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See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

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Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

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Analysis-Brazil Environment Minister, Climate Summit Star, Faces Political Struggle at Home

By Manuela AndreoniBELEM, Brazil (Reuters) -Brazilian Environment Minister Marina Silva fought back tears as global diplomats applauded her for...

BELEM, Brazil (Reuters) -Brazilian Environment Minister Marina Silva fought back tears as global diplomats applauded her for several minutes on Saturday in the closing plenary of the COP30 global climate summit."We've made progress, albeit modestly," she told delegates gathered in the Amazon rainforest city of Belem, before raising a fist over her head defiantly. "The courage to confront the climate crisis comes from persistence and collective effort."It was a moment of catharsis for the Brazilian hosts in a tense hall where several nations vented frustration with a deal that failed to mention fossil fuels - even as they cheered more funds for developing nations adapting to climate change.Despite the bittersweet outcome, COP30 capped years of work by the environment minister and President Luiz Inacio Lula da Silva to restore Brazil's leadership on global climate policy, dented by a far-right predecessor who denied climate science.Back in Brasilia, a harsher political reality looms. Congress has been pushing to dismantle much of the country's environmental permitting system. Organized crime in the Amazon is also a problem, and people seeking to clear forest acres have found new ways to infiltrate and thwart groups touting sustainable development.All this poses new threats to Brazil's vast ecosystems, forcing Lula and his minister to wage a rearguard battle to defend the world's largest rainforest. Scientists and policy experts warn that action is needed to discourage deforestation before a changing climate turns the Amazon into a tinderbox. Tensions have been mounting between a conservative Congress and the leftist Lula ahead of next year's general election. Forest land is often at heightened risk during election years.Still, Silva insists Brazil can deliver on its promise to reduce deforestation to zero by 2030.  "If I'm in the eye of the storm," she told Reuters, "I have to survive."Silva, born in 1958 in the Amazonian state of Acre to an impoverished family of rubber tappers, was more rock star than policymaker for many at COP30. Like Lula, she overcame hunger and scant early schooling to achieve global recognition. As his environment minister from 2003 to 2008, she sharply slowed the destruction of her native rainforest.After more than a decade of estrangement from Lula's Workers Party, Silva reunited with him in 2022. Many environmentalists consider her return the most important move on climate policy in Lula's current mandate, which he has cast his agenda as an "ecological transformation" of Brazil's economy.It is a stark contrast from surging deforestation under Lula's right-wing predecessor Jair Bolsonaro, who cheered on mining and ranching in the rainforest.Still, Lula's actual environmental record has been ambiguous, said Juliano Assuncao, executive director of the Climate Policy Institute think tank in Brazil. "What we have at times is an Environment Ministry deeply committed to these issues, but at critical moments it hasn't been able to count on the support of the federal government in the way it should," he said.Lula's government has halved deforestation in the Amazon, making it easier to fine deforesters and choke their access to public credit. New policies have encouraged reforestation and sustainable farming practices, such as cattle tracing.Still, critics say Lula's government has not done enough to stop Congress as it undercut environmental protections and blocked recognition of Indigenous lands. Lawmakers have also attacked a private-sector agreement protecting the Amazon from the advance of soy farming.Lula's environmental critics concede he has limited leverage.When a government agency was slow to license oil exploration off the Amazon coast, the Senate pushed legislation to overhaul environmental permitting. Lula vetoed much of the bill, but lawmakers vowed to restore at least part of it this week. Similar tensions in Lula's last mandate prompted Silva to quit over differences with other cabinet ministers. This time around, Lula has been quick to defend her and vice-versa. During a recent interview in her Brasilia office, Silva suggested that Lula had not changed, but rather that a warming planet has ratcheted up the urgency of climate policy."Reality has changed," she said. "People who are guided by scientific criteria, by common sense, by ethics, have followed that gradual change." HIGHER TEMPERATURES, MORE GUNSEarth's hottest year on record was 2024, fueling massive fires in the Amazon rainforest that for the first time erased more tree cover than chainsaws and bulldozers.Brazilians hoping to preserve the Amazon must struggle against more than just a warmer climate and a skeptical Congress. Organized crime has grown in the region after years of tight funding left fewer federal personnel to fight back, said Jair Schmitt, who oversees enforcement at Brazil's environmental protection agency Ibama. Ibama agents have been caught more often in shootouts with gangs, he added, suggesting more guns than ever in the region. "Rifles weren't this easy to find before," he said.Another challenge: Illegal deforesters have also infiltrated Amazon supply chains touting their sustainability, from biofuels to carbon credits, Reuters has reported. To overcome them, Brazil will need to steel its political will, said Marcio Astrini, the head of Climate Observatory, an advocacy group. Other than that, he added, "we have everything it takes to succeed."(Reporting by Manuela AndreoniEditing by Brad Haynes and David Gregorio)Copyright 2025 Thomson Reuters.

Drought killer: California storms fill reservoirs, build up Sierra snowpack

It's been the wettest November on record for several Southern California cities. But experts say that despite the auspicious start, it's still too soon to say how the rest of California's traditional rainy season will shape up.

A string of early season storms that drenched Californians last week lifted much of the state out of drought and significantly reduced the risk of wildfires, experts say.It’s been the wettest November on record for Southland cities such as Van Nuys and San Luis Obispo. Santa Barbara has received an eye-popping 9.5 inches of rain since Oct. 1, marking the city’s wettest start to the water year on record. And overall the state is sitting at 186% of its average rain so far this water year, according to the Department of Water Resources.But experts say that despite the auspicious start, it’s still too soon to say how the rest of California’s traditional rainy season will shape up.“The overall impact on our water supply is TBD [to be determined] is the best way to put it,” said Jeff Mount, senior fellow at the Public Policy Institute of California’s Water Policy Center. “We haven’t even really gotten into the wet season yet.”California receives the vast bulk of its rain and snow between December and March, trapping the runoff in its reservoirs to mete out during the hot, dry seasons that follow. Lights from bumper-to-bumper traffic along Aliso Street reflect off the federal courthouse in Los Angeles on a rainy night. (Robert Gauthier/Los Angeles Times) Those major reservoirs are now filled to 100% to 145% of average for this date. That’s not just from the recent storms — early season rains tend to soak mostly into the parched ground — but also because California is building on three prior wet winters, state climatologist Michael Anderson said.A record-breaking wet 2022-23 winter ended the state’s driest three-year period on record. That was followed by two years that were wetter than average for Northern California but drier than average for the southern half, amounting to roughly average precipitation statewide.According to the latest U.S. Drought Monitor report, issued last week before the last of the recent storms had fully soaked the state, more than 70% of California was drought-free, compared with 49% a week before. Nearly 47% of Los Angeles County emerged from moderate drought, with the other portions improving to abnormally dry, the map shows. Abnormally dry conditions also ended in Ventura, Santa Barbara, San Luis Obispo and much of Kern counties, along with portions of Central California, according to the map. In the far southern and southeastern reaches of the state, conditions improved but still range from abnormally dry to moderate drought, the map shows.The early season storms will play an important role in priming watersheds for the rest of the winter, experts said. By soaking soils, they’ll enable future rainstorms to more easily run off into reservoirs and snow to accumulate in the Sierra Nevada.“Building the snowpack on hydrated watersheds will help us avoid losing potential spring runoff to dry soils later in the season,” Anderson wrote in an email.Snowpack is crucial to sustaining California through its hot, dry seasons because it runs down into waterways as it melts, topping off the reservoirs and providing at least 30% of the state’s water supply, said Andrew Schwartz, director of UC Berkeley’s Central Sierra Snow Lab.The research station at Donner Pass has recorded 22 inches of snow. Although that’s about 89% of normal for this date, warmer temperatures mean that much of it has already melted, Schwartz said. The snow water equivalent, which measures how much water the snow would produce if it were to melt, now stands at 50%, he said.“That’s really something that tells the tale, so far, of this season,” he said. “We’ve had plenty of rain across the Sierra, but not as much snowfall as we would ordinarily hope for up to this point.”This dynamic has become increasingly common with climate change, Schwartz said. Snow is often developing later in the season and melting earlier, and more precipitation is falling as rain, he said. Because reservoirs need to leave some room in the winter for flood mitigation, they aren’t always able to capture all this ill-timed runoff, he said.And the earlier the snow melts, the more time plants and soils have to dry out in the summer heat, priming the landscape for large wildfires, Schwartz said. Although Northern California has been spared massive fires for the last few seasons, Schwartz fears that luck could run out if the region doesn’t receive at least an average amount snow this year.For now, long-range forecasts are calling for equal chances of wet and dry conditions this winter, Mount said. What happens in the next few months will be key. California depends on just a few strong atmospheric river storms to provide moisture; as little as five to seven can end up being responsible for more than half of the year’s water supply, he said.“We’re living on the edge all the time,” he said. “A handful of storms make up the difference of whether we have a dry year or a wet year.”Although the state’s drought picture has improved for the moment, scientists caution that conditions across the West are trending hotter and drier because of the burning of fossil fuels and resultant climate change. In addition to importing water from Northern California via the Sacramento-San Joaquin River Delta, Southern California relies on water from the Colorado River. That waterway continues to be in shortage, with its largest reservoir only about one-third full.What’s more, research has shown that as the planet has warmed, the atmosphere has become thirstier, sucking more moisture from plants and soils and ensuring that dry years are drier. At the same time, there’s healthy debate over whether the same phenomenon is also making wet periods wetter, as warmer air can hold more moisture, potentially supercharging storms.As a result, swings between wet and dry on a year-to-year basis — and even within a year — seem to be getting bigger in California and elsewhere, Mount said. That increase in uncertainty has made managing water supplies more difficult overall, he said.Still, because of its climate, California has plenty of experience dealing with such extremes, said Jay Lund, professor emeritus of civil and environmental engineering at UC Davis.“We always have to be preparing for floods and preparing for drought, no matter how wet or dry it is.”Staff writer Ian James contributed to this report.

Indigenous People Reflect On What It Meant To Participate In COP30 Climate Talks

Many who attended the UN summit in the Amazon liked the solidarity and small wins, but some felt the talks fell short on representation and true climate action.

BELEM, Brazil (AP) — Indigenous people filled the streets, paddled the waterways and protested at the heart of the venue to make their voices heard during the United Nations climate talks that were supposed to give them a voice like never before at the annual conference.As the talks, called COP30, concluded Saturday in Belem, Brazil, Indigenous people reflected on what the conference meant to them and whether they were heard.Brazilian leaders had high hopes that the summit, taking place in the Amazon, would empower the people who inhabit the land and protect the biodiversity of the world’s largest rainforest, which helps stave off climate change as its trees absorb carbon pollution that heats the planet.Many Indigenous people who attended the talks felt strengthened by the solidarity with tribes from other countries and some appreciated small wins in the final outcome. But for many, the talks fell short on representation, ambition and true action on climate issues affecting Indigenous people.“This was a COP where we were visible but not empowered,” said Thalia Yarina Cachimuel, a Kichwa-Otavalo member of A Wisdom Keepers Delegation, a group of Indigenous people from around the world.Some language wins but nothing on fossil fuelsFrom left: Taily Terena, Gustavo Ulcue Campo, Bina Laprem and Sarah Olsvig attend an Indigenous peoples forum on climate change at the COP30 UN Climate Summit, on Nov. 21, 2025, in Belem, Brazil.Andre Penner via Associated PressThe first paragraph of the main political text acknowledges “the rights of Indigenous Peoples, as well as their land rights and traditional knowledge.”Taily Terena, an Indigenous woman from the Terena nation in Brazil, said she was happy because the text for the first time mentioned those rights explicitly.But Mindahi Bastida, an Otomí-Toltec member of A Wisdom Keepers Delegation, said countries should have pushed harder for agreements on how to phase out fuels like oil, gas and coal “and not to see nature as merchandise, but to see it as sacred.”Several nations pushed for a road map to curtail use of fossil fuels, which when burned release greenhouse gases that warm the planet. Saturday’s final decision left out any mention of fossil fuels, leaving many countries disappointed.Brazil also launched a financial mechanism that countries could donate to, which was supposed to help incentivize nations with lots of forest to keep those ecosystems intact.Although the initiative received monetary pledges from a few countries, the project and the idea of creating a market for carbon are false solutions that “don’t stop pollution, they just move it around,” said Jacob Johns, a Wisdom Keeper of the Akimel O’Otham and Hopi nations.“They hand corporations a license to keep drilling, keep burning, keep destroying, so long as they can point to an offset written on paper. It’s the same colonial logic dressed up as climate policy,” Johns said.Concerns over tokenismBrazil Indigenous Peoples Minister Sonia Guajajara (R) poses for a selfie while walking through the COP30 UN Climate Summit venue, on Nov. 17, 2025, in Belem, Brazil.Andre Penner via Associated PressFrom the beginning of the conference, some Indigenous attendees were concerned visibility isn’t the same as true power. At the end, that sentiment lingered.“What we have seen at this COP is a focus on symbolic presence rather than enabling the full and effective participation of Indigenous Peoples,” Sara Olsvig, chair of the Inuit Circumpolar Council, wrote in a message after the conference concluded.Edson Krenak, Brazil manager for Indigenous rights group Cultural Survival and member of the Krenak people, didn’t think negotiators did enough to visit forests or understand the communities living there. He also didn’t believe the 900 Indigenous people given access to the main venue was enough.Sônia Guajajara, Brazil’s minister of Indigenous peoples, who is Indigenous herself, framed the convention differently.“It is undeniable that this is the largest and best COP in terms of Indigenous participation and protagonism,” she said.Protests showed power of Indigenous solidarityIndigenous leader and climate activist Txai Surui (R) shouts slogans while leaving a plenary session during the COP30 UN Climate Change Conference in Belem, Brazil, on Nov. 21, 2025. Pablo Porciuncula/AFP via Getty ImagesWhile the decisions by delegates left some Indigenous attendees feeling dismissed, many said they felt empowered by participating in demonstrations outside the venue.When the summit began on Nov. 10, Paulo André Paz de Lima, an Amazonian Indigenous leader, thought his tribe and others didn’t have access to COP30. During the first week, he and a group of demonstrators broke through the barrier to get inside the venue. Authorities quickly intervened and stopped their advancement.De Lima said that act helped Indigenous people amplify their voices.“After breaking the barrier, we were able to enter COP, get into the Blue Zone and express our needs,” he said, referring to the official negotiation area. “We got closer (to the negotiations), got more visibility.”The meaning of protest at this COP wasn’t just to get the attention of non-Indigenous people, it also was intended as a way for Indigenous people to commune with each other.On the final night before an agreement was reached, a small group with banners walked inside the venue, protesting instances of violence and environmental destruction from the recent killing of a Guarani youth on his own territory to the proposed Prince Rupert Gas Transmission Project in Canada.“We have to come together to show up, you know? Because they need to hear us,” Leandro Karaí of the Guarani people of South America said of the solidarity among Indigenous groups. “When we’re together with others, we’re stronger.“They sang to the steady beat of a drum, locked arms in a line and marched down the long hall of the COP venue to the exit, breaking the silence in the corridors as negotiators remained deadlocked inside.Then they emerged, voices raised, under a yellow sky.

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