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See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

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Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

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The World Has Laws About Land and Sea, But Not About Ice

As the Arctic melts and people spend more time there, defining our relationship to sea ice becomes more necessary.

When the Chinese cargo freighter Istanbul Bridge set sail for Europe in late September, it took an unusual route. Instead of heading south for the 40-day voyage through the Suez Canal, it tacked north. The freighter arrived in the United Kingdom at the port of Felixstowe just 20 days later—successfully launching the first-ever Arctic commercial-container route from Asia to Europe.For most of human history, the surface of the world’s northernmost ocean has been largely frozen. Now scientists predict that most of the Arctic Ocean’s 6.1 million square miles may be seasonally ice-free as soon as 2050. Economically, a less icy Arctic spells opportunity—new shipping routes and untapped fossil-fuel reserves. Climatologically, it’s a calamity. Legally, it’s a problem that has to be solved.  Much of the ocean’s center, the northernmost stretch surrounding the pole, will be subject to the lawlessness of the high seas—which will become a problem as more ships try to navigate a mushy mix of water and sea ice. And although the Arctic is the world’s fastest-warming region, and contains its most rapidly acidifiying ocean, it has few environmental protections. Scientists don’t have a clear idea of which species might need defending, or of the climate effects of unbridled shipping. (Ships puff black carbon, which reduces ice reflectivity and, in the short term, causes up to 1,500 times more warming than carbon dioxide.)In October, the United Nation’s special envoy for the ocean, Peter Thomson, called for countries to agree to a “precautionary pause on new economic activities in the Central Arctic Ocean” to buy time to study the climate and environmental risks of increased activity. Others are asking for an agreement akin to the 2020 Artemis Accords, which committed 59 nations to the “peaceful” and “sustainable” exploration of space. But some polar-law scholars argue that curbing climate catastrophe may require a more radical reimagining: to make sea ice a legal person.For centuries of seafaring, ice was an obstacle blocking people out, not an environment anyone thought to protect. Even in the Arctic, “we have laws about the land, we have the Law of the Sea, but we don’t have laws about ice,” Apostolos Tsiouvalas, a postdoctoral researcher with the Arctic University of Norway, told me. Because dealing with ice hasn’t been a major concern, even for the five nations that border the Arctic, and because ice is always transforming, its place in the law is confused at best.In many cases, solid ice extending from a coastline has been treated as legal land, and ice carried by a current has been considered water. During the Cold War, both Russia and the United States maintained scientific “drift stations” on detached ice floes. In 1970, when a shooting occurred on one American station, several nations debated where, exactly, the crime took place. Was the ice Canadian, because it likely calved from a glacier on Canada’s coast? Was it an American island? After some back-and-forth, the vessel-size chunk of ice legally transformed—by no small imaginative leap—into an American ship.The so-called Arctic Exception of the United Nations Convention on the Law of the Sea does extend states’ rights to impose laws far from the coastline, in areas that are ice-covered for most of the year. The point was for Arctic states to help prevent accidents and pollution, but states have since used the exception to extend their geographical sovereignty. But the term ice-covered complicates these claims. How much ice means “covered”? Are we talking uncrossably frozen, or just a few drifting bits?That’s the problem with regulating icy regions: Even if these cryo-categories were more formalized, none would apply for very long. A large majority of Arctic ice is sea ice, which forms on ocean surfaces when salt water freezes. (It’s distinct from icebergs, which calve from landbound glaciers.) Human activity may have accelerated its melt, but sea ice was already one of the planet’s most dynamic systems, its surface area fluctuating by millions of miles season to season. It’s always either melting or freezing, and as it melts, its fragments can travel hundreds of miles along waves and currents.In an article published this month in the journal The Yearbook of Polar Law, Tsiouvalas and his co-authors, Mana Tugend and Romain Chuffart, argue that piecemeal updates to current laws simply will never keep up with this fast-changing and threatened environment. Future governance of sea ice will require a transformation of some sort, and they argue that the clearest path forward is to bring the rights-of-nature movement to the high north.  Since Ecuador’s landmark 2008 constitutional protection of nature, Bolivia, India, New Zealand, and other countries across the world have made natural entities legal persons, or otherwise given them inviolable rights. The UCLA Law professor James Salzman, who has taught a class on nature’s rights, told me that this idea does not represent a single legal framework but that it does answer what he calls the “Lorax problem” of environmental law, referring to the Dr. Seuss character who claims to “speak for the trees.” Granting a voiceless entity legal personhood provides it with a representative to argue on its behalf.With this designation, Tsiouvalas and his co-authors note, sea ice would get the highest legal status possible. In many cases, environmental protections can be bent to accommodate other, conflicting benefits to human society. But personhood grants an inherent right to exist that can’t be superseded. The new paper is mostly an ethical exploration and, the authors acknowledge, still just a stepping stone to more concrete regulations, but granting ice rights would create firmer standing to, for example, keep ships out of areas that humanity might otherwise want to use. The authors also note that rethinking sea ice’s status could include Indigenous people who have been routinely excluded from decisions around Arctic sovereignty and whose millennia of living on and with ice could guide its future governance.But Sara Olsvig, the chair of the Inuit Circumpolar Council, told me recently that the legal interest in Arctic rights of nature is a “worrying development.” To Olsvig, the phrase rights of nature itself implies some separate concept of nature that doesn’t exist for the Inuit. And in the past, the environmentalist movement has elevated its idea of “nature” above the interests of Indigenous people. Decades-long bans against whale and seal hunting, for instance, devastated the cultural continuity and health of Inuit in the far north.To answer such concerns, any legal right granted needs to be very clear about the duties that follow, Salzman said: If sea ice has a right to not be harmed, what constitutes “harm”? Would that mean blocking all human interference with the ice, or merely banning fuels that emit black carbon? After all, the major threat to sea ice—global emissions—“is not something that can be locally managed,” Salzman pointed out, and so far, natural resources have obtained legal personhood only in a national context. Rights for sea ice would require international agreement, which could be not only harder to achieve but harder to enforce. Sara Ross, an associate law professor at Dalhousie University, in Canada, told me that, in her view, legal personhood granted via international treaty would be too dependent on goodwill agreements to be effective.But in some ways, legal personhood for nonhumans is an old idea, Ross said. Most countries grant it to corporations, and in the United States and Commonwealth countries, it’s typical for ships too. She especially likes the ship comparison, because—as maritime law has already discovered—floating pieces of ice aren’t so dissimilar. She imagines a more circumscribed role for sea-ice personhood, connected to, say, setting standards that ban icebreaking or heavy fuel emissions in icy areas. If these mandates are violated, local Inuit communities would have the power to sue on behalf of the ice—whether or not they could prove how much one particular ship degraded one particular stretch of ice. Without some legal protections put in place, the sea ice will soon disappear that much faster. In October, the U.S. bought new icebreaking ships from Finland and undermined an International Maritime Organization agreement that would have had shipowners pay a fee for the greenhouse gases their vessels emit. The next week, just after the conclusion of the Istanbul Bridge’s voyage, Russia and China made a formal agreement to co-develop the Northern Sea Route that the ship had followed. If summer sea ice disappears entirely, scientists predict accelerated catastrophe—leaps in temperature, more frequent and stronger storms, global sea-level rise—which will threaten the planet’s general livability. “The fact that we need sea ice to survive is not a rights-of-nature argument,” Salzman said. “But it’s still a pretty good case to make.”

Neil Frank, Former Hurricane Center Chief Who Improved Public Outreach on Storms, Has Died

Neil Frank, a former head of the National Hurricane Center credited with working to increase the country’s readiness for major storms, has died

Neil Frank, a former head of the National Hurricane Center credited with increasing the country's readiness for major storms, died Wednesday. He was 94.Frank led the hurricane center from 1974 to 1987, the longest-serving director in its history.“He gets tremendous credit for the being the first one to go out of his way and reach out and make the connection between the National Hurricane Center and the emergency managers,” said meteorologist Max Mayfield, who served as the hurricane center's director from 2000-2007. “He taught me that it’s not all about the forecast,” Mayfield said. “A perfect forecast is no good if people don’t take immediate action.”Frank’s son, Ron Frank, said in a Facebook post that his father died at home a few days after going into hospice care.KHOU-TV in Houston, where Frank spent two decades as chief meteorologist after leaving the hurricane center, first reported his death. The station referred an Associated Press call for comment to CBS, whose spokeswoman declined comment but directed the AP to Ron Frank’s post.When Frank started at the National Hurricane Center, advances with weather satellites were helping forecasters to better predict the location and direction of a storm. Frank worked to make that information more accessible to residents in hurricane-vulnerable areas, said Mayfield. He also regularly appeared on television to give updates on storms and advice on staying safe.“He was so passionate and you could just feel his enthusiasm but also sense of warning — that he wanted people to take action,” Mayfield said. “He was very animated, spoke with his hands a lot. And if you’d play it on fast-forward, he’d look like a juggler sometimes.”Frank was skeptical that human actions, such as the burning of oil, gas and coal, cause climate change, Mayfield said. In a video posted to YouTube titled “Is Climate Change Real?” he instead attributed warming to the planet’s natural and cyclical weather patterns. Scientists today overwhelmingly agree that burning of fossil fuels is the primary driver of planet-warming emissions that are causing more frequent, costly and deadly extreme weather around the world.The Associated Press’ climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – December 2025

Seven books to help you work through the climate anxiety you developed in 2025

With the holiday travel season ramping up, a good book is a must-have for airport delays or to give as the perfect gift.

With the holiday travel season ramping up, a good book is a must-have for airport delays or to give as the perfect gift.Journalists from Bloomberg Green picked seven climate and environmental books they loved despite their weighty content. A few were positively uplifting. Here are our recommendations.Fiction“What We Can Know” by Ian McEwanIt’s 2119, decades after the Derangement (cascading climate catastrophes), the Inundation (a global tsunami triggered by a Russian nuclear bomb) and artificial intelligence-launched wars have halved the world’s population. The U.S. is no more and the U.K. is an impoverished archipelago of tiny islands where scholar Tom Metcalfe embarks on an obsessive quest to find the only copy of a renowned 21st century poem that was never published.The famous author of the ode to now-vanished English landscapes recited it once at a dinner party in 2014 as a gift to his wife, but its words remain lost to time. Metcalfe believes access to the previously hidden digital lives of the poet and his circle will lead him to the manuscript. He knows where to start his search: Thanks to Nigeria — the 22nd century’s superpower — the historical internet has been decrypted and archived, including every personal email, text, photo and video.The truth, though, lies elsewhere. It’s a richly told tale of our deranged present — and where it may lead without course correction. — Todd Woody“Greenwood” by Michael ChristieThis likewise dystopian novel begins in 2038 with Jacinda Greenwood, a dendrologist turned tour guide for the ultra-wealthy, working in one of the world’s last remaining forests. But the novel zig-zags back to 1934 and the beginnings of a timber empire that divided her family for generations.For more than a century, the Greenwoods’ lives and fates were entwined with the trees they fought to exploit or protect. The novel explores themes of ancestral sin and atonement against the backdrop of the forests, which stand as silent witnesses to human crimes enacted on a global scale. — Danielle Bochove“Barkskins” by Annie ProulxAnother multigenerational saga, spanning more than three centuries and 700 pages, this 2016 novel by a Pulitzer Prize-winning author tracks the deforestation of the New World over 300 years, beginning in the 17th century.Following the descendants of two immigrants to what will become modern-day Quebec, the story takes the reader on a global voyage, crisscrossing North America, visiting the Amsterdam coffee houses that served as hubs for the Dutch mercantile empire and following new trade routes from China to New Zealand. Along the way, it chronicles the exploitation of the forests, the impact on Indigenous communities and the lasting legacy of colonialism.With a vast cast of characters, the novel is at times unwieldy. But the staggering descriptions of Old World forests and the incredible human effort required to destroy them linger long after the saga concludes. —Danielle BochoveNonfiction“The Joyful Environmentalist: How to Practise Without Preaching” by Isabel LosadaIt is hard for a committed environmentalist to feel cheerful these days. But Isabel Losada’s book encourages readers to undertake a seemingly impossible mission: finding delight in navigating the absurd situations that committed environmentalists inevitably face, rather than succumbing to frustration.Those delights can be as simple as looking up eco-friendly homemade shampoo formulas on Instagram or crushing a bucket of berries for seed collection to help restore native plants.The book itself is an enjoyable read. With vivid details and a dose of British humor, Losada relays her failed attempt to have lunch at a Whole Foods store without using its disposable plastic cutlery. (The solution? Bring your own metal fork.) To be sure, some advice in her book isn’t realistic for everyone. But there are plenty of practical tips, such as deleting old and unwanted emails to help reduce the energy usage of data centers that store them. This book is an important reminder that you can protect the environment joyfully.— Coco Liu“Breakneck: China’s Quest to Engineer the Future” by Dan WangChina’s President Xi Jinping is a trained engineer, and so are many members of the country’s top leadership. Dan Wang writes about how that training shows up in the country’s relentless push to build, build and build. That includes a clean tech industry that leads the world in almost every conceivable category, though Wang explores other domains as well.Born in China, Wang grew up in Canada and studied in the U.S. before going back to live in his native country from 2017 to 2023. That background helps his analysis land with more gravity in 2025, as the U.S. and China face off in a battle of fossil fuels versus clean tech. — Akshat Rathi“Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures” by Merlin SheldrakeA JP Morgan banker might seem an unlikely character in a book about fungi. But R. Gordon Wasson, who popularized the main compound found in “magic mushrooms” with a 1957 article in Life magazine, is only one of the delightful surprises in Merlin Sheldrake’s offbeat book. The author’s dedication to telling the tale of fungi includes literally getting his hands dirty, unearthing complex underground fungal networks, and engaging in self-experimentation by participating in a scientific study of the effects of LSD on the brain. The result is a book that reveals the complexity and interdependency of life on Earth, and the role we play in it.“We humans became as clever as we are, so the argument goes, because we were entangled within a demanding flurry of interaction,” Sheldrake writes. Fungi, a lifeform that depends on its interrelatedness with everything else, might have more in common with us than we realize. — Olivia Rudgard“Toms River: A Story of Science and Salvation” by Dan FaginWhen chemical manufacturer Ciba arrived in Toms River, N.J., in 1952, the company’s new plant seemed like the economic engine the sleepy coastal community dependent on fishing and tourism had always needed. But the plant soon began quietly dumping millions of gallons of chemical-laced waste into the town’s eponymous river and surrounding woods. That started a legacy of toxic pollution that left families asking whether the waste was the cause of unusually high rates of childhood cancer in the area.This Pulitzer Prize-winning masterpiece of environmental journalism reads like a thriller, albeit with devastating real-world fallout. It also shows how companies can reinvent themselves: I was startled to learn that Ciba, later known as Ciba-Geigy, merged with another company in 1996 to become the pharmaceutical company Novartis. At a time when there’s been a push to relocate manufacturing from abroad back to the U.S., this is a worthy examination of the hidden costs that can accompany industrial growth. — Emma CourtBochove, Woody, Liu, Court, Rudgard and Rathi write for Bloomberg.

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