Cookies help us run our site more efficiently.

By clicking “Accept”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts. View our Privacy Policy for more information or to customize your cookie preferences.

See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

News Feed
Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

Get the latest stories in your inbox every weekday.

Read the full story here.
Photos courtesy of

Climate change is rewriting polar bear DNA

This story was originally published by the Guardian and is reproduced here as part of the Climate Desk collaboration. Changes in polar bear DNA that could help the animals adapt to warmer climates have been detected by researchers in a study thought to be the first time a statistically significant link has been found between […]

This story was originally published by the Guardian and is reproduced here as part of the Climate Desk collaboration. Changes in polar bear DNA that could help the animals adapt to warmer climates have been detected by researchers in a study thought to be the first time a statistically significant link has been found between rising temperatures and changing DNA in a wild mammal species. Climate breakdown is threatening the survival of polar bears. Two-thirds of them are expected to disappear by 2050 as their icy habitat melts and the weather becomes hotter. Now, scientists at the University of East Anglia have found that some genes related to heat stress, aging, and metabolism are behaving differently in polar bears living in southeast Greenland, suggesting they may be adjusting to warmer conditions. The researchers analysed blood samples taken from polar bears in two regions of Greenland and compared “jumping genes” — small, mobile pieces of the genome that can influence how other genes work. Scientists looked at the genes in relation to temperatures in the two regions and at the associated changes in gene expression. “DNA is the instruction book inside every cell, guiding how an organism grows and develops,” said lead researcher Alice Godden. “By comparing these bears’ active genes to local climate data, we found that rising temperatures appear to be driving a dramatic increase in the activity of jumping genes within the southeast Greenland bears’ DNA.” As local climates and diets evolve as a result of changes in habitat and prey forced by global heating, the genetics of the bears appear to be adapting, with the group of bears in the warmest part of the country showing more changes than the communities farther north. The authors of the study have said these changes could help us understand how polar bears might survive in a warming world, inform understanding of which populations are most at risk, and guide future conservation efforts. This is because the findings, published on Friday in the journal Mobile DNA, suggest the genes that are changing play a crucial role in how different polar bear populations are evolving. “This finding is important because it shows, for the first time, that a unique group of polar bears in the warmest part of Greenland are using ‘jumping genes’ to rapidly rewrite their own DNA, which might be a desperate survival mechanism against melting sea ice,” Godden said. Temperatures in northeast Greenland are colder and less variable, while in the southeast, there is a much warmer and less icy environment, with steep temperature fluctuations. DNA sequences in animals change over time, but this process can be accelerated by environmental stress such as a rapidly heating climate. There were some interesting DNA changes, such as in areas linked to fat processing, that could help polar bears survive when food is scarce. Bears in warmer regions had more rough, plant-based diets compared with the fatty, seal-based diets of northern bears, and the DNA of south-eastern bears seemed to be adapting to this. Godden said, “We identified several genetic hotspots where these jumping genes were highly active, with some located in the protein-coding regions of the genome, suggesting that the bears are undergoing rapid, fundamental genetic changes as they adapt to their disappearing sea ice habitat.” The next step will be to look at other polar bear populations, of which there are 20 around the world, to see if similar changes are happening to their DNA. This research could help protect the bears from extinction. But the scientists said it was crucial to stop temperature rises accelerating by reducing the burning of fossil fuels. “We cannot be complacent; this offers some hope but does not mean that polar bears are at any less risk of extinction,” Godden said. “We still need to be doing everything we can to reduce global carbon emissions and slow temperature increases.”

Supersized data centers are coming. See how they will transform America.

These AI campuses consume more power than major U.S. cities. Their footprints are measured in miles, not feet.

Supersized data centers are coming. See how they will transform America.This coal plant in central Pennsylvania, once the largest in the state, was shuttered in 2023 after powering the region for over 50 years.Earlier this year, wrecking crews blasted the plant’s cooling towers and soaring chimneys.Rising from the dust in Homer City will be a colossal artificial intelligence data center campus that will include seven 30-acre gas generating stations on-site, fueled by Pennsylvania’s natural gas boom.December 15, 2025 at 6:00 a.m. EST6 minutes agoShawn Steffee of the International Brotherhood of Boilermakers is hopeful.“The closing of the coal plant had been really brutal,” he said. “But this project just took the entire chess board and flipped it.”The Homer City facility will generate and consume as much power as all the homes in the Philadelphia urban area. It is among a generation of new supersized data centers sprouting across the country, the footprints of which are measured in miles, not feet.They are part of an AI moon shot, driven by an escalating U.S.-China war over dominance in the field. The projects are starting to transform landscapes and communities, sparking debates about what our energy systems and environment can sustain. The price includes increasing power costs for everyone and worrying surges in emissions and pollutants, according to government, industry and academic analyses.By 2030, industry and government projections show data centers could gobble up more than 10 percent of the nation’s power usage.Estimates vary, but all show a dizzying rise of between 60 and 150 percent in energy consumption by 2030. On average, they project U.S. data centers will use about 430 trillion watt-hours by 2030. That is enough electricity to power nearly 16 Chicagos.Some forecasts project it will keep growing from there.“These things are industrial on a scale I have never seen in my life,” former Google CEO Eric Schmidt told a House committee earlier this year.Power use by U.S. data centers is growing exponentially, with large forecast uncertaintySource: Washington Post analysis of IEA, BNEF, LBNL and EPRI estimates. Past uncertainty stems from varying inventories of data centers and assumptions about their utilization.Tech companies that once pledged to use clean energy alone are fast reconsidering. They now need too much uninterrupted power, too fast. According to the International Energy Agency, the No. 1 power source to meet this need will be natural gas.“While we remain committed to our climate moonshots, it’s become clear that achieving them is now more complex and challenging across every level,” Google states in its 2025 environmental impact report. The company says meeting its goal of eliminating all emissions by 2030 has become “very difficult.”Data center firms have already approached the Homer City project’s natural gas provider, EQT, seeking enough fuel to power the equivalent of eight more Homer City projects around the country, EQT CEO Toby Rice said in an interview. And EQT is just one of dozens of U.S. natural gas suppliers.What’s at stakeData centers’ surging electricity needs are straining America’s aging power grid and undercutting tech companies’ climate goals.A single supersized “data campus” would draw as much power as millions of homes.The boom is riding on burning huge amounts of planet-warming natural gas, once cast as a transition fuel on the way to a cleaner grid.Not building the projects, however, risks ceding AI dominance to China.Some question if all these gas power plants will be necessary as AI technology rapidly becomes more efficient.“We’ll be shipping more gas than we ever thought,” said Arshad Mansoor, president and CEO of the nonprofit Electric Power Research Institute. “We are even unretiring coal.”Mansoor predicts it will all work out: He and others in the industry foresee the crushing demand leading to swift breakthroughs in clean energy innovation and deployment. That could include futuristic fusion power, they said, or more conventional technologies that capture natural gas emissions.But some are more skeptical. The independent monitor charged with keeping tabs on the PJM power grid — which serves 65 million customers in the eastern U.S. — is warning that it can’t handle more data centers. It urged federal regulators to indefinitely block more data centers on its grid to protect existing customers.Even in cities yearning to become the next data center hub — with unions welcoming the burst of construction jobs and elected officials offering lucrative tax packages — some apprehension remains.“It’s going to be new to everybody,” said Steffee, of the International Brotherhood of Boilermakers. “We all have to figure out how to start transitioning into this and what the ripple effects will be.”Homer City offers a glimpse of what is coming nationwide.In the Texas Panhandle, the company Fermi America broke ground this year on what it says will be a 5,800-acre complex of gas plants and giant nuclear reactors that would ultimately feed up to 18 million square feet of on-site data centers. It would dwarf Homer City in energy use.Tech companies are planning data ‘campuses’ that would dwarf existing centersIn Cheyenne, Wyoming, developers are aiming to generate 10 gigawatts of electricity for on-site data centers. That’s enough energy to power every house in Wyoming 20 times over. In rural Louisiana, Meta is building a $30 billion cluster of data center buildings that will stretch nearly the length and width of Manhattan.Such facilities will create a major climate challenge. By the mid 2030s, forecasts show the world’s data centers could drive as much carbon pollution as the New York, Chicago and Houston metro areas combined.Check our workDrone video of the Homer City power plant post-demolition courtesy of Homer City Redevelopment LLC. Photo of the power plant before demolition by Keith Srakocic/AP.The data centers map is based on extracts from datacentermap.com and CleanView. The map showing planned projects includes sites already under construction.The chart showing the aggregate power demand from U.S. data centers averages historical estimates and future projections from the Lawrence Berkeley National Laboratory, IEA, BloombergNEF and EPRI.To estimate the power consumption of a data center, The Post assumed a 67 percent utilization rate. For comparison, residential electricity use in various cities was estimated from household counts and state-level per-household averages from the EIA.

Polar bear DNA changing in response to climate change

A new study has found that polar bear DNA might be evolving to help these creatures adapt to the stresses of our changing climate. The post Polar bear DNA changing in response to climate change first appeared on EarthSky.

According to new research, polar bear DNA might be changing to help these creatures adapt to a changing climate. Image via Hans-Jurgen Mager/ Unsplash. EarthSky’s 2026 lunar calendar is available now. Get yours today! Makes a great gift. By Alice Godden, University of East Anglia. Edits by EarthSky. The Arctic Ocean current is at its warmest in the last 125,000 years, and temperatures continue to rise. Due to these warming temperatures, more than 2/3 of polar bears are expected to be extinct by 2050. Total extinction is predicted by the end of this century. But in our new study, my colleagues and I found that the changing climate has been driving changes in polar bear DNA, potentially allowing them to more readily adapt to warmer habitats. Provided these polar bears can source enough food and breeding partners, this suggests they may potentially survive these new challenging climates. Polar bear DNA is changing We discovered a strong link between rising temperatures in southeast Greenland and changes in the polar bear genome, which is the entire set of DNA found in an organism. DNA is the instruction book inside every cell, guiding how an organism grows and develops. In processes called transcription and translation, DNA is copied to generate RNA. These are messenger molecules that transmit genetic information. This can lead to the production of proteins, and copies of transposons, also known as “jumping genes.” These are mobile pieces of the genome that can move around and influence how other genes work. Different regions, different genomes Our research revealed big differences in the temperatures in the northeast of Greenland compared with the southeast. We used publicly available polar bear genetic data from a research group at the University of Washington, U.S., to support our study. This dataset was generated from blood samples collected from polar bears in both northern and south-eastern Greenland. Our work built on a Washington University study which discovered that this southeastern population of Greenland polar bears was genetically different to the north-eastern population. Southeastern bears had migrated from the north and became isolated and separate approximately 200 years ago, it found. Researchers from Washington had extracted RNA – the genetic messenger molecules – from polar bear blood samples and sequenced it. We used this sequencing to look at RNA expression – essentially showing which genes are active – in relation to the climate. This gave us a detailed picture of gene activity, including the behavior of the “jumping genes,” or transposons. Temperatures in Greenland have been closely monitored and recorded by the Danish Meteorological Institute. So we linked this climate data with the RNA data to explore how environmental changes may be influencing polar bear biology. Polar bears face challenging conditions thanks to climate change. But they might be responding to this challenge at a genetic level. Image via Dick Val Beck/ Polar Bears International. Impacts of temperature change We found that temperatures in the southeast were significantly warmer and fluctuated more than in the northeast. This creates habitat changes and challenges for the polar bears living in these regions. In the southeast of Greenland, the edge of the ice sheet – which spans 80% of Greenland – is rapidly receding. That means vast ice and habitat loss. The loss of ice is a substantial problem for the polar bears. That’s because it reduces the availability of hunting platforms to catch seals, leading to isolation and food scarcity. EarthSky’s Will Triggs spoke to Alysa McCall of Polar Bears International on Arctic Sea Ice day – July 15, 2025 – to hear about how the decline in arctic sea ice is affecting polar bears and beluga whales. How climate is changing polar bear DNA Over time, it’s not unusual for an organism’s DNA sequence to slowly change and evolve. But environmental stress, such as a warmer climate, can accelerate this process. Transposons are like genetic puzzle pieces that can rearrange themselves, sometimes helping animals adapt to new environments. They come in many different families and have slightly different behaviors, but in essence are all mobile fragments that can reinsert randomly anywhere in the genome. Approximately 38.1% of the polar bear genome is made up of transposons. For humans that figure is 45%, and plant genomes can be over 70% transposons. There are small protective molecules called piwi-interacting RNAs (piRNAs) that can silence the activity of transposons. But when an environmental stress is too strong, these protective piRNAs cannot keep up with the invasive actions of transposons. We found that the warmer southeast climate led to a mass mobilization of these transposons across the polar bear genome, changing its sequence. We also found that these transposon sequences appeared younger and more abundant in the southeastern bears. And over 1,500 of these sequences were upregulated, meaning gene activity was increased. That points to recent genetic changes that may help bears adapt to rising temperatures. What exactly is changing in polar bear DNA? Some of these elements overlap with genes linked to stress responses and metabolism, hinting at a possible role in coping with climate change. By studying these jumping genes, we uncovered how the polar bear genome adapts and responds in the shorter term to environmental stress and warmer climates. Our research found that some genes linked to heat stress, aging and metabolism are behaving differently in the southeast population of polar bears. This suggests they might be adjusting to their warmer conditions. Additionally, we found active jumping genes in parts of the genome that are involved in areas tied to fat processing, which is important when food is scarce. Considering that northern populations eat mainly fatty seals, this could mean that polar bears in the southeast are slowly adapting to eating the rougher plant-based diets that can be found in the warmer regions. Overall, climate change is reshaping polar bear habitats, leading to genetic changes. Bears of southeastern Greenland are evolving to survive these new terrains and diets. Future research could include other polar bear populations living in challenging climates. Understanding these genetic changes helps researchers see how polar bears might survive in a warming world, and which populations are most at risk. Alice Godden, Senior Research Associate, School of Biological Sciences, University of East Anglia This article is republished from The Conversation under a Creative Commons license. Read the original article. Bottom line: A new study has found that polar bear DNA might be evolving to help these creatures adapt to our changing climate. Read more: Polar bears have unique ice-repelling furThe post Polar bear DNA changing in response to climate change first appeared on EarthSky.

Park Service orders changes to staff ratings, a move experts call illegal

Lower performance ratings could be used as a factor in layoff decisions and will demoralize staff, advocates say.

A top National Park Service official has instructed park superintendents to limit the number of staff who get top marks in performance reviews, according to three people familiar with the matter, a move that experts say violates federal code and could make it easier to lay off staff.Parks leadership generally evaluate individual employees annually on a five-point scale, with a three rating given to those who are successful in achieving their goals, with those exceeding expectations receiving a four and outstanding employees earning a five.Frank Lands, the deputy director of operations for the National Park System, told dozens of park superintendents on a conference call Thursday that “the preponderance of ratings should be 3s,” according to the people familiar, who were not authorized to comment publicly about the internal call.Lands said that roughly one to five percent of people should receive an outstanding rating and confirmed several times that about 80 percent should receive 3s, the people familiar said.Follow Climate & environmentThe Interior Department, which oversees the National Park Service, said in a statement Friday that “there is no percentage cap” on certain performance ratings.“We are working to normalize ratings across the agency,” the statement said. “The goal of this effort is to ensure fair, consistent performance evaluations across all of our parks and programs.”Though many employers in corporate American often instruct managers to classify a majority of employee reviews in the middle tier, the Parks Service has commonly given higher ratings to a greater proportion of employees.Performance ratings are also taken into account when determining which employees are laid off first if the agency were to go ahead with “reduction in force” layoffs, as many other departments have done this year.The order appears to violate the Code of Federal Regulations, said Tim Whitehouse, a lawyer and executive director of the nonprofit advocacy group Public Employees for Environmental Responsibility. The code states that the government cannot require a “forced distribution” of ratings for federal employees.“Employees are supposed to be evaluated based upon their performance, not upon a predetermined rating that doesn’t reflect how they actually performed,” he said.The Trump administration has reduced the number of parks staff this year by about 4,000 people, or roughly a quarter, according to an analysis by the National Parks Conservation Association, an advocacy group. Parks advocates say the administration is deliberately seeking to demoralize staff and failing to recognize the additional work they now have to do, given the exodus of employees through voluntary resignations and early retirements.Rep. Jared Huffman (D-California) said the move would artificially depress employee ratings:“You can’t square that with the legal requirements of the current regulations about how performance reviews are supposed to work.”Some details of the directive were first reported by E&E News.Park superintendents on the conference call objected to the order. Some questioned the fairness to employees whose work merited a better rating at a time when many staff are working harder to make up for the thousands of vacancies.“I need leaders who lead in adversity. And if you can’t do that, just let me know. I’ll do my best to find somebody that can,” Lands said in response, the people familiar with the call said.One superintendent who was on the call, who spoke on the condition of anonymity to avoid retaliation, said in an interview that Lands’ statement “was meant to be a threat.”The superintendent said they were faced with disobeying the order and potentially being fired or illegally changing employees’ evaluations.“If we change these ratings to meet the quota and violated federal law, are we subject to removal because we violated federal law and the oath we took to protect the Constitution?” the superintendent said.Myron Ebell, a board member of the American Lands Council, an advocacy group supporting the transfer of federal lands to states and counties, defended the administration’s move.“It’s exactly the same thing as grade inflation at universities. Think about it. Not everybody can be smarter than average. If everyone is doing great, that’s average,” he said.Theresa Pierno, president and CEO of the National Parks Conservation Association, said in a statement that the policy could make it easier to lay off staff, after the administration already decimated the ranks of the parks service.“After the National Park Service was decimated by mass firings and pressured staff buyouts, park rangers have been working the equivalent of second, third, or even fourth jobs protecting parks,” Pierno said.“Guidance like this could very well be setting up their staff to be cannon fodder during the next round of mass firings. This would be an unconscionable move,” she added.

Coalmine expansions would breach climate targets, NSW government warned in ‘game-changer’ report

Environmental advocates welcome Net Zero Commission’s report which found the fossil fuel was ‘not consistent’ with emissions reductions commitments Sign up for climate and environment editor Adam Morton’s free Clear Air newsletter hereGet our breaking news email, free app or daily news podcastThe New South Wales government has been warned it can no longer approve coalmine developments after the state’s climate agency found new expansions would be inconsistent with its legislated emissions targets.In what climate advocates described as a significant turning point in campaigns against new fossil fuel programs, the NSW Net Zero Commission said coalmine expansions were “not consistent” with the state’s legal emissions reductions commitments of a 50% cut (compared with 2005 levels) by 2030, a 70% cut by 2035, and reaching net zero by 2050.Sign up to get climate and environment editor Adam Morton’s Clear Air column as a free newsletter Continue reading...

The New South Wales government has been warned it can no longer approve coalmine developments after the state’s climate agency found new expansions would be inconsistent with its legislated emissions targets.In what climate advocates described as a significant turning point in campaigns against new fossil fuel programs, the NSW Net Zero Commission said coalmine expansions were “not consistent” with the state’s legal emissions reductions commitments of a 50% cut (compared with 2005 levels) by 2030, a 70% cut by 2035, and reaching net zero by 2050.The commission’s Coal Mining Emissions Spotlight Report said the government should consider the climate impact – including from the “scope 3” emissions released into the atmosphere when most of the state’s coal is exported and burned overseas – in all coalmine planning decisions.Environmental lawyer Elaine Johnson said the report was a “game-changer” as it argued coalmining was the state’s biggest contribution to the climate crisis and that new coal proposals were inconsistent with the legislated targets.She said it also found demand for coal was declining – consistent with recent analyses by federal Treasury and the advisory firm Climate Resource – and the state government must support affected communities to transition to new industries.“What all this means is that it is no longer lawful to keep approving more coalmine expansions in NSW,” Johnson wrote on social media site LinkedIn. “Let’s hope the Department of Planning takes careful note when it’s looking at the next coalmine expansion proposal.”The Lock the Gate Alliance, a community organisation that campaigns against fossil fuel developments, said the report showed changes were required to the state’s planning framework to make authorities assess emissions and climate damage when considering mine applications.It said this should apply to 18 mine expansions that have been proposed but not yet approved, including two “mega-coalmine expansions” at the Hunter Valley Operations and Maules Creek mines. Eight coalmine expansions have been approved since the Minns Labor government was elected in 2023.Lock the Gate’s Nic Clyde said NSW already had 37 coalmines and “we can’t keep expanding them indefinitely”. He called for an immediate moratorium on approving coal expansions until the commission’s findings had been implemented.“This week, multiple NSW communities have been battling dangerous bushfires, which are becoming increasingly severe due to climate change fuelled by coalmining and burning. Our safety and our survival depends on how the NSW government responds to this report,” he said.Net zero emissions is a target that has been adopted by governments, companies and other organisations to eliminate their contribution to the climate crisis. It is sometimes called “carbon neutrality”.The climate crisis is caused by carbon dioxide and other greenhouse gases being pumped into the atmosphere, where they trap heat. They have already caused a significant increase in average global temperatures above pre-industrial levels recorded since the mid-20th century. Countries and others that set net zero emissions targets are pledging to stop their role in worsening this by cutting their climate pollution and balancing out whatever emissions remain by sucking an equivalent amount of CO2 out of the atmosphere.This could happen through nature projects – tree planting, for example – or using carbon dioxide removal technology.CO2 removal from the atmosphere is the “net” part in net zero. Scientists say some emissions will be hard to stop and will need to be offset. But they also say net zero targets will be effective only if carbon removal is limited to offset “hard to abate” emissions. Fossil use will still need to be dramatically reduced.After signing the 2015 Paris agreement, the global community asked the Intergovernmental Panel on Climate Change (IPCC) to assess what would be necessary to give the world a chance of limiting global heating to 1.5C.The IPCC found it would require deep cuts in global CO2 emissions: to about 45% below 2010 levels by 2030, and to net zero by about 2050.The Climate Action Tracker has found more than 145 countries have set or are considering setting net zero emissions targets. Photograph: Ashley Cooper pics/www.alamy.comThe alliance’s national coordinator, Carmel Flint, added: “It’s not just history that will judge the government harshly if they continue approving such projects following this report. Our courts are likely to as well.”The NSW Minerals Council criticised the commission’s report. Its chief executive, Stephen Galilee, said it was a “flawed and superficial analysis” that put thousands of coalmining jobs at risk. He said some coalmines would close in the years ahead but was “no reason” not to approve outstanding applications to extend the operating life of about 10 mines.Galilee said emissions from coal in NSW were falling faster than the average rate of emission reduction across the state and were “almost fully covered” by the federal government’s safeguard mechanism policy, which required mine owners to either make annual direct emissions cuts or buy offsets.He said the NSW government should “reflect on why it provides nearly $7m annually” for the commission to “campaign against thousands of NSW mining jobs”.But the state’s main environment organisation, the Nature Conservation Council of NSW, said the commission report showed coalmining was “incompatible with a safe climate future”.“The Net Zero Commission has shone a spotlight. Now the free ride for coalmine pollution has to end,” the council’s chief executive, Jacqui Mumford, said.The state climate change and energy minister, Penny Sharpe, said the commission was established to monitor, report and provide independent advice on how the state was meeting its legislated emissions targets, and the government would consider its advice “along with advice from other groups and agencies”.

Suggested Viewing

Join us to forge
a sustainable future

Our team is always growing.
Become a partner, volunteer, sponsor, or intern today.
Let us know how you would like to get involved!

CONTACT US

sign up for our mailing list to stay informed on the latest films and environmental headlines.

Subscribers receive a free day pass for streaming Cinema Verde.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.