting bad stuff.’ That was like a light bulb went on about treating this more journalistically.”

Though she has been entering Audubon’s contest for about a decade and has been recognized in the top 100 images before, this marks Hall’s first time winning an Audubon contest category outright.

“I couldn’t believe it,” she says. “It was a burrowing owl, which in many ways was my spark bird,” a birding term for the species that ignites someone’s interest in the animals. “I fell in love with burrowing owls on Marco [Island] so deeply.”

A dark brown hawk stands on a pile of dried rice ears. Behind it, a fire burns, but in the midst of smoke and orange flames, the bird is alert and serene. 2025 Plants for Birds Colombia Winner
A savanna hawk stands in front of a controlled burn that got out of hand in Colombia. Luis Alberto Peña / Audubon Photography Awards. 2025 Conservation Winner, Chile and Colombia

The conservation winner from the Chile and Colombia contest similarly shows a bird in a bit of an unnatural setting. That is where the similarities end. Luis Alberto Peña’s photo captures a savanna hawk’s intense gaze against the striking background of a controlled burn of a rice field.

“Attentive and patient, this bird never strayed from the dense smoke and heat; in fact, it returned again and again, hoping to hunt disoriented animals fleeing the flames,” he tells Audubon. “Before I left, I captured this visual testimony to one of the many ways that wildlife survives and adapts in the face of extreme environmental conditions.”

Birds Without Borders Winners: Royal Tern and Snow Goose

A white and gray bird, hovering in the air with its wings fully extended, feeds a juvenile perched on a railing, handing it a fish with its orange beak.
An adult royal tern feeds its young a fish on San Andrés Island, Colombia. Jacobo Giraldo Trejos / Audubon Photography Awards. 2025 Birds Without Borders Winner, Chile and Colombia

The winners of the new Birds Without Borders category highlight animals more than 1,000 miles apart. Jacob Giraldo Trejos won the category in the South American contest with an eye-catching image of an adult and juvenile royal tern sharing a meal. Unlike most songbirds, these seabirds have a long adolescence, according to Audubon, with the parents feeding their hatchlings for up to eight months.

“Many people think that dedication and affection for our young is exclusive to humans, but nature, as usual, proves us wrong,” the Colombian photographer tells Audubon. “I feel a deep respect for these birds’ efforts: Photographing this moment was a privilege worth every second—and every drop of sweat.”

The photo’s technical qualities—its sharpness, soft background and well-controlled light—add to its visual effect, contest judge Natalia Ekelund tells Audubon.

“The moment of the food being delivered in mid-flight, with the adult’s wings open and the terns’ gazes intertwined, creates a powerful visual narrative,” Ekelund adds.

Thousands of white geese fill the frame, and their blurred yellow and white wings create an abstract pattern. Their individual bodies are barely visible.
Thousands of snow geese at the moment the flock started to take off. Yoshiki Nakamura / Audubon Photography Awards. 2025 Birds Without Borders Winner, United States and Canada

For all the sharpness the photo of royal terns brought, the North American Birds Without Borders winner brought just as much movement and blurring.

Shot in Mount Vernon, Washington, photographer Yoshiki Nakamura’s image captures the “mesmerizing mixture of order and chaos” that the simultaneous launch of a flock of snow geese creates, he tells Audubon.

“To express this ephemeral choreography, I used a slow shutter speed. The result is what I call a ‘melting flight’: a blend of motion, form and instinct,” Nakamura says to the publication. “What I find most beautiful is how this chaos has coherence. There are no collisions, no commands—just a shared sense of movement.”

“Snow geese are creatures of habit,” according to Audubon, with mated pairs returning to the same spot every summer. Young birds learn these migration routes from older generations, creating huge flocks, sometimes numbering more than 10,000, in the same areas year to year.

“The blurred wings of the lifting flock dominate upon first look. It takes little time to then get lost in identifying the hundreds of individual geese emerging from the chaos. Your eyes travel nonstop throughout the image as they seek explanation,” contest judge Dietrich tells Audubon.

Here are more of the photographs honored in the contest, capturing eye-catching birds, their stunning behaviors and the habitats that help them thrive.

Birds in Landscapes Winners: Northern Gannet, Blue-Headed Parrot and Chilean Flamingo

Thousands of white gannets speckle a dark rock in the image foreground. A massive bay, starlit night sky and the hazy Milky Way galaxy illuminate the background.
Thousands of northern gannets sit atop a dark rock in Newfoundland and Labrador, Canada. Joe Subolefsky / Audubon Photography Awards. 2025 Birds in Landscapes Winner, United States and Canada
The blue heads of two parrots emerge from a hole in a curved tree branch. Below, out of focus, cards, motorcycles and buses pass on a busy street.
Two blue-headed parrots peer out from a tree near a road in Cali, Colombia. Shamir Shah / Audubon Photography Awards. 2025 Birds in Landscapes Colombia Winner
About 25 flamingos stand in shallow water on a beach. Their backlit bodies cast shadows. A low, flat layer of clouds and looming mountain silhouettes form the background.
A group of Chilean flamingos stand in Puerto Natales, Chile. Caro Aravena Costa / Audubon Photography Awards. 2025 Birds in Landscapes Chile Winner

Plants for Birds Winners: Brandt’s Cormorant and Purple-Backed Thornbill

A hummingbird with bright hues of electric purple, black and specks of yellow hovers in the center of the frame as it dips its long beak into a cluster of golden flowers.
A purple-backed thornbill dips its beak into a cluster of golden floewrs in Caldas, Colombia. Cristian Valencia / Audubon Photography Awards. 2025 Plants for Birds Colombia Winner
A black cormorant in profile fills the frame. Its wings sweep forward, and its bright blue eye stands out. Its bill carries grassy material and a strand of pink bulbous algae.
A Brandt's cormorant carries red grape algae and seagrass in La Jolla, California. Barbara Swanson / Audubon Photography Awards. 2025 Plants for Birds Winner, United States and Canada

Youth Winners: Blackburnian Warbler and Long-Eared Owl

An owl with yellow eyes and its wings fanned behind its head flies above a marsh. The long grasses are blurred, and the background is lit up in shades of yellow and orange.
A long-eared owl flies above a marsh in Fremont, California. Parham Pourahmad / Audubon Photography Awards. 2025 Youth Winner, United States and Canada
A small bird with a deep orange breast and black-and-white-striped wings perches on a moss-covered branch, holding a moth in its beak. The moth's tiny scales float in the air.
A blackburnian warbler perches on a branch, holding a month in its beak, in Valle del Cuaca, Colombia. Camilo Sanabria Grajales / Audubon Photography Awards. 2025 Youth Winner, Colombia and Chile

Coastal Birds Winner: American Oystercatcher

A black and white American Oystercatcher feeds a chick a mollusk with its long orange beak. Out of focus, rocks and sea surround the scene.
A black and white American oystercatcher feeds a chick a mollusk in Antofagasta, Chile. Francisco Castro Escobar / Audubon Photography Awards. 2025 Coastal Bird Chile Winner

Female Bird Winner: Chipping Sparrow

A sparrow with a chestnut cap sits on a branch covered in bright green lichen. The bird faces the camera, with her head tilted to one side and fine strands of material in her bill.
A chipping sparrow sits on a branch holding fine strands of material in her bill near Boise, Idaho. Sean Pursley / Audubon Photography Awards. 2025 Female Bird Winner, United States and Canada

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Banksy Unveils Two New Murals of Children Gazing Up at the Sky Days Before Christmas

Some onlookers are interpreting the identical artworks, which appeared on the streets of London, as a commentary on homelessness in the city

Banksy Unveils Two New Murals of Children Gazing Up at the Sky Days Before Christmas Some onlookers are interpreting the identical artworks, which appeared on the streets of London, as a commentary on homelessness in the city The new Banksy artwork near the Centre Point tower in London MEGA / GC Images via Getty Images Ahead of the holidays, Banksy has unveiled a new mural in London. The black-and-white image depicts two children in winter coats and hats, lying on their backs and gazing upward. The anonymous street artist posted a photo of the mural on his official Instagram account on December 22. The same image appeared in two locations: above a row of garages on Queen’s Mews in western London and outside the Centre Point tower in central London. Banksy only posted the Queen’s Mews mural online, but both have been attributed to him, per BBC News’ Aurelia Foster and Nicky Ford. The other new Banksy mural, located above a row of garages in western London Leon Neal / Getty Images The artist doesn’t typically offer information about the intent behind his works, but the new murals were “interpreted by some observers in the street art world as a statement on rising child homelessness in Britain,” per the New York Times’ Ephrat Livni. One of those observers is Daniel Lloyd-Morgan, an artist and Banksy fan. “Everybody is having a good time, but there are a lot of children who are not having a good time at Christmas,” he tells BBC News. Quick fact: Banksy’s Christmas murals In December 2019, the street artist unveiled a reindeer mural in Birmingham, England, that also appeared to comment on homelessness. Lloyd-Morgan thinks Banksy chose to paint the mural at Centre Point for a reason. The tower was built as an office building in 1966, but it sat empty for most of the following decade. In 1969, Reverend Ken Leech opened a shelter for homeless youths in a nearby church. Frustrated by the empty building towering over his neighborhood, Leech named his charity Centrepoint. In 1974, nearly 100 people occupied the empty Centre Point tower to protest rising homelessness in London, according to Hyperallergic’s Rhea Nayyar. Today, the tower is home to luxury apartments, offices and stores. According to government data released in October, about 170,000 children are currently unhoused in Britain—up from 70,000 in 2010. People walking by the mural were “ignoring it,” Lloyd-Morgan tells BBC News. “It’s a busy area. Quite poignant that people aren’t stopping. They walk past homeless people and they don’t see them lying on the street.” Banksy is known for his street art that doubles as social commentary. Many of his artworks, including a series of murals in Ukraine, feature anti-war themes. Some of his pieces have been interpreted as reflections on environmental conservation, domestic violence and refugees. In the new murals, one of the children is pointing skyward. “It’s kind of like they’re stargazing,” Lloyd-Morgan tells BBC News. Some onlookers think the artworks are commenting on children’s imaginations. As Artnet’s Jo Lawson-Tancred writes, “The classic Oscar Wilde line, ‘We are all in the gutter, but some of us are looking at the stars,’ comes to mind.” Get the latest stories in your inbox every weekday.

‘Unashamedly capitalist’ rewilders claim ‘Moneyball’ approach could make millions - but experts sceptical

Rich Stockdale says model of ‘regenerative capitalism’ would maximise profits by planting trees, restoring peatlands, and installing windfarms across its estatesThe founder of an investment firm buying large estates across Britain to restore woods and peatland has said it is “unashamedly and proudly” capitalist, and plans to make tens of millions of pounds in profit.Rich Stockdale, the chief executive of Oxygen Conservation, said his model of “regenerative capitalism” was a “force for good” because it would offer investors significant profits by planting trees, restoring peatlands, operating solar farms and holiday homes and installing new windfarms across its estates. Continue reading...

The founder of an investment firm buying large estates across Britain to restore woods and peatland has said it is “unashamedly and proudly” capitalist, and plans to make tens of millions of pounds in profit.Rich Stockdale, the chief executive of Oxygen Conservation, said his model of “regenerative capitalism” was a “force for good” because it would offer investors significant profits by planting trees, restoring peatlands, operating solar farms and holiday homes and installing new windfarms across its estates.The Exeter-based firm, which has bought 13 estates in under four years, plans to rapidly become the UK’s largest private landowner by expanding its current landholding of 50,000 acres (20,234 hectares) over the next five years to 250,000 acres.“We are applying a capitalist model, unashamedly and proudly,” Stockdale said, on a tour of Oxygen’s estate at Dorback near Grantown-on-Spey in the Cairngorms.“We think releasing, activating and motivating more capital into this space is the only way we can scale conservation for the better of climate, wildlife, people and everyone concerned.”He said Oxygen Conservation was creating a new market for “premium” carbon credits because some wealthy private and institutional investors would pay much higher prices to store carbon in new woodlands or peatland if they included high environmental and social benefit.Rich Stockdale, who runs Oxygen Conservation Photograph: Murdo MacLeod/The GuardianIts goal is to sell two million tonnes of carbon credits at well above the normal market rate, to prove that “regenerative capitalism” can work, he added.Stockdale likened his firm’s approach to the Brad Pitt movie Moneyball, in which a baseball coach used performance data to build a winning team. Oxygen Conservation uses Lidar laser scanning, thermal imaging to track deer and photogrammetry to build up 3D images of their estates.“We’ve taken very much a moneyball approach to the environment that’s previously been applied to sport. And that’s where you see all these threads that run through data, sport, high performance, US tech culture. We’ve brought that to the environmental world.”Campaigners and experts in natural capital who have been closely watching Oxygen Conservation’s rapid growth are sceptical about its methodology. They say it is based on significant levels of borrowing and speculative bets on the future value of its investments.Residents near Comrie in the Scottish Highlands, where Oxygen Conservation plans to build a large new 50MW windfarm, and around Dartmoor in south-west England where it bought a large hill farm, have accused the firm of ignoring local concerns and opposition.Josh Doble, the policy director at Community Land Scotland, a community-ownership advisory and campaign group, said Oxygen Conservation was the most bullish of a new generation of “mega lairds” accumulating extensive land-holdings.Their profit-driven approach “raised questions about the long-term commitment to restoring nature, rather than treating land as another investible commodity,” Doble said.“If absentee investor landowners own large parts of rural Britain, they must engage with the fact that owning land comes with responsibility. If you have a risky model, you need to be very careful because you’re not just making risky decisions in a boardroom, you’re playing with people’s lives.”Despite insisting Oxygen Conservation would be transparent about its plans and its business model, Stockdale refused to confirm or deny reports from natural capital experts he had already spent £150m and planned to spend another £100m on land.He said he could not say how much he paid the brewing firm BrewDog this summer for its estate at Kinrara near Kingussie or for Dorback because their owners had requested confidentiality.The Kinrara Estate which Oxygen Conservation. bought from BrewDog. Photograph: Murdo MacLeod/The GuardianCampaigners said withholding the sale price for a Highland estate is unusual, undermined transparency and risked concealing changes in the land market.Its biggest investors include Mike Dixon, a billionaire statistician who holds most of its shares, the self-styled ethical bank Triodos and Tony Bloom, a gambling billionaire who owns Brighton and Hove Albion FC. Bloom is currently being sued in a lawsuit alleging his gambling syndicate used “frontmen” to place bets. It is understood Bloom intends to file a defence to the claim.The latest accounts for its parent company, Oxygen House Group, which is also the majority shareholder in Low Carbon, the firm building its two Scottish windfarms, show the firm has two large bank loans totalling £106m to be repaid by 2033.Its critics point out that the two Scottish estates where it wants to build new 50MW windfarms, at Invergeldie near Loch Lomond and Trossachs national park, and at Blackburn and Hartsgarth estate near Langholm in the Borders, had bank loans worth £20.5m tied to them.Andrew Thompson, who helps run a local group opposing the windfarm, said residents feared those loans meant Oxygen Conservation had to push the windfarm through to pay off that debt, despite well-founded objections to the project from the conservation agency NatureScot and the national park authority. “Otherwise they’re completely screwed,” he said.A stream on the Kinrara Estate bought by Oxygen Conservation. Photograph: Murdo MacLeod/The GuardianStockdale claimed Oxygen’s investments are already worth more than £300m, and said its backers could see returns as high as 15% a year because the price of its carbon credits would climb to up to £180 a tonne and its biodiversity net gain credits were already worth £25,000 each.The average price for carbon in the UK last year was £37 a tonne. He said the appetite for premium credits had been proven when Burges Salmon, the law firm which acts for Oxygen Conservation, paid £125 a tonne earlier this year. The civil engineering firm Arup also paid £100 a tonne to a nature capital firm called Nattergal which owns rewilding estates in eastern England this year.He said one way to pay its investors was to sell off its estates after five years or so at a significant profit, with Oxygen Conservation remaining in charge of running the estate.He said wealthy investors including pension funds and international companies were willing to pay well above market rates for these credits, similar to some drivers preferring a Prius over a Ford. European investors were clamouring for Oxygen Conservation to invest on the continent.“We’re taking more risk, we’re pushing this out, we are doing things faster and different. I’ve been able to do that because of an incredible set of investors, an incredible team. Please don’t judge us by the norm, we aren’t trying to be,” Stockdale said.

2025 is ‘year of the octopus’ as record numbers spotted off England’s south coast

Milder weather led to a bloom in the invertebrates in south Cornwall and Devon, wildlife charity saysRecord numbers of sightings of one of the world’s most intelligent invertebrates over the summer have led the Wildlife Trusts to declare 2025 “the year of the octopus” in its annual review of Britain’s seas.A mild winter followed by an exceptionally warm spring prompted unprecedented numbers of Mediterranean octopuses to take up residence along England’s south coast, from Penzance in Cornwall to south Devon. Continue reading...

Record numbers of sightings of one of the world’s most intelligent invertebrates over the summer have led the Wildlife Trusts to declare 2025 “the year of the octopus” in its annual review of Britain’s seas.A mild winter followed by an exceptionally warm spring prompted unprecedented numbers of Mediterranean octopuses to take up residence along England’s south coast, from Penzance in Cornwall to south Devon.“The scale of the catch [recorded by local fishers] was of the order of about 13 times what we would normally expect in Cornish waters,” said Matt Slater, a marine conservation officer at Cornwall Wildlife Trust. “When we added up the numbers, approximately 233,000 octopuses were caught in UK waters this year – that’s a huge increase from what you would normally expect.”Octopus walking by Jenny KentThe common or Mediterranean octopus, Octopus vulgaris, is native to UK waters but ordinarily in such small numbers it is rarely seen. A sudden increase in the population – a bloom – is caused by a combination of a mild winter followed by a warm breeding season in the spring. The ideal conditions meant that more of the larvae of the common octopus were likely to survive, said Slater, possibly in part fuelled by the large numbers of spider crabs that have also been recorded along the south coast in recent years.The last time an octopus bloom of the size observed in 2025 was recorded was 1950, with records from the UK’s Marine Biological Association showing the last bloom recorded prior to that was in 1900.The huge numbers of octopuses along the south coast meant they could be easily spotted in shallow waters for the first time in recent history. Video footage from divers shows octopuses gathering in groups – they are usually solitary – as well as “walking” along the seabed on the tips of their limbs. One was even filmed grabbing at an underwater camera.“The first time I dived off the Lizard peninsula this year I saw five octopuses,” said Slater. “And these are big. There are two types of octopus in UK waters. There is the curled octopus, which is quite small, only getting to about the size of a football, but these common octopuses can be up to a metre and a half wide.”Another mild winter going into 2026 meant it was possible there could be a second bloom next year, said Slater, because historically, under these conditions, the blooms have repeated themselves for two consecutive years.Octopus grabbing a camera by Matthew Bradshaw“However, it is unlikely, based on past events, that it will go on for a long time,” he said. “But the sea keeps giving us surprises at the moment so it’s quite an unpredictable situation.”The Wildlife Trusts noted some of the other “surprises, successes and joyful moments” around the UK coastline included a record number of grey seals observed by the Cumbria Wildlife Trust, as well as record numbers of puffins on Skomer, an island off the coast of Wales famed for the birds.Other wildlife was recorded in unusual places. A volunteer with Shoresearch, the Wildlife Trusts’ national citizen science survey programme, recorded the first Capellinia fustifera sea slug in Yorkshire, a 12mm mollusc that resembles a gnarly root vegetable and is usually found in the south-west. In addition, a variable blenny, a Mediterranean fish, was discovered off the coast of Sussex for the first time. Populations had previously been limited to the West Country.A group of grey seals in South Walney, Cumbria. Photograph: Gemma de Gouveia/Wildlife TrustsNot everything was good news, though. “The year was bookended by environmental disasters,” said Ruth Williams, head of marine conservation at the Wildlife Trusts. “[There was] the North Sea tanker collision in March and in November the release of tonnes of biobeads off the Sussex coast. Our Wildlife Trusts staff and volunteers are making huge efforts to protect and restore our shorelines.”

Costa Rica Biologists Identify New Insect Species in Museum Collections

Biologists at the University of Costa Rica have uncovered 16 new species of leafhoppers after examining insect collections that sat untouched in museums for over three decades. The find also includes nine species newly recorded in the country, pushing the total known Scaphytopius species in Costa Rica to 29. Carolina Godoy and Andrés Arias-Penna led […] The post Costa Rica Biologists Identify New Insect Species in Museum Collections appeared first on The Tico Times | Costa Rica News | Travel | Real Estate.

Biologists at the University of Costa Rica have uncovered 16 new species of leafhoppers after examining insect collections that sat untouched in museums for over three decades. The find also includes nine species newly recorded in the country, pushing the total known Scaphytopius species in Costa Rica to 29. Carolina Godoy and Andrés Arias-Penna led the research, starting their review in 2023. They pored over specimens from the University of Costa Rica’s insect museum and others held in U.S. institutions. “We looked at material stored for years and spotted many unidentified species in the Scaphytopius genus,” Godoy explained. “This led us to detail their taxonomy and confirm the new ones.” These leafhoppers, part of one of the planet’s largest insect families, feed on plants and jump like small cicadas. Adults measure under six millimeters, with younger stages even smaller. Though not widely recognized, they hold key positions in ecosystems and signal environmental conditions. The team pinpointed the new species in biologically rich spots across Costa Rica. Locations include La Selva Biological Station in Sarapiquí, humid Caribbean forests, the Osa Peninsula, and Talamanca’s mountains. Some names reflect local features or pay tribute to scientists: Scaphytopius vulcanus draws from Guanacaste’s Cacao Volcano, while S. hansoni honors biologist Paul Hanson. Others, like S. ancorus and S. viperans, evoke their distinct forms. Before this study, published in Zootaxa in September 2025, records of the genus in Costa Rica stopped at four species in 1982. The update fills a long-standing gap and shows how museum archives can yield fresh insights. Arias-Penna, who curates the UCR insect museum, noted that these insects might appear in everyday settings. “People could find them in their gardens without realizing,” he said. The discovery underscores Costa Rica’s role as a biodiversity hub, where protected areas still hide unknowns. Researchers stress that the actual number of species may exceed current counts, calling for continued exploration. Godoy and Arias-Penna’s work not only adds to global knowledge but also supports conservation efforts by highlighting overlooked groups. This breakthrough came from routine checks of old collections, proving that science advances through patient review. As Costa Rica protects its natural wealth, findings like these reinforce the need to study even the smallest inhabitants. The post Costa Rica Biologists Identify New Insect Species in Museum Collections appeared first on The Tico Times | Costa Rica News | Travel | Real Estate.

Along the Texas Coast, a New Sanctuary Aims to Protect the Endangered and Rare Whooping Crane

Partners at the International Crane Foundation and The Conservation Fund have secured permanent protection of more than 3,300 acres of high-priority wintering habitat for whooping cranes near Port Aransas, Texas

WOLFBERRY WHOOPING CRANE SANCTUARY, Texas (AP) — Carter Crouch has been fascinated by the whooping crane’s conservation story for as long as he can remember. The white bird, named for its “whooping” call, is one of the rarest in North America and was among the first to be protected by the Endangered Species Act.It’s a story that began decades ago when they were on the brink of extinction. Today, more than 550 whooping cranes migrate from Canada to Texas in the winter. It's the last self-sustaining wild flock in the world.A new sanctuary aims to further protect them. The International Crane Foundation, The Conservation Fund and the Coastal Bend Bays & Estuaries Program announced Thursday the acquisition of more than 3,300 acres (1,336 hectares) of vital winter habitat for the whooping crane. Only 16 of the birds existed in Texas in the early 1940s, but thanks to decades of conservation work, they’ve rebounded. Still, more work remains as the birds face threats from urban development, climate change, infrastructure for planet-warming oil, gas and coal and more.Crouch, director of Gulf Coast programs for the International Crane Foundation, said the crane’s story is complicated with many successes and some setbacks, but all in all, conservationists have come a long way. “We have a long way to go still, so there’s a lot of story to be written, and I’m super excited to be a small part of that.” An imperiled species, threatened habitat Standing at about 5 feet (1.5 meters) tall, the whooping crane is the tallest bird in North America with wingspans of up to 7.5 feet (2.3 meters) wide, so they need large landscapes to live in. They're snowy white as adults with black wing tips and a red forehead. It's one of 15 crane species in the world across Africa, Asia, Australia, Europe and North America — 10 of which are threatened with extinction. The last wild and self-sustaining flock of whooping cranes breeds and nests in the wetlands in and around Canada’s Wood Buffalo National Park before beginning their 45-day 2,500-mile (4,023-kilometer) southern migration each winter to forage and roost in and near Texas’ Aransas National Wildlife Refuge. The birds, which can live more than 20 years in the wild, mate for life and spend much of their lives raising families. Cranes around the world face numerous challenges. Poaching and poisons threaten some species, and the wetlands and grasslands they need to survive are disappearing. Since the 1970s, 35% of the world’s wetlands have been lost because of human activities, according to the United Nations. The Fish and Wildlife Service estimates the U.S. alone has lost at least 80% of its grasslands.Climate change is worsening the threats. Sea level rise can wipe out the low-lying coastal wetlands in Texas, and loss of permafrost due to warming is among their habitat threats in Canada. Changing rain patterns mean there's less wetland availability in the Great Plains and other regions. “Generally it’s just a really long-lived group of birds, so they’re pretty sensitive to some of these threats that we’re throwing at them,” Crouch said. A safe haven for whooping cranes and other species On a recent morning, after a thick fog cleared, Crouch and a team of scientists roared a boat aptly called Crane Seeker down a channel along the Gulf of Mexico to look for whooping cranes. They anchored the boat, pointed their spotting scope, and patiently observed the birds for nearly an hour, diligently jotting down every minute what they were doing. Flying. Wading in shallow water. Eating crabs or wolfberries.The federally endangered aplomado falcon and the threatened black rail bird also call this region home. The new sanctuary southwest of Houston is made up of two properties purchased for just over $8.4 million thanks to grants, fundraising and hundreds of donations. One property, named the Wolfberry Whooping Crane Sanctuary, will be owned and managed by the International Crane Foundation, and the other by The Conservation Fund until the Coastal Bend Bays & Estuaries Program buys it off and ultimately owns it. The name is inspired by the Carolina wolfberry, a shrub that produces a small, red berry whooping cranes love to eat. It's found here in the coastal habitats of Texas, along with the blue crabs, mollusks and fish they also eat. Conservationists have a lot of work to do on the sanctuary. Much of the prairie has been overtaken by shrubs, so they'll be using prescribed burns and other means to restore the grassland. With the public's help, they'll also plant smooth cordgrass to improve the marshes and protect shorelines from erosion, which will also serve as storm buffers for nearby residents. Volunteers will also assist with the annual Christmas bird counts. And once the sanctuary is up and running, they hope to add guided tours and other educational events. A reliable place to see whooping cranes These protected lands near Texas’ Aransas National Wildlife Refuge are the only place in the U.S. where people can reliably see whooping cranes, said Julie Shackelford, Texas director for The Conservation Fund. It's a destination for birders worldwide, with visitors boosting the economies of nearby communities like Rockport and Port Aransas. In the winters, a “couple hundred people every day go out just to see the whooping crane” with their young, said Shackelford, a fellow bird enthusiast. She described helping to protect the land for future generations as “super gratifying.” Mike Forsberg knows these birds intimately. As a conservation photographer, he's spent countless hours over the years taking photos of North America's cranes, even publishing books about them. He has a podcast about whooping cranes, too, and just finished shooting a documentary. He calls himself a proud member of the growing “craniac community.” “The heart of keeping anything on the Earth ... has to do with making it personal to you, and cranes are just a great doorway in,” said Forsberg, a faculty member at the University of Nebraska. His 2024 book, “Into Whooperland: A Photographer’s Journey with Whooping Cranes” posed the question of whether these birds can survive a 21st century world. “Of course they can,” he said. “They’re resilient. But it’s up to us. And these habitats that are being protected now by the (International) Crane Foundation and by folks who just manage their land with a certain ethos ... that’s critical.”Pineda reported from Los Angeles.The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP’s environmental coverage, visit https://apnews.com/hub/climate-and-environmentCopyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – December 2025

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