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See 11 Winning Images From the Astronomy Photographer of the Year Contest That Showcase the Wonder of Space

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Friday, September 13, 2024

Images of the sky, stars and galaxies have the ability to strike wonder and awe. The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize. Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday. This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images. The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.” “An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.” An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13. Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space. Distorted Shadows of the Moon’s Surface by Ryan Imperio In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads. When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks. A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon. Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.” Queenstown Aurora by Larryn Rae The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes. When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space. Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.” Shadow Peaks of Sinus Iridum by Gábor Balázs A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features. Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth. One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.” Echoes of the Past by Bence Tóth Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole. Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere. Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.” “This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.” High Tech Silhouette by Tom Williams The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.” The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo. Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special. “Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.” On Approach by Tom Williams Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months. Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult. “This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue. Tasman Gems by Tom Rae Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky. At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness. In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt. “It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.” SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli “A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.” This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast. The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars. “Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine. The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field. SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula. The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively. Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.” NGC 1499, A Dusty California by Daniele Borsari The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars. This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges. “This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.” Anatomy of a Habitable Planet by Sergio Díaz Ruiz This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth. Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind. As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.” Get the latest stories in your inbox every weekday.

From a solar eclipse to a dolphin-like nebula, these otherworldly sights are captured in sharp detail by astrophotographers from around the world

Images of the sky, stars and galaxies have the ability to strike wonder and awe.

The Astronomy Photographer of the Year competition captures that awe by showcasing some of the best images in astrophotography as amateur and professional photographers alike vie for a £10,000 ($13,000) grand prize.

Now in its 16th year, the contest drew in more than 3,500 entries from photographers representing 58 countries this time around. Hosted by the Royal Observatory Greenwich, it is the largest astrophotography competition in the world—and the observatory released the winners of its 2024 contest in an online ceremony Thursday.

This year’s contest featured multiple categories: our sun; our moon; galaxies; auroras; planets, comets and asteroids; people and space; stars and nebulas; and skyscapes. The judges also handed out a few special awards that recognized astrophotography newbies, young photographers and image innovation, which requires merging open source data with space-related images.

The overall winner, Ryan Imperio, came from the “our sun” category and depicted Baily’s beads during the 2023 annular solar eclipse. Tom Williams was able to win in two separate categories, securing the top image in both “people and space,” as well as “planets, comets and asteroids.”

“An abundance of astonishing works flood to us, and it is a joy to see what the world’s best astrophotographers are producing,” says Ed Bloomer, an astronomer at Royal Observatory Greenwich, in a statement. “It really is true that choosing the winners is a long process, and heavily debated amongst the panel.”

An exhibition featuring the winning photographs, alongside a selection of shortlisted images that were announced earlier this year, opened at the National Maritime Museum in the United Kingdom on September 13.

Below are the breathtaking winners, capturing in great detail the otherworldly beauty of space.

Distorted Shadows of the Moon’s Surface by Ryan Imperio

A time-lapsed picture of the moon covering the sun shows thin glowing gold rings emanating out from the dark moon at the left, with dark streaks through them
In this contest-winning time-lapse shot, the moon travels across the face of the sun, revealing the progression of Baily’s beads during the 2023 annular solar eclipse. © Ryan Imperio

This overall winning image was taken during the 2023 annular solar eclipse that traced a path over the Americas. Astrophotographer Ryan Imperio of the United States put together this sequence of continuously captured images showing the progression of a phenomenon called Baily’s beads.

When the moon’s edge aligns with the sun’s during a solar eclipse, its rugged topography of mountains and valleys allows sunlight to shine through unevenly. The resulting beads of light are called Baily’s beads. Here, the Baily’s beads break the ring of sunlight to form the illusion of black streaks.

A glowing “Ring of Fire” also appears on the left side of the striking image. Since the moon does not completely cover the sun in an annular eclipse, it results in a ring of light glowing around the moon.

Imperio describes how he captured the contest-winning shot: “Representing approximately ten seconds, the stacked sequence was shot at three frames per second and, starting on the left, includes the Ring of Fire at maximum annularity,” or the peak of the eclipse, he says in a catalog of the winners sent to Smithsonian magazine. “As the sequence progresses, a sort of exaggerated projection is created of the moon’s rough topography, allowing the viewer to appreciate the distorted lunar peaks and valleys.”

Queenstown Aurora by Larryn Rae

A pink aurora shines over a mountain and water in the night sky, with streaks emanating up from the horizon like fire
The pink hue of the southern lights shines over mountains, as captured in Queensland, New Zealand, in this winning image from the auroras category. © Larryn Rae

The Aurora Australis, or southern lights, illuminate the sky over the mountains of Queenstown, New Zealand. Given the popularity of photographing the northern lights, this category winner was just one of two shortlisted aurora photos taken in the Southern Hemisphere. The vivid red colors of this aurora are rarer than green auroras, because these are produced at high altitudes.

When charged particles from the sun energize atoms of gas in the Earth’s atmosphere, the excess energy gets released as light in brilliant auroras. The sun launches those particles in a phenomenon known as a coronal mass ejection (CME), when its outer atmosphere ejects magnetic fields and plasma mass into space.

Larryn Rae of New Zealand describes how his image was put together: “It is a 19-image panorama capturing all of the fast-moving beams that lit up the sky. … My astro-modified camera caught all the pink hues of the aurora beams.” The composition also came together with a bit of luck. “The aurora came out of nowhere, and I was the only person there to capture the surprise display.”

Shadow Peaks of Sinus Iridum by Gábor Balázs

A shot of the moon highlighting the textured craters, mountains, and dry bays
A close-up shot of the moon captures a flat plain known as Sinus Iridum, as well as the crater Pythagoras, which is visible because of a wobbling phenomenon called libration. The image won the contest's category for our moon. © Gábor Balázs

Captured by Gábor Balázs of Hungary, this image shows a large lunar crater called Sinus Iridum, also known as the ‘Bay of Rainbows,’ which stretches approximately 150 miles in diameter. The surrounding Montes Jura mountain range casts spiky shadows into the crater. This detailed photograph reveals how the bay is surrounded by several smaller craters, showcasing the moon’s rugged terrain. In the top right corner lies the crater Pythagoras, which is noted by astronomers for its depth and complex geological features.

Earth-bound viewers can only see one side of the moon, but a phenomenon called “libration,” in which the moon slightly oscillates, allows astronomers to see approximately 59 percent of the satellite’s total surface. This photograph includes glimpses of areas that are typically out of view because libration caused them to wobble toward the Earth.

One of the competition’s judges, Yuri Beletsky, an astronomer and award-winning photographer in his own right, stated about this capture: “This image not only highlights the capabilities of modern astrophotography equipment but also offers a vivid illustration of lunar surface features, contributing valuable insights into lunar geology.”

Echoes of the Past by Bence Tóth

Centaurus A, a galaxy only visible from the Southern Hemisphere, shines with glowing jets of radiation.
Galaxy NGC 5128, the fifth brightest galaxy as seen from Earth, won the category for galaxies. © Bence Tóth, Péter Feltóti

A shot of galaxy NGC 5128, also known as Centaurus A, took home the prize in the galaxies category. At the center is a visualization of a powerful jet of radiation and particles known as a relativistic jet. Moving at close to the speed of light, the jet serves as an indicator of a supermassive black hole.

Centaurus A is the closest radio galaxy to Earth, meaning it emits a large amount of radio waves. Centaurus A is the fifth brightest galaxy in the sky and can only be seen in the Southern Hemisphere.

Bence Tóth of Hungary describes how he and Péter Feltóti got the shot: “We captured the image data in parallel with two astrophotography setups and processed the final image from all the data.”

“This galaxy has quite a violent past due to several galaxy merging events. One of the main goals was to show how these disrupting events shaped the galaxy, as the shockwaves are propagated through the entire disc,” he adds. “The other target was to show the relativistic jet, the tell-tale sign of the supermassive black hole at the center.”

High Tech Silhouette by Tom Williams

An image of the surface of the sun with the International Space Station traversing in front of it.
The International Space Station creates a silhouette above the sun's active surface as it speeds around the Earth. This image won the contest's people and space category. © Tom Williams

Tom Williams of the United Kingdom captured this moment as the International Space Station transited in front of the surface of the sun. He describes the discipline and accuracy needed to get this detailed image: “Crossing the field of view in just 0.2 seconds, these ISS transits of the sun are particularly rare for any one location on Earth.”

The International Space Station is the largest space station ever built, maintaining an orbit with an average altitude of 250 miles. The station makes 16 orbits of the Earth per day, meaning its astronauts experience 16 sunrises and sunsets daily. It travels at a rapid five miles per second, emphasizing the precision needed to get this photo.

Williams’ image also showcases the dynamic and active nature of the sun. A large, bright, extruding solar prominence extends out from the star near the station’s transit location, making this shot extra special.

“Luckily weather conditions were great, and the sun was very lively at the time,” the photographer adds. “After many days of planning, it was a treat to have it all come to fruition.”

On Approach by Tom Williams

A collection of views of Venus’s blue and orange surface.
Venus, seen in three views as it approaches a conjunction with Earth and the sun, won the planets, comets and asteroids category. © Tom Williams

The above image shows the phases of Venus as it approaches to pass between the Earth and sun. Whenever a planet sits directly between the sun and Earth, this is referred to as an inferior conjunction. Such an alignment occurs with Venus occurs every 19.5 months.

Venus is a breathtaking, unique planet. It spins slowly in the opposite direction from most planets in our solar system. And as the closest planet to Earth, the highly reflective Venus is the third brightest object in the sky, after only the sun and moon. However, the reflectivity of its clouds makes conventional imaging methods difficult.

“This makes UV imaging of Venus particularly interesting as the planet is much more dynamic than it would be if viewed in the visible spectrum,” Williams notes. He used ultraviolet and infrared filters to reveal the intricacies of cloud structures within the planet’s upper atmosphere, represented by added colors in the image that resemble the planet’s natural hue.

Tasman Gems by Tom Rae

Stars, nebulae, and aurora shine in this summer night sky in New Zealand
Stars, nebulas and galaxies illuminate the night sky over the Tasman Valley in New Zealand. This image won the contest's skyscapes category. © Tom Rae

The rugged peaks of New Zealand’s Tasman Valley stretch upward toward an array of celestial features in the Southern Hemisphere’s summer night sky.

At the center, the red regions are hydrogen clouds of the Gum Nebula, the largest emission nebula in the sky, spanning the width of 72 full moons. Despite its size, the Gum Nebula was unknown before 1955 due to its faintness. This shot also features other regions in the Milky Way that aren’t photographed very frequently given their low brightness.

In the top right side of the frame are the Large and Small Magellanic Clouds, which are two irregular dwarf galaxies that orbit the Milky Way. Additionally, the bright stars Sirius and Canopus can be seen in the center of the image. Sirius, the brightest star in the night sky, lies in the Canis Major constellation. Canopus is part of the constellation Carina and is the second-brightest star seen from the Southern Hemisphere. On the left of the image, you can see the Orion constellation with its characteristic three-star belt.

“It’s very challenging to create this sort of composition without tipping the balance in favor of either foreground or background,” says contest judge Bloomer. “As well as being technically impressive, the balance also produces a surreal quality. A slightly dream-like connection between the Earth-bound and the celestial.”

SNR G107.5-5.2 Unexpected Discovery (The Nereides Nebula in Cassiopeia) by Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino and Richard Galli

Bright blue remnants of a gigantic supernova form a wispy ring against red remnants and a red foggy backdrop with stars
In this winning image from the stars and nebulas category, the remnants from a gigantic supernova form wispy rings at the center of the Cassiopeia constellation. © Marcel Drechsler, Bray Falls, Yann Sainty, Nicolas Martino, Richard Galli

“A new supernova remnant right at our doorstep!” writes the team of five photographers who captured this image. “One team, 3,559 frames, 260 hours of exposure time, telescopes on three continents and one goal—not only to explore a supernova remnant that has not yet been discovered by science, but also to photograph it in an ambitious joint project.”

This gigantic supernova remnant in the resulting image is a lingering structure left over from the explosion of a star, featuring shock waves and filled with ejected materials from the blast.

The team of photographers discovered this remnant, which stretches across a wide expanse of the night sky the size of six full moons. It was a surprise find, considering it lies in the center of the famous constellation Cassiopeia, known for its “W” shape formed by five bright stars.

“Who knew this fantastic and delicate structure was there all along in one of the best-known constellations in the night sky?” says contest judge Steve Marsh, the art editor for BBC Sky at Night Magazine.

The clever coloring specifically wowed judges as it illuminated the structure’s details. Even more impressively, the team that made this miraculous discovery consisted of amateur astronomers, demonstrating the remarkable impact amateurs can have on the field.

SH2-308: Dolphin Head Nebula by Xin Feng and Miao Gong

A blue nebula is looks like a dolphin's head with its nose pointing to the top left against a colored blue and red sky
The Dolphin Head Nebula appears as a blue bubble in this image that won the Sir Patrick Moore Prize for Best Newcomer. © Xin Feng, Miao Gong

Xin Feng and Miao Gong of China took home the award for the best newcomer image, which features the charming SH2-308, commonly known as the Dolphin Head Nebula.

The bubble of ionized atomic hydrogen was pushed out from a very luminous Wolf-Rayet star. Wolf-Rayet stars are at an advanced stage in the stellar life cycle and have a high rate of mass loss. Around the Dolphin Head Nebula, stellar winds, or gas ejected from the star’s upper atmosphere, can reach over 3.3 million miles per hour, making the region lively.

Feng and Gong note the nebula “is at a low angle and can only be shot for five hours a day. … This image comprises a total of ten days of shooting and post-processing.”

NGC 1499, A Dusty California by Daniele Borsari

A reddish-pink emission nebula in the vague shape of the state of California
The California Nebula emits ionized gasses to form a long, reddish-pink shape. Captured by a 14-year-old photographer, the image won the young astrophotographer category. © Daniele Borsari

Fourteen-year-old Daniele Borsari of Italy captured the above image of the emission nebula NGC 1499, also known as the California Nebula for its resemblance to the elongated shape of the state. An emission nebula is a cloud of ionized gasses that glows, typically in red, due to being heated by nearby stars.

This nebula is just about 1,000 light-years from Earth in the constellation Perseus. Borsari captures the nebula’s shape beautifully, demonstrating the promise of young astrophotography talent, per the contest judges.

“This incredibly beautiful image… captures a nebula, atmospheric gasses and has extraordinary balance of light, composition and structure,” says judge Neal White, a researcher of contemporary art and science at the University of Westminster in England. “The future of astronomy photography being fearlessly, and openly, taken forward by a new generation.”

Anatomy of a Habitable Planet by Sergio Díaz Ruiz

A depiction of Earth’s atmosphere features shown with green, red, and blue visualizations from a full view of the spherical planet from space
This visualization of Earth’s global atmospheric conditions, based on satellite data, won the Annie Maunder Prize for Image Innovation. © Sergio Díaz Ruiz

Spanish photographer Sergio Díaz Ruiz creates a shocking depiction of a world plagued by impending global catastrophes, despite having intelligent life forms. What planet is this? Our Earth.

Various colors represent data captured by the GOES-18 weather satellite, denoting landmasses, oceans and atmospheric features. Combined with a map of artificial lights at night, the image shows Earth as an alien civilization might view and study it. The image evokes the pressing need for climate action to manage greenhouse gas emissions and other atmospheric risks to humankind.

As judge Victoria Lane, senior curator of art and identity at Royal Museums Greenwich, aptly writes, “the image poignantly emphasizes the significant environmental challenges we face and the urgent need to protect and preserve our planet.”

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Costa Rica’s Tortuga Island Coral Garden Revives Reefs

The coral reefs off Tortuga Island in the Gulf of Nicoya are experiencing a remarkable revival, thanks to an innovative coral garden project spearheaded by local institutions and communities. Launched in August 2024, this initiative has made significant strides in restoring ecosystems devastated by both natural and human-induced degradation, offering hope amidst a global coral […] The post Costa Rica’s Tortuga Island Coral Garden Revives Reefs appeared first on The Tico Times | Costa Rica News | Travel | Real Estate.

The coral reefs off Tortuga Island in the Gulf of Nicoya are experiencing a remarkable revival, thanks to an innovative coral garden project spearheaded by local institutions and communities. Launched in August 2024, this initiative has made significant strides in restoring ecosystems devastated by both natural and human-induced degradation, offering hope amidst a global coral bleaching crisis. The project, a collaborative effort led by the State Distance University (UNED) Puntarenas branch, the Nautical Fishing Nucleus of the National Learning Institute (INA), the PROLAB laboratory, and Bay Island Cruises, has transplanted 1,050 coral fragments from June to September 2024, with an additional 300 corals added in early 2025. This builds on earlier efforts, bringing the total volume of cultivated coral to approximately 9,745.51 cm³, a promising indicator of recovery for the region’s coral and fish populations. The initiative employs advanced coral gardening techniques, including “coral trees” — multi-level frames where coral fragments are suspended — and “clotheslines,” which allow corals to grow in optimal conditions with ample light, oxygenation, and protection from predators. These structures are anchored to the seabed, floating about 5 meters below the surface. Rodolfo Vargas Ugalde, a coral reef gardening specialist at INA’s Nautical Fishing Nucleus, explained that these methods, introduced by INA in 2013, accelerate coral growth, enabling maturity in just one year compared to the natural rate of 2.5 cm annually. “In the Pacific, three coral species adapt well to these structures, thriving under the favorable conditions they provide,” Vargas noted. The project was born out of necessity following a diagnosis that revealed Tortuga Island’s reefs were completely degraded due to sedimentation, pollution, and overexploitation. “Corals are the tropical forests of the ocean,” Vargas emphasized, highlighting their role as ecosystems that support at least 25% of marine life and 33% of fish diversity, while also driving tourism, a key economic pillar for the region. Sindy Scafidi, a representative from UNED, underscored the project’s broader impact: “Research in this area allows us to rescue, produce, and multiply corals, contributing to the sustainable development of the region so that these species, a major tourist attraction, are preserved.” The initiative actively involves local communities, fostering a sense of stewardship and ensuring long-term conservation. This local success story contrasts with a grim global outlook. A recent report by the International Coral Reef Initiative (ICRI) revealed that 84% of the world’s coral reefs have been affected by the most intense bleaching event on record, driven by warming oceans. Since January 2023, 82 countries have reported damage, with the crisis ongoing. In Costa Rica, 77% of coral reef ecosystems face serious threats, primarily from human activities like sedimentation, pollution, and resource overexploitation. Despite these challenges, the Tortuga Island project demonstrates resilience. By focusing on species suited to the Gulf of Nicoya’s conditions and leveraging innovative cultivation techniques, the initiative is rebuilding reefs that can withstand environmental stressors. The collaboration with Bay Island Cruises has also facilitated logistical support, enabling divers and researchers to access the site efficiently. The project aligns with broader coral restoration efforts across Costa Rica, such as the Samara Project, which planted 2,000 corals by January and aims for 3,000 by year-end. Together, these initiatives highlight Costa Rica’s commitment to marine conservation, offering a model for other regions grappling with reef degradation. As global temperatures continue to rise, with oceans absorbing much of the excess heat, experts stress the urgency of combining restoration with climate action. The Tortuga Island coral garden project stands as a ray of hope, proving that targeted, community-driven efforts can revive vital ecosystems even in the face of unprecedented challenges. The post Costa Rica’s Tortuga Island Coral Garden Revives Reefs appeared first on The Tico Times | Costa Rica News | Travel | Real Estate.

More women view climate change as their number one political issue

A new report shows a growing gender gap among people who vote with environmental issues in mind.

A new report from the Environmental Voter Project (EVP), shared first with The 19th, finds that far more women than men are listing climate and environmental issues as their top priority in voting. The nonpartisan nonprofit, which focuses on tailoring get out the vote efforts to low-propensity voters who they’ve identified as likely to list climate and environmental issues as a top priority, found that women far outpace men on the issue. Overall 62 percent of these so-called climate voters are women, compared to 37 percent of men. The gender gap is largest among young people, Black and Indigenous voters.  The nonprofit identifies these voters through a predictive model built based on surveys it conducts among registered voters. It defines a climate voter as someone with at least an 85 percent likelihood of listing climate change or the environment as their number one priority.  “At a time when other political gender gaps, such as [presidential] vote choice gender gaps, are staying relatively stable, there’s something unique going on with gender and public opinion about climate change,” said Nathaniel Stinnett, founder of the organization.  While the models can predict the likelihood of a voter viewing climate as their number one issue, it can’t actually determine whether these same people then cast a vote aligned with that viewpoint. The report looks at data from 21 states that are a mix of red and blue. Read Next Where did all the climate voters go? Sachi Kitajima Mulkey Based on polling from the AP-NORC exit poll, 7 percent of people self-reported that climate change was their number one priority in the 2024 general election, Stinnett said. Of those who listed climate as their top priority, they voted for former Vice President Kamala Harris by a 10 to 1 margin.  The EVP findings are important, Stinnett says, because they also point the way to who might best lead the country in the fight against the climate crisis. “If almost two thirds of climate voters are women, then all of us need to get better at embracing women’s wisdom and leadership skills,” Stinnett said. “That doesn’t just apply to messaging. It applies to how we build and lead a movement of activists and voters.”  Though the data reveals a trend, it’s unclear why the gender gap grew in recent years. In the six years that EVP has collected data, the gap has gone from 20 percent in 2019, and then shrunk to 15 percent in 2022 before beginning to rise in 2024. In 2025, the gap grew to 25 percentage points. “I don’t know if men are caring less about climate change. I do know that they are much, much less likely now than they were before, to list it as their number one priority,” he said. “Maybe men don’t care less about climate change than they did before, right? Maybe it’s just that other things have jumped priorities over that.” A survey conducted by the Yale Program on Climate Change Communication, a nonprofit that gauges the public’s attitude toward climate change has seen a similar trend in its work. Marija Verner, a researcher with the organization, said in 2014 there was a 7 percent gap between the number of men and women in the U.S. who said they were concerned by global warming. A decade later in 2024, that gap had nearly doubled to 12 percent.  Read Next What do climate protests actually achieve? More than you think. Kate Yoder There is evidence that climate change and pollution impact women more than men both in the United States and globally. This is because women make up a larger share of those living in poverty, with less resources to protect themselves, and the people they care for, from the impacts of climate change. Women of color in particular live disproportionately in low-income communities with greater climate risk.  This could help explain why there is a bigger gender gap between women of color and their male counterparts. In the EVP findings there is a 35 percent gap between Black women and men climate voters, and a 29 percent gap between Indigenous women and men.  Jasmine Gil, associate senior director at Hip Hop Caucus, a nonprofit that mobilizes communities of color, said she’s not really surprised to see that Black women are prioritizing the issue. Gil works on environmental and climate justice issues, and she hears voters talk about climate change as it relates to everyday issues like public safety, housing, reproductive health and, more recently, natural disasters.  “Black women often carry the weight of protecting their families and communities,” she said. “They’re the ones navigating things like school closures and skyrocketing bills; they are the ones seeing the direct impacts of these things. It is a kitchen table issue.” The EVP survey also found a larger gender gap among registered voters in the youngest demographic, ages 18 to 24.  Cristina Tzintzún Ramirez, the president of youth voting organization NextGen America, said that in addition to young women obtaining higher levels of education and becoming more progressive than men, a trend that played out in the election, she also thinks the prospect of motherhood could help explain the gap.  She’s seen how young mothers, particularly in her Latino community, worry about the health of their kids who suffer disproportionately from health issues like asthma. Her own son has asthma, she said: “That really made me think even more about air quality and the climate crisis and the world we’re leaving to our little ones.” It’s a point that EVP theorizes is worth doing more research on. While the data cannot determine whether someone is a parent or grandparent, it does show that women between ages of 25 to 45 and those 65 and over make up nearly half of all climate voters. Still, Ramirez wants to bring more young men into the conversation. Her organization is working on gender-based strategies to reach this demographic too. Last cycle, they launched a campaign focused on men’s voter power and one of the core issues they are developing messaging around is the climate crisis. She said she thinks one way progressive groups could bring more men into the conversation is by focusing more on the positives of masculinity to get their messaging across.  “There are great things about healthy masculinity … about wanting to protect those you love and those that are more vulnerable,” she said. There are opportunities to tap into that idea of “men wanting to protect their families or those they love or their communities from the consequences of the climate crisis.” This story was originally published by Grist with the headline More women view climate change as their number one political issue on Apr 26, 2025.

Climate change could deliver considerable blows to US corn growers, insurers: Study

Federal corn crop insurers could see a 22 percent spike in claims filed by 2030 and a nearly 29 percent jump by mid-century, thanks to the impacts of climate change, a new study has found. Both U.S. corn growers and their insurers are poised to face a future with mounting economic uncertainty, according to the...

Federal corn crop insurers could see a 22 percent spike in claims filed by 2030 and a nearly 29 percent jump by mid-century, thanks to the impacts of climate change, a new study has found. Both U.S. corn growers and their insurers are poised to face a future with mounting economic uncertainty, according to the research, published on Friday in the Journal of Data Science, Statistics, and Visualisation. “Crop insurance has increased 500 percent since the early 2000s, and our simulations show that insurance costs will likely double again by 2050,” lead author Sam Pottinger, a senior researcher at the University of California Berkeley’s Center for Data Science & Environment, said in a statement. “This significant increase will result from a future in which extreme weather events will become more common, which puts both growers and insurance companies at substantial risk,” he warned. Pottinger and his colleagues at both UC Berkeley and the University of Arkansas developed an open-source, AI-powered tool through which they were able to simulate growing conditions through 2050 under varying scenarios. They found that if growing conditions remained unchanged, federal crop insurance companies would see a continuation of current claim rates in the next three decades. However, under different climate change scenarios, claims could rise by anywhere from 13 to 22 percent by 2030, before reaching about 29 percent by 2050, according to the data. Federal crop insurance, distributed by the U.S. Department of Agriculture (USDA), provides economic stability to U.S. farmers and other agricultural entities, the researchers explained. Most U.S. farmers receive their primary insurance through this program, with coverage determined by a grower’s annual crop yield, per the terms of the national Farm Bill. “Not only do we see the claims’ rate rise significantly in a future under climate change, but the severity of these claims increases too,” co-author Lawson Conner, an assistant professor in agricultural economics at the University of Arkansas, said in a statement. “For example, we found that insurance companies could see the average covered portion of a claim increase up to 19 percent by 2050,” Conner noted. The researchers stressed the utility of their tool for people who want to understand how crop insurance prices are established and foresee potential neighborhood-level impacts. To achieve greater security for growers and reduce financial liability for companies in the future, the authors suggested two possible avenues. The first, they contended, could involve a small change to the Farm Bill text that could incentivize farmers to adopt practices such as cover cropping and crop rotation. Although these approaches can lead to lower annual yields, they bolster crop resilience over time, the authors noted. Their second recommendation would  involve including similar such incentives in an existing USDA Risk Management Agency mechanism called 508(h), through which private companies recommend alternative and supplemental insurance products for the agency’s consideration. “We are already seeing more intense droughts, longer heat waves, and more catastrophic floods,” co-author Timothy Bowles, associate professor in environmental science at UC Berkeley, said in a statement.  “In a future that will bring even more of these, our recommendations could help protect growers and insurance providers against extreme weather impacts,” Bowles added.

From Greenland to Ghana, Indigenous youth work for climate justice

“No matter what happens we will stand and we will fight, and we will keep pushing for solutions.”

For the last week,  Indigenous leaders from around the world have converged in New York for the United Nations Permanent Forum on Indigenous Issues, or UNPFI. It’s the largest global gathering of Indigenous peoples and the Forum provides space for participants to bring their issues to international authorities, often when their own governments have refused to take action. This year’s Forum focuses on how U.N. member states’ have, or have not, protected the rights of Indigenous peoples, and conversations range from the environmental effects of extractive industries, to climate change, and violence against women. The Forum is an intergenerational space. Young people in attendance often work alongside elders and leaders to come up with solutions and address ongoing challenges. Grist interviewed seven Indigenous youth attending UNPFII this year hailing from Africa, the Pacific, North and South America, Asia, Eastern Europe, and the Arctic. Joshua Amponsem, 33, is Asante from Ghana and the founder of Green Africa Youth Organization, a youth-led group in Africa that promotes energy sustainability. He also is the co-director of the Youth Climate Justice Fund which provides funding opportunities to bolster youth participation in climate change solutions.  Since the Trump administration pulled all the funding from the U.S. Agency for International Development, or USAID, Amponsem has seen the people and groups he works with suffer from the loss of financial help. Courtesy of Joshua Amponsem It’s already hard to be a young person fighting climate change. Less than one percent of climate grants go to youth-led programs, according to the Youth Climate Justice Fund.   “I think everyone is very much worried,” he said. “That is leading to a lot of anxiety.”  Amponsem specifically mentioned the importance of groups like Africa Youth Pastoralist Initiatives — a coalition of youth who raise animals like sheep or cattle. Pastoralists need support to address climate change because the work of herding sheep and cattle gets more difficult as drought and resource scarcity persist, according to one report.  “No matter what happens we will stand and we will fight, and we will keep pushing for solutions,” he said. Janell Dymus-Kurei, 32, is Māori from the East Coast of Aotearoa New Zealand. She is a fellow with the Commonwealth Fund, a group that promotes better access to healthcare for vulnerable populations. At this year’s UNPFII, Dymus-Kurei hopes to bring attention to legislation aimed at diminishing Māori treaty rights. While one piece of legislation died this month, she doesn’t think it’s going to stop there. She hopes to remind people about the attempted legislation that would have given exclusive Maori rights to everyone in New Zealand. Courtesy of Janell Dymus-Kurei The issue gained international attention last Fall when politician Hana-Rawhiti Maipi-Clarke performed a Haka during parliament, a traditional dance that was often done before battle. The demonstration set off other large-scale Māori protests in the country.  “They are bound by the Treaty of Waitangi,” she said. Countries can address the forum, but New Zealand didn’t make it to the UNPFII.  “You would show up if you thought it was important to show up and defend your actions in one way, shape, or form,” she said. This year, she’s brought her two young children — TeAio Nitana, which means “peace and divinity” and Te Haumarangai, or “forceful wind”. Dymus-Kurei said it’s important for children to be a part of the forum, especially with so much focus on Indigenous women. “Parenting is political in every sense of the word,” she said. Avery Doxtator, 22, is Oneida, Anishinaabe and Dakota and the president of the National Association of Friendship Centres, or NAFC, which promotes cultural awareness and resources for urban Indigenous youth throughout Canada’s territories. She attended this year’s Forum to raise awareness about the rights of Indigenous peoples living in urban spaces. The NAFC brought 23 delegates from Canada this year representing all of the country’s regions. It’s the biggest group they’ve ever had, but Doxtator said everyone attending was concerned when crossing the border into the United States due to the Trump Administration’s border and immigration restrictions. Taylar Dawn Stagner “It’s a safety threat that we face as Indigenous peoples coming into a country that does not necessarily want us here,” she said. “That was our number one concern. Making sure youth are safe being in the city, but also crossing the border because of the color of our skin.” The United Nations Declaration on the Rights of Indigenous Peoples, or UNDRIP, protects Indigenous peoples fundamental rights of self-determination, and these rights extend to those living in cities, perhaps away from their territories. She said that she just finished her 5th year on the University of Toronto’s Water Polo Team, and will be playing on a professional team in Barcelona next year.  Around half of Indigenous peoples in Canada live in cities. In the United States around 70 percent live in cities. As a result, many can feel disconnected from their cultures, and that’s what she hopes to shed light on at the forum — that resources for Indigenous youth exist even in urban areas. Liudmyla Korotkykh, 26, is Crimean Tatar from Kyiv, one of the Indigenous peoples of Ukraine. She spoke at UNPFII about the effects of the Ukraine war on her Indigenous community. She is a manager and attorney at the Crimean Tatar Resource Center. The history of the Crimean Tatars are similar to other Indigenous populations. They have survived colonial oppression from both the Russian Empire and the Soviet Union — and as a result their language and way of life is constantly under threat. Crimea is a country that was annexed by Russia around a decade ago.  Taylar Dawn Stagner In 2021, President Zelensky passed legislation to establish better rights for Indigenous peoples, but months later Russia continued its campaign against Ukraine.  Korotkykh said Crimean Tatars have been conscripted to fight for Russia against the Tatars that are now in Ukraine.  “Now we are in the situation where our peoples are divided by a frontline and our peoples are fighting against each other because some of us joined the Russian army and some joined the Ukrainian army,” she said.  Korotkykh said even though many, including the Trump Administration, consider Crimea a part of Russia, hopes that Crimean Tatars won’t be left out of future discussions of their homes.  “This is a homeland of Indigenous peoples. We don’t accept the Russian occupation,” she said. “So, when the [Trump] administration starts to discuss how we can recognize Crimea as a part of Russia, it is not acceptable to us.” Toni Chiran, 30, is Garo from Bangladesh, and a member of the Bangladesh Indigenous Youth Forum, an organization focused on protecting young Indigenous people. The country has 54 distinct Indigenous peoples, and their constitution does not recognize Indigenous rights.  In January, Chiran was part of a protest in Dhaka, the capital of Bangladesh, where he and other Indigenous people were protesting how the state was erasing the word “Indigenous” — or Adivasi in Hindi — from text books. Chiran says the move is a part of an ongoing assault by the state to erase Indigenous peoples from Bangladesh. Courtesy of Toni Chiran He said that he sustained injuries to his head and chest during the protest as counter protesters assaulted their group, and 13 protesters sustained injuries. He hopes bringing that incident, and more, to the attention of Forum members will help in the fight for Indigenous rights in Bangladesh. “There is an extreme level of human rights violations in my country due to the land related conflicts because our government still does not recognize Indigenous peoples,” he said.  The student group Students for Sovereignty were accused of attacking Chiran and his fellow protesters. During a following protest a few days later in support of Chiran and the others injured Bangladesh police used tear gas and batons to disperse the crowd.  “We are still demanding justice on these issues,” he said. Aviaaija Baadsgaard, 27, is Inuit and a member of the Inuit Circumpolar Council Youth Engagement Program, a group that aims to empower the next generation of leaders in the Arctic. Baadsgaard is originally from Nuunukuu, the capital of Greenland, and this is her first year attending the UNPFII. Just last week she graduated from the University of Copenhagen with her law degree. She originally began studying law to help protect the rights of the Inuit of Greenland.. Recently, Greenland has been a global focal point due to the Trump Administration’s interest in acquiring the land and its resources – including minerals needed for the green transition like lithium and neodymium: both crucial for electric vehicles. “For me, it’s really important to speak on behalf of the Inuit of Greenland,” Baadsgaard said. Taylar Dawn Stagner Greenland is around 80 percent Indigenous, and a vast majority of the population there do not want the Greenland is around 80 percent Indigenous, and a vast majority of the population there do not want the U.S. to wrest control of the country from the Kingdom of Denmark. Many more want to be completely independent.  “I don’t want any administration to mess with our sovereignty,” she said.  Baadsgaard said her first time at the forum has connected her to a broader discussion about global Indigenous rights — a conversation she is excited to join. She wants to learn more about the complex system at the United Nations, so this trip is about getting ready for the future. Cindy Sisa Andy Aguinda, 30, is Kitchwa from Ecuador in the Amazon. She is in New York to talk about climate change, women’s health and the climate crisis. She spoke on a panel with a group of other Indigenous women about how the patriarchy and colonial violence affect women at a time of growing global unrest. Especially in the Amazon where deforestation is devastating the forests important to the Kitchwa tribe.  She said international funding is how many protect the Amazon Rainforest. As an example, last year the United States agreed to send around 40 million dollars to the country through USAID — but then the Trump administration terminated most of the department in March. Courtesy of Cindy Sisa Andy Aguinda “To continue working and caring for our lands, the rainforest, and our people, we need help,” she said through a translator. Even when international funding goes into other countries for the purposes to protect Indigenous land, only around 17 percent ends up in the hands of Indigenous-led initiatives. “In my country, it’s difficult for the authorities to take us into account,” she said.  She said despite that she had hope for the future and hopes to make it to COP30 in Brazil, the international gathering that addresses climate change, though she will probably have to foot the bill herself. She said that Indigenous tribes of the Amazon are the ones fighting everyday to protect their territories, and she said those with this relationship with the forest need to share ancestral knowledge with the world at places like the UNPFII and COP30.  “We can’t stop if we want to live well, if we want our cultural identity to remain alive,” she said. This story was originally published by Grist with the headline From Greenland to Ghana, Indigenous youth work for climate justice on Apr 25, 2025.

Harris County commissioners approve climate justice plan

Nearly three years in the works, the Harris County Climate Justice Plan is a 59-page document that creates long-term strategies addressing natural resource conservation, infrastructure resiliency and flood control.

Sarah GrunauFlood waters fill southwest Houston streets during Hurricane Beryl on July 8, 2024.Harris County commissioners this month approved what’s considered the county’s most comprehensive climate justice plan to date. Nearly three years in the works, the Harris County Climate Justice Plan is a 59-page document that creates long-term strategies addressing natural resource conservation, infrastructure resiliency and flood control in the Houston area. The climate justice plan was created by the Office of County Administration’s Office of Sustainability and an environmental nonprofit, Coalition for Environment, Equity and Resilience. The plan sets goals in five buckets, said Stefania Tomaskovic, the coalition director for the nonprofit. Those include ecology, infrastructure, economy, community and culture. County officials got feedback from more than 340 residents and organizations to ensure the plans reflect the needs of the community. “We held a number of community meetings to really outline the vision and values for this process and then along the way we’ve integrated more and more community members into the process of helping to identify the major buckets of work,” Tomaskovic told Hello Houston. Feedback from those involved in the planning process of the climate justice plan had a simple message — people want clean air, strong infrastructure in their communities, transparency and the opportunity to live with dignity, according to the plan. It outlines plans to protect from certain risks through preventative floodplain and watershed management, land use regulations and proactive disaster preparation. Infrastructure steps in the plan include investing in generators and solar power battery backup, and expanding coordination of programs that provide rapid direct assistance after disasters. Economic steps in the plan including expanding resources with organizations to support programs that provide food, direct cash assistance and housing. Tomaskovic said the move could be cost effective because some studies show that for every dollar spent on mitigation, you’re actually saving $6. “It can be cost effective but also if you think about, like, the whole line of costs, if we are implementing programs that help keep people out of the emergency room, we could be saving in the long run, too,” she said. Funds that will go into implementing the projects have yet to be seen. The more than $700,000 climate plan was funded by nonprofit organizations, including the Jacob & Terese Hershey Foundation. “Some of them actually are just process improvements,” Lisa Lin, director of sustainability with Harris County, told Hello Houston. “Some of them are actually low-cost, no-cost actions. Some of them are kind of leaning on things that are happening in the community or happening in the county. Some of them might be new and then we’ll be looking at different funding sources.” The county will now be charged with bringing the plan into reality, which includes conducting a benefits and impacts analysis. County staffers will also develop an implementation roadmap to identify specific leaders and partners and a plan to track its success, according to the county. “This initiative is the first time a U.S. county has prepared a resiliency plan that covers its entire population, as opposed to its bureaucracy alone," Harris County Judge Lina Hidalgo said in a statement. "At the heart of this plan are realistic steps to advance issues like clean air, resilient infrastructure, and housing affordability and availability. Many portions of the plan are already in progress, and I look forward to continued advancement over the years."

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