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See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

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Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

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Tackling Climate Change Must Be Job Number One

This Earth Day, on April 22, you can exercise your power. The wellbeing of our planet and its people is at stake.

Amid the historic and sweeping cuts to federal agencies and programs being carried out by the Trump Administration, one truth has been overlooked: If we’re serious about cutting waste and protecting public funds, we must confront climate change head-on. 2024 was a disaster for the planet and its people. According to NASA, it was the warmest year since temperatures began being recorded in 1880. In the United States alone there were twenty-seven climate and weather events that resulted in at least a billion dollars in damages—second only to 2023, with twenty-eight such events.  These events—wildfires, floods, tornadoes, and hurricanes—are becoming the norm, and they’re financially devastating.  In January, tens of thousands of acres and more than 16,000 structures burned in southern California. Last month, more than 150 tornadoes tore across the central and southeastern United States, and, this month, historic floods submerged parts of the Midwest and South. In the parts of the United States at higher risk for climate-related extreme weather events, insurance claims are increasing in cost and frequency. Not surprisingly, these high-risk areas are also now seeing the highest increase in cancellations for failure to pay premiums and nonrenewals by the insurance companies. Without insurance, homeowners may not be able to rebuild when disaster strikes. And climate change isn’t the only escalating crisis. The world is also drowning in plastic. On September 5, 2024—Plastic Overshoot Day—the world exceeded its capacity to manage plastic waste. An estimated 220 million tons of plastic are projected to be produced this year alone, and 66 percent of people live in areas where plastic waste exceeds waste management capacity. Meanwhile, new research shows just how dangerous plastics are to human health. Microplastics have been found in human brains, and the World Wildlife Fund estimates that we may be ingesting up to five grams of plastic each week—the weight of a credit card. Plastics are now linked to cancer, endocrine disruption, impaired fertility, and cognitive development issues. Wildlife, too, is suffering from entanglement, starvation, and habitat loss. Here’s the hopeful part: We already have the tools and the power to change this. EARTHDAY.ORG, the network created by the original organizers of the first Earth Day in 1970, is still leading the charge with our campaign, “Our Power, Our Planet.” The goal is to help individuals, cities, and communities act on the environmental challenges of today. The economic upside of environmental action is massive. New solutions to our current environmental crisis rest in the hands of the people. This Earth Day, on April 22, you can exercise your power. Demonstrate to our leaders in government and business that we are still here, we are a witness to their actions, and we will hold them accountable to do right by our planet and its people.  As consumers, we can choose plastic-free products and demand a reduction and transition in the use of plastics from businesses, while at the same time pressuring government leaders to reduce plastic production globally to end the use of toxic ingredients and to improve waste management systems. We have the collective power not only to protect our planet but also to improve lives and livelihoods. The link between greenhouse gas emissions and climate change is now scientifically indisputable. According to the International Renewable Energy Agency, 90 percent of global electricity can and should come from renewable sources by 2050. The transition also promises cleaner air, up to thirty million new jobs, and stronger energy independence. Transitioning to clean energy, reducing plastic waste, and increasing resilience to extreme weather are among the most fiscally responsible actions governments can take. This Earth Day, we must recognize that efficiency isn’t just about cutting—it’s about investing in solutions that protect people and our infrastructure. True government efficiency means reducing risk in order to cut costs—not paying billions each year to clean up after preventable disasters. This column was produced for Progressive Perspectives, a project of The Progressive magazine, and distributed by Tribune News Service.

Australia opposition leader clarifies he believes in climate change after debate

Peter Dutton is facing outrage after comments he made on climate change during an election debate.

Australian opposition leader Peter Dutton has clarified he believes in climate change after facing backlash for comments made during an election debate on Wednesday night.Dutton and Prime Minister Anthony Albanese were asked about the increasing impact of climate change, to which Dutton replied he would "let scientists and others pass that judgment".He had previously said that flooding and natural disasters were "part of the history of our state of this country". The comments generated outrage from climate groups and mockery from Albanese."I believe in climate change, and that it is a reality" Dutton said while campaigning on Monday. During Wednesday's debate, Dutton responded to the moderator's question on whether flooding and natural disasters were getting worse by saying, "I don't know because I'm not a scientist". "I can't tell you whether the temperature has risen in Thargomindah because of climate change or the water levels are up," he added.Meanwhile Albanese, who had said Dutton's words showed "no acceptance of the science of climate change" continued mocking his opponent on Thursday, asking "does he believe in gravity?" Environmental organisations have reacted to Dutton's debate remarks with dismay.Climate Council CEO Amanda McKenzie told the Guardian "it's outrageous for a senior political leader to be so out of touch that they claim they "don't know" the risks Australians are facing."A report from the non-profit released earlier this month stated one in 23 properties across the country were found to be at high risk from climate change.Australian Conservation Foundation Chief Executive Kelly O'Shanassy called Dutton's words "a serious concern" in an interview with the Canberra Times, adding that "the next parliament is the last parliament that can get Australia's massive contribution to climate change under control."Albanese was also questioned on his climate policy during the debate, though for different reasons. The prime minister has championed renewable energy throughout his time in office, but has faced backlash for rising power bills.Asked when fees would fall, the prime minister did not directly reply. Instead, he stressed renewables were the "cheapest form of power".In March, Labor announced it would extend a relief system for the bills, providing a further automatic $150AUD ($95;£72) rebate to households and small businesses. The hour-long debate also saw the two party leaders pressed on other hot button issues for Australia including housing and foreign policy, in particular Australia's relationship to the US.

Ohio grid disparities leave some areas with older, outage-prone equipment

Ohio consumer and environmental advocates are calling on state regulators to address disparities within FirstEnergy’s grid after a recent report found disadvantaged communities are more likely to rely on older, more outage-prone equipment. Areas defined as disadvantaged under the Biden administration’s Climate and…

Ohio consumer and environmental advocates are calling on state regulators to address disparities within FirstEnergy’s grid after a recent report found disadvantaged communities are more likely to rely on older, more outage-prone equipment. Areas defined as disadvantaged under the Biden administration’s Climate and Economic Justice Screening Tool were twice as likely to have low-voltage circuits compared to other parts of FirstEnergy’s Ohio territory, according to the study by the Interstate Renewable Energy Council. Equipment was also generally older and had less capacity for normal and overload situations. The results reflect historical patterns of underinvestment in disadvantaged communities, the report says, but the full scope of the problem — including across Ohio’s other utilities — is unclear due to the lack of information from utilities and regulators. “The public availability of any utility data is very, very limited in Ohio,” said report author Shay Banton, a regulatory program engineer and energy justice policy advocate for the Interstate Renewable Energy Council. The Ohio Environmental Council submitted the report as part of FirstEnergy’s pending rate case before the Public Utilities Commission of Ohio and is asking regulators to address the topic in an evidentiary hearing set for May 5. The state of the local grid matters when it comes to the reliability of customers’ electric service, their ability to add distributed renewable energy resources like rooftop solar, and a community’s potential to attract business investments that could improve its economic conditions. Regulated electric utilities file reliability reports each spring that focus on two commonly used metrics. The system average interruption frequency index, or SAIFI, shows how many outages occurred per customer. The customer average interruption duration index, or CAIDI, measures the average length of time for restoring service to customers who lose power. The annual reports also list factors involved in outages, with breakouts for transmission-related service problems and major events. Major events such as severe weather are considered statistical outliers that don’t count for calculating whether utilities meet their company-specific standards for CAIDI and SAIFI. While weather accounted for the majority of time Ohioans went without power last year, equipment failures also triggered thousands of outages. For the ninth year in a row, at least one Ohio utility company failed to meet reliability standards, reports filed this month show. Both AEP Ohio and FirstEnergy’s Toledo Edison missed their marks for the average time before power is restored for customers who experience outages. The Public Utilities Commission of Ohio also collects data on the worst-performing circuits. Individual circuits serve anywhere from a few hundred to several thousand customers. However, the state doesn’t post these reports online or disclose the circuit’s exact locations, which could be used to show whether they are concentrated in disadvantaged communities. The SAIFI and CAIDI metrics used by state regulators did not show significant disparities between disadvantaged neighborhoods and other areas in FirstEnergy’s territory. But Banton said those reliability metrics rely on averages for large groups, which can obscure disparities. They said that utilities should also be required to publicly report the number of customers experiencing frequent service interruptions and the number of customers who faced long outages. Utilities in Ohio tend to be reactive in dealing with circuit problems, Banton said. Communities can face longer outages if utilities wait for equipment to fail before replacing it. Instead, Banton wants utilities’ capital investments to address current disparities and then prevent them from recurring in the future.

Proposed Rule Change on Endangered Species Triggers Alarm for Environmentalists

The Trump administration plans to rewrite part of the Endangered Species Act that prohibits harming the habitats of endangered and threatened species

The Trump administration plans to eliminate habitat protections for endangered and threatened species in a move environmentalists say would lead to the extinction of critically endangered species due to logging, mining, development and other activities.At issue is a longstanding definition of “harm” in the Endangered Species Act, which has included altering or destroying the places those species live. Habitat destruction is the biggest cause of extinction, said Noah Greenwald, endangered species director at the Center for Biological Diversity.The U.S. Fish and Wildlife Service and National Marine Fisheries Service said in a proposed rule issued Wednesday that habitat modification should not be considered harm because it's not the same as intentionally targeting a species, called “take.” Environmentalists argue that the definition of “take,” though, has always included actions that harm species, and the definition of “harm” has been upheld by the Supreme Court.The proposed rule “cuts the heart out of the Endangered Species Act,” said Greenwald. “If (you) say harm doesn’t mean significant habitat degradation or modification, then it really leaves endangered species out in the cold.”For example, he said spotted owls and Florida panthers both are protected because the current rule forbids habitat destruction. But if the new rule is adopted, someone who logs in a forest or builds a development would be unimpeded as long as they could say they didn't intend to harm an endangered species, he said.The proposed rule was expected to be published in the Federal Register on Thursday, kicking off a 30-day public comment period.A U.S. Fish and Wildlife Service spokeswoman referred The Associated Press to the Department of Interior, which declined to comment.Environmental groups will challenge the rule in court if it is adopted, said Drew Caputo, an attorney at Earthjustice.He said the proposal “threatens a half-century of progress in protecting and restoring endangered species,” including bald eagles, gray wolves, Florida manatees and humpback whales. He said that's because the current rule “recognizes the common-sense concept that destroying a forest, beach, river, or wetland that a species relies on for survival constitutes harm to that species.”The question is whether the Trump administration is entitled to repeal a rule that was upheld specifically by the Supreme Court and therefore subject to precedent, said Patrick Parenteau, an emeritus professor at the Vermont Law and Graduate School who has handled endangered species cases.Because of the current definition of harm, “many, many millions of acres of land has been conserved” to help keep species alive, he said.The issue is of particular concern in Hawaii, which has more endangered species than any other state — 40% of the nation’s federally listed threatened and endangered species — even though it has less than 1% of the land area, according to the National Fish and Wildlife Foundation. Birds are among the most vulnerable. Since humans arrived, 71 birds have gone extinct, according to the state Department of Land and Natural Resources. Thirty-one of the 42 remaining endemic birds are listed under the U.S. Endangered Species Act, the department said and ten of these haven’t been seen in decades.Associated Press reporter Audrey McAvoy in Hawaii contributed to this report.The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See - Feb. 2025

Meet the DJs spinning Earth Day into nightlife

At Earth "Night" celebrations, you can dance, vibe, and get involved with local climate action.

The vision “In the nightlife industry, the majority of the crowd is very young. Our crowd is the future. So it’s great to have them all together and be able to raise some more awareness.” — Ruben Pariente Gromark of DJs for Climate Action The spotlight Next Tuesday, April 22, will mark the 55th anniversary of Earth Day, a celebration launched in 1970 to bring attention and grassroots energy to environmental issues. But the days that immediately follow it, April 23 through 27, will mark the eighth annual offering of a relatively under-the-radar series of climate events: Earth Night. Organized by a small volunteer group called DJs for Climate Action, Earth Night is a global initiative that brings climate and environmental messages into dance halls, bars, clubs, and other nightlife venues. The idea started with a campaign by producer and DJ Sam Posner (also known as Sammy Bananas). Around 2009, he launched a holiday fundraising campaign for DJs to buy carbon credits to offset the emissions of the frequent flights they take to work at parties and events all over the world. “He sent it to me and I was like, ‘Oh, this is really interesting,’” said Eli Goldstein (Soul Clap), a fellow music artist who’s now the president of DJs for Climate Action. “At that time I was flying a lot, and it was the first time a light bulb went off, that there was a negative side of all the flying around the world DJing.” Taking a flight is one of the most carbon-intensive activities any individual can do — and as long-distance, often international travel is a routine part of many DJs’ jobs, they can rack up some high carbon footprints. Goldstein had long been interested in environmental issues. He even sang at Earth Day celebrations as a schoolkid. When he encountered Posner’s carbon-credits campaign, he had what he described as “an epiphany” that living his dream as a DJ wasn’t fully in line with his environmental values. The end-of-year fundraisers continued for several years, under the banner of DJs Against Climate Change, before the group decided it wanted to do something bigger. Focusing only on the carbon footprint of traveling felt like a missed opportunity to take advantage of the unique skills the artists had to bring to the movement. “We realized we could be a lot more constructive, positive, by encouraging DJs to use our platforms to educate and encourage action around climate and the environment,” Goldstein said. They wanted to invite DJs to do what they do best — spin tunes at parties — while fostering a space for learning, community building, and fundraising for climate solutions, and also emphasizing a vision of low-waste, regenerative local events. A photo from the first Earth Night event at House of Yes in Brooklyn, New York. Sam Posner The fledgling group organized the first Earth Night event in 2018 at House of Yes, a funky performance venue in Brooklyn. In addition to spinning DJ sets, the crew handed out literature at the door, projected climate information on the walls, and raised money for the local nonprofit NYC Environmental Justice Alliance. Around 500 people attended. “The idea was just to create an opportunity for nightlife, to have a joyful moment to support and educate about climate,” Goldstein said. The event expanded from there. In 2019, the team coordinated Earth Night events in seven cities around the world, raising over $10,000 for various climate charities. In 2020, the group had planned to hold 50 events, honoring the 50th anniversary of Earth Day. All those plans were scuttled by the arrival of the COVID-19 pandemic — but like so many other organizations, DJs for Climate Action quickly pivoted to a virtual approach, which had the effect of bringing Earth Night to many more people. “We did a livestream with 100 DJs from around the world — every continent except Antarctica was represented,” Goldstein said. “Everybody just played one song, and it was like 20 hours long. It was really epic and amazing.” As in-person partying gradually returned, the team decided to take a more decentralized approach. While a number of artists have been involved over the years, the core team behind DJs for Climate Action is just five people, and they quickly realized they couldn’t sustain all the coordination and support that would be required to scale up the global event. Instead, they created a toolkit for local organizers — DJs, venues, promoters, or really anyone interested in hosting an Earth Night event. It includes specific tips for sustainability, such as going plastic-free, booking local talent, featuring plant-based menus, and using renewable energy where possible. A photo from the second year of Earth Night at House of Yes, in 2019. Courtesy of DJs for Climate Action For 2025, there are close to 40 events planned around the world, which will be added to the DJs for Climate Action website and Instagram in the coming days. “It’s definitely taking on a life of its own,” Goldstein said. DJs for Climate Action also recently acquired formal nonprofit status and will be fundraising for itself through Earth Night as well, with a goal of expanding the organization’s capacity. “We’re now trying to raise money to have a more permanent team,” Goldstein said. “So we do encourage events to donate at least partially to DJs for Climate Action — but also to local climate and environmental justice orgs. Part of the beauty of Earth Night is it’s this local organizing, but still global energy, global community, global impact.” Mónica Medina, a biology professor at Penn State, is organizing an event this year in State College, Pennsylvania. Although she’s not a frequenter of the club scene herself, State College is a party town, she said. She saw an opportunity to reach people with a climate message through a medium that she herself has found very healing: music. “I feel that we have split our lives into so many bubbles that don’t overlap. But I feel that knowledge, spirituality, and fun can be together — and that music especially has the power of getting people entranced in a way where they are connected with these powerful lyrics,” she said. That sentiment was echoed by Gui Becker, a fellow professor and musician who will be performing live at the State College event. Becker was in a metal band with his cousins when he was young, and his music evolved to explore environmental and climate justice themes as he studied biology in grad school. Over the past several years, he’s written a handful of hard rock songs with climate messages, and he’s collaborated with other scientists and musicians through an initiative called Science Strings. “Music is so powerful,” said Becker, who’s looking forward to performing live at Manny’s, a popular all-ages venue in State College. “I think maybe we’re going to be able to reach an audience that normally doesn’t listen to environmental music, environmentally charged songs.” In addition to Becker’s performance, the State College event on April 24 will include a DJ set by the venue’s owner and the premiere of a new music video that Medina and her students produced for “La Extinción,” a song by the Colombian musician Pernett. At this year’s Earth Night event in Paris, on April 26, the music itself will have less of an explicit climate message — but the party will include a guided meditation by sound artist Lola Villa, featuring nature sounds that she recorded in the Amazon, as well as a panel featuring the event’s DJs on how artists can get involved in activism. The attendees will also get compostable wristbands — and in the 10 seconds it takes to put a wristband on, the venue staff will briefly explain to people why they’re there. “I do believe that makes a big difference,” said Ruben Pariente Gromark (also known as Michel D.), a core member of DJs for Climate Action and the organizer of the Paris party. “As it’s a classic club venue where there’s parties every weekend, quite a few people might just come randomly, to go to a party where they’re used to going for a party. And then they will know that it’s a different [mission-driven] party.” The wristbands will also feature a QR code that leads to a survey asking attendees how they traveled to the Earth Night event (walking, biking, driving, or even flying from afar). It’s part of a broader impact assessment the team intends to compile this year to measure the sustainability of the events. At the end of the day, though, Earth Night is less about reducing the plastic cups at bars or the miles traveled to concert venues, and more about creating a joyful space for people to learn and get inspired to take action for the climate. “When we talk about the climate crisis, environmental action, all these subjects — it’s full of anxiety, it’s very dark,” said Pariente Gromark. Although its festivities may take place under cover of darkness, Earth Night offers a counter to that doom-and-gloom narrative. Organizers hope the good vibes spread at the events will empower both artists and community members to lean further into climate work where they live — and even where they party. “Climate change is such a global, overwhelming problem that can make us feel super powerless when we look at the macro scale,” Goldstein said. “When we look at our local community and how we can participate, help build resiliency, and just come together in a joyful way, it can feel like you’re actually making a difference.” — Claire Elise Thompson More exposure Read: about the strong climate and environmental justice themes that have long existed in hip hop (Grist) Read: about the cathartic power of Indigenous heavy metal (Grist) Read: about the pop band AJR and its efforts to get fans and concertgoers to take action for the climate (NPR) Read: about The Climate Soundtrack, a 41-track compilation produced by DJs for Climate Action, drawing on field recordings from Greenpeace’s sound library (Ableton) — and check out the soundtrack Listen: to a climate playlist that professor Medina has been compiling and using in her classroom Listen: to our Looking Forward playlist, compiled by you, dear readers! A parting shot Check out this solar-powered DJ booth — a focal point of the 2019 Earth Night event in Paris. IMAGE CREDITS Vision: Mia Torres / Grist Spotlight: Sam Posner; Courtesy of DJs for Climate Action Parting shot: Courtesy of DJs for Climate Action This story was originally published by Grist with the headline Meet the DJs spinning Earth Day into nightlife on Apr 16, 2025.

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