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See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

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Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

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MacKenzie Scott Has Given $26B to Nonprofits Since 2019. Here's What She Supported in 2025

The billionaire and author MacKenzie Scott revealed $7.1 billion in donations to nonprofits Tuesday, bringing her overall giving since 2019 to $26.3 billion

The billionaire and author MacKenzie Scott revealed $7.1 billion in donations to nonprofits Tuesday, bringing her overall giving since 2019 to $26.3 billion. Scott first pledged to give away the majority of her wealth in 2019 after her divorce from Amazon founder Jeff Bezos. Since, she's distributed large, unrestricted gifts to nonprofits without asking for applications or progress reports. Largely, her giving has focused in the U.S., though not exclusively. Scott doesn't have a public foundation and so it's not easy to independently track her giving. But she's revealed her gifts in occasional blog posts and essays posted to her website, Yield Giving, which also now includes a database of her grants. The amount of her annual giving has fluctuated, ranging from a reported $2.1 billion in 2023 to $7.1 billion in 2025. In 2025, Scott's gifts showed a particular focus on supporting colleges and universities, especially historically Black and tribal schools, as well as community colleges. She also gave major gifts to organizations focused on mitigating and adapting to climate change. A new emphasis on climate organizations When the list of 2025 recipients was published Tuesday, it included a number of significant gifts to climate groups, with the largest — $90 million — going to the collaborative Forests, People, Climate, which focuses on stopping tropical deforestation. The nonprofit Panorama Global has analyzed Scott's giving over the years and found that historically, giving to the environment has represented a small part of her overall donations. In 2024, only 9.4% of Scott's gifts went to environmental groups, though on average the amount of those gifts was larger than to other areas, according to their research. “What we’re now seeing is different years have different focus areas,” said Gabrielle Fitzgerald, founder and CEO of The Panorama Group. “So last year, there was a really big economic security focus. This year, I really see education and climate.” Scott's assets have grown even as she's given away a fortune When Scott started detailing her giving in 2020, her fortune was valued around $36 billion, according to Forbes. It's fluctuated over the years, but today, Forbes estimates her net worth to be $33 billion, even as she's given away more than $26 billion. Initially, Scott told grantees not to expect or plan for a second gift, but over time, she has given additional gifts to some of the same organizations, often larger than her original grant. “She clearly is getting comfortable with reinvesting in partners that she thinks are doing good work,” said Fitzgerald. At least one organization, CAMFED, which supports girl's education in African countries, has now received four gifts from Scott, including the largest so far, $60 million, in 2025, according to Scott's website. Many generous gifts to minority colleges and universities In addition to at least $783 million Scott gave to historically Black colleges and universities in 2025, her website details many gifts to tribal colleges, community colleges and scholarship funds. “It looks like she sees a lot of need, particularly in two areas ensuring people are getting higher education and ensuring that groups are working to protect the climate,” said Fitzgerald. While Scott has given to higher education since 2020, those gifts have historically been a smaller portion of her education funding. In a 2024 analysis, Panorama Global found nearly 30% of Scott's education grantees were focused on youth development. Marybeth Gasman, a professor at Rutgers University and expert on HBCUs, said she noticed that what sets many of the HBCUs who receive Scott's funding apart from others is steady, consistent leadership and Gasman said, “She’s very interested in institutions that are rooted in community.” The value of unrestricted grants Scott does not put any conditions on her donations, allowing recipients to decide how and when to spend the funds. Unrestricted funding is rare from major donors and foundations, with many choosing to support very specific projects over specific timeframes. However, research from the Center for Effective Philanthropy in 2023 found that concerns about nonprofits misusing Scott's funds or growing unsustainably have largely not been born out. In part, that may be because Scott's team researches and vets groups extensively before making donations. Unrestricted gifts can help nonprofits weather disruptions, test new approaches or technologies or invest in the systems and infrastructure that underpin their work. For example, after the Trump administration cut funding from the U.S. Agency for International Development, the nonprofit Village Enterprise, which runs antipoverty programs, used a grant it received from Scott in 2023 to keep essential programs running.Additionally, Scott allows groups the flexibility to decide whether to publicly share how much they've received, with more than a third of recipients in 2025 not disclosing the grant amounts in Scott's grant database. Fitzgerald said altgoether, she thinks Scott tries to not make her giving about herself. “In her essays, she’s always talking about other stakeholders and other people’s contributions," Fitzgerald said. "So it’s very different than many other philanthropists who are often the center of the story of their gift.” Associated Press coverage of philanthropy and non-profits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – December 2025

Why we only recently discovered space is dark not bright

For centuries, Europeans thought that eternal daylight saturated the cosmos. The shift to a dark universe has had a profound psychological impact upon us

Adobe Stock Photo/Phoebe Watts A blue Earth ascends over the barren surface of the moon, against the black void of space. This famous photograph, Earthrise, was taken on Christmas Eve of 1968, by Apollo 8 astronaut Bill Anders. After almost six decades, we take this image for granted. But imagine a different Earthrise, in which space isn’t black but bright blue, like the clear day sky. As strange as it may strike you, this is how most Europeans imagined it for centuries. We know our understanding of the universe has undergone other major transformations, with far-reaching effects. For example, the shifts from an Earth-centred to a sun-centred universe and from a finite to an infinite universe weren’t only scientific discoveries. They made people genuinely rethink their place in the cosmos. The shift from a bright to a dark universe is of comparable significance, but it has been almost lost to history. In recent years, through my research in literary history and the history of science, I have tried to piece together when this shift happened. When, so to speak, did space turn dark? And I’ve found myself asking: what happened to us in the process? Earthrise, a photograph taken from the lunar surface in 1968, crystallized the idea that space was darkNASA Consider the testimony of Domingo Gonsales, the protagonist of the first English science-fiction novel, Francis Godwin’s 1638 Man in the Moone. Travelling to the moon aboard a swan-powered spacecraft, Gonsales reports seeing very few stars – and these few, “by reason it was always day, I saw at all times alike, not shining bright, as upon the earth we… see them in the night time, but of a whitish colour, like that of the moon in the day time with us”. Why does he see fewer stars than we do from Earth? And why are they pale, like the moon seen in the daytime sky? Because his space simply is the daytime sky. The sun has dimmed the light of the brightest stars and drowned out completely that of fainter ones. From our perspective, Gonsales’s universe is upside down. In his version, it is in daytime that we see it as it really is, whereas at night it is obscured by Earth’s dark shadow. But if we ascended into space at midnight, we would eventually break out of the shadow, into the eternal day beyond. In Francis Godwin’s Man in the Moone, the protagonist Domingo Gonsales sets sail for the moon in his swan-powered spacecraftHoughton Library Gonsales doesn’t mention the shadow, but we catch a glimpse of it in another early space travel story, John Milton’s Paradise Lost. Approaching Earth, Milton’s Satan sees “the circling canopy / Of night’s extended shade”. In imagining a premodern Earthrise, then, we should add this shadow into the picture – a dark cone extending from the gibbous planet into the blue heavens and disappearing below the lunar horizon. Other authors explain why space isn’t just bright, but bright blue. The most common explanation is that the “firmament” – the variously imagined vault of the cosmos – was blue in colour. This is the view, notes Milton’s contemporary, the atomist philosopher Walter Charleton, held “not only by vulgar, but many transcendently learned heads”. In looking at the day sky, they thought they were simply looking at the end of the universe. The path towards Earthrise This universe also appears in visual art. Here, again, comparison with Apollo 8 is instructive. Some hours after capturing Earthrise, the crew delivered a radio broadcast to Earth from lunar orbit. Commander Frank Borman wished Earthlings a merry Christmas and read from the biblical account of creation. For the first time, humans attained a comparable, godlike perspective on their blue planet, sparkling in the black abyss. But when premodern artists illustrated these same biblical verses, they often drew the inverse: dark Earths, suspended in azure heavens. To complete the alternative Earthrise, imagine one of these darker Earths, rather than the familiar “blue marble”, ascending over the lunar surface. And it wasn’t just poets and painters. Philosophers and scientists also imagined such universes. Aristotle describes “the shadow of the earth (which we call night)”. Two millennia later, so does Copernicus, writing that “while the rest of the universe is bright and full of daylight, night is clearly nothing but the Earth’s shadow, which extends in the shape of a cone and ends in a point”. There was nothing irrational about such views. Early European thinkers simply had no compelling evidence to the contrary, especially regarding the nature of outer space and of Earth’s light-refracting atmosphere. Without such evidence, why suspect that night is the rule and day the exception? What reason had a premodern Christian to break with centuries of tradition and no longer view the heavens – the abode of God, angels and blessed souls – as a realm of eternal light, but one of eternal darkness? A 13th-century manuscript depicts a grey Earth casting a black shadow into a blue universe (left). The newly created Earth is also imagined as a black marble surrounded by a blue cosmos in a 15th-century manuscriptHeritage Image Partnership Ltd/Alamy; Bibliothèque nationale de France Which isn’t to say bright space was universal, even in premodernity. Thinkers of the Islamicate world, for example, accepted dark space from the 9th century onwards, though the reach of their views in the West seems to have been limited. By all accounts, dark space had to be rediscovered by European thinkers in the 17th century. For one thing, the period saw major advances in the scientific understanding of the atmosphere. Indeed, “atmosphere” is a 17th-century word, and one of the first to use it in English was Walter Charleton, whose universe can be described as the missing link in the story: neither bright nor dark, but changing from one to the other as the observer turns towards and away from the sun. This is because Charleton’s universe is still bounded by a firmament – although a black one, “and not azure, as most suppose” – and is also filled with swarms of tiny particles or “atoms”, driving him to speculate about their visual effects. But for Otto von Guericke, who accepted an unbound, infinite universe, and made groundbreaking experiments studying the vacuum, space is, precisely, space. If we found ourselves in such “pure”, “empty” space, with “no body lighted by the sun either underneath or before” us, we would “see nothing other than shadow”. From this point on, dark space is increasingly accepted by European scientists and scientifically literate thinkers. But that isn’t where the story ends, because bright space still survives for centuries in the popular imagination. Fast-forwarding to 1858, here is the astronomer James Gall, imagining ascending into space in a work aimed at the Victorian general reader: “We look around, and oh, how strange! the heavens are black”. Gall knows space is black, but he doesn’t expect his audience to know it. And this audience isn’t necessarily uneducated in other departments. It isn’t an ignoramus or a child who, as late as 1880, still believes the universe is an “enormous sphere of blue” – it is a distinguished literary historian, David Masson. Isolated instances continue into the 1920s, the very doorstep of the Space Age. We are dealing, then, not only with a lost, but also remarkably recent shift in our cosmological imagination. Because some of the most striking evidence appears in literary works, especially space travel narratives, it was first noticed by literary scholars: C. S. Lewis and, more recently, John Leonard. But it is yet to receive sustained study, and its cultural impact remains almost entirely uncharted. This impact has been profound, although it often hides in plain sight. For example, it is widely recognised that images like Earthrise transformed our planetary and environmental consciousness. Earth became “whole” and “blue”, but also “fragile”: emblematic of the imperatives of political unity and ecological sustainability, as well as the threat of nuclear warfare and anthropogenic climate change. What isn’t recognised, however, is that this transformation wasn’t due solely to a new view of the planet, but also of what surrounded it. Whole Earths had been imagined, depicted and reflected on since antiquity. But most floated in bright universes, eliciting very different reactions. The impact of Earthrise was therefore even greater than commonly understood. Once such images entered mass circulation, they wiped away even the last remaining vestiges of the old, bright cosmos, searing its exact inversion into the popular imagination: Earth as a luminous oasis in a dark cosmic desert. Earth was never “blue” or “fragile”, as such. It appeared so against the lethal darkness around it, which now became not only a scientific but also a cultural and psychological reality.

Rising Temperatures Disturbing Americans' Slumber, Study Says

By Dennis Thompson HealthDay ReporterWEDNESDAY, Dec. 10, 2025 (HealthDay News) — Climate change is costing people some shut-eye, and a new study...

By Dennis Thompson HealthDay ReporterWEDNESDAY, Dec. 10, 2025 (HealthDay News) — Climate change is costing people some shut-eye, and a new study says it’s only going to get worse.Higher daytime or nighttime temperatures slightly lower the amount of sleep a person gets, researchers reported in the December issue of the journal Environment International.By 2099, people could be losing up to 24 hours of sleep each year due to rising heat, researchers projected.“This work is an important step toward understanding how sleep is affected by environmental stressors like heat, which can increase the risk of disease and even death,” said lead researcher Jiawen Liao, a postdoctoral research associate in population and public health sciences at the Keck School of Medicine of USC.“If we can help people sleep better, we may be able to reduce illness and save lives,” Liao said in a news release.Hot weather can disturb sleep in several ways, researchers said in background notes. Heat prevents the body from cooling down, can trigger a stress response and reduces the time a person spends in deep sleep and REM sleep.In turn, poor sleep increases the risk of many different health problems, including heart disease, breathing issues and mental health disorders, researchers said.“We already know that when there are extreme heat events, more people die from cardiovascular disease and pulmonary disease,” Liao said. “What will this mean for population health as global temperatures continue to rise?”For the new study, researchers analyzed sleep data collected for more than 14,000 adults, amounting to more than 12 million nights of sleep. The team compared people’s sleep against weather data for their area to see how temperature affects sleep.Results showed that an 18-degree Fahrenheit difference in daytime temperature was associated with about 2.2 minutes of lost sleep, while the same increase at night was linked to more than 2.6 lost minutes of sleep.“This may seem like a small amount, but when it adds up across millions of people, the total impact is enormous,” Liao said.As one might expect, sleep loss is highest during the hot summer days from June to September, researchers said.There also are geographic differences, with folks on the West Coast losing nearly three times as much sleep as people in other regions.All told, U.S. adults could lose between 9 and 24 hours of sleep each year by 2099, depending on where they live, researchers projected.Rising temperatures also were associated with more disrupted sleep throughout the night, and more time spent awake in bed, researchers said.Researchers next plan to investigate whether indoor cooling, green roofs or better sleep hygiene can counter the effects of heat and help people get a good night’s sleep. They also plan to see whether improving sleep can reduce heat-related health problems.SOURCE: Keck School of Medicine of USC, news release, Dec. 5, 2025Copyright © 2025 HealthDay. All rights reserved.

EPA Eliminates Mention of Fossil Fuels in Website on Warming's Causes. Scientists Call It Misleading

The Environmental Protection Agency has removed references to fossil fuels from its online page about climate change causes

WASHINGTON (AP) — The Environmental Protection Agency has removed any mention of fossil fuels — the main driver of global warming — from its popular online page explaining the causes of climate change. Now it only mentions natural phenomena, even though scientists calculate that nearly all of the warming is due to human activity.Sometime in the past few days or weeks, EPA altered some but not all of its climate change webpages, de-emphasizing and even deleting references to the burning of coal, oil and natural gas, which scientists say is the overwhelming cause of climate change. The website's causes of climate page mentions changes in Earth’s orbit, solar activity, Earth's reflectivity, volcanoes and natural carbon dioxide changes, but not the burning of fossil fuels. Seven scientists and three former EPA officials tell The Associated Press that this is misleading and harmful.“Now it is completely wrong,” said University of California climate scientist Daniel Swain, who also noted that impacts, risks and indicators of climate change on the EPA site are now broken links. “This was a tool that I know for a fact that a lot of educators used and a lot of people. It was actually one of the best designed easy access climate change information websites for the U.S.”“It is outrageous that our government is hiding information and lying,” said former Obama National Oceanic and Atmospheric Administration chief and Oregon State oceanographer Jane Lubchenco. “People have a right to know the truth about the things that affect their health and safety, and the government has a responsibility to tell the truth.”An October version of the same EPA page, saved by the internet Wayback Machine, said: “Since the Industrial Revolution, human activities have released large amounts of carbon dioxide and other greenhouse gases into the atmosphere, which has changed the earth’s climate. Natural processes, such as changes in the sun’s energy and volcanic eruptions, also affect the Earth’s climate. However, they do not explain the warming that we have observed over the last century.”That now reads: “Natural processes are always influencing the earth’s climate and can explain climate changes prior to the Industrial Revolution in the 1700s. However, recent climate changes cannot be explained by natural causes alone.”“Unlike the previous administration, the Trump EPA is focused on protecting human health and the environment while Powering the Great American Comeback, not left-wing political agendas,” said Brigit Hirsch, EPA spokesperson, in an email. “As such, this agency no longer takes marching orders from the climate cult. Plus, for all the pearl-clutchers out there, the website is archived and available to the public.” Clicking on “explore climate change resources” on the EPA archived website leads to an error message that says: “This XML file does not appear to have any style information associated with it.”Former Republican Governor Christie Todd Whitman, who was EPA administrator under George W. Bush, said, “You can refuse to talk about it, but it doesn't make it go away. And we're seeing it. Everybody's seeing it.”“We look ridiculous, quite frankly,” Whitman told The Associated Press in an interview. “The rest of the world understands this is happening and they're taking steps... And we're just going backwards. We're knocking ourselves back into the Stone Age.”Democratic EPA chief Gina McCarthy blasted current EPA chief Lee Zeldin, calling him “a wolf in sheep's clothing, actively spiking any attempt to protect our health, well-being and precious natural resources.”Nearly 100% of the warming the world is now experiencing is from human activity, and without that, the Earth would be cooling and dropping in temperatures until the Industrial Revolution, Swain and other scientists said. The EPA listed natural causes “might be causing a very tiny amount of warming or cooling at the moment,” he said.Marcia McNutt, a geophysicist and president of the National Academy of Sciences, said that there is consensus among experts from the National Academy of Sciences, Engineering, and Medicine, or NASEM, on the causes of climate change. “Numerous NASEM reports from the nation’s leading scientists confirm that the climate is changing as a result of human activities,” McNutt said. “Even the EPA acknowledges that natural causes cannot explain the current changes in climate. It is important that the public be presented with all of the facts.”Former EPA climate advisor Jeremy Symons, now a senior advisor for Environmental Protection Network of former EPA officials, said: “Ignoring fossil fuel pollution as the driving force behind the climate changes we have seen in our lifetime is like pretending cigarettes don’t cause lung cancer.”Michael Phillis contributed to this report.The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – December 2025

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