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Intelligence agencies should report on foreign interests in ‘activist groups’, Australian coal lobby group argues

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Tuesday, September 23, 2025

An Australian coal industry lobby group wants national intelligence agencies to report on any involvement of foreign interests in unnamed “activist groups” it claims are attempting to undermine the nation’s prosperity.Coal Australia also wants the government to broaden restrictions on foreign donations to stop money being channelled to Australia-based environmental groups and create powers to terminate grants and rescind charity status to organisations who aren’t transparent about funding sources.The wave of demands are outlined in one of almost 150 submissions to a parliamentary inquiry examining the prevalence of climate change-related misinformation and disinformation.The lobby group, whose members include Whitehaven and Yancoal, argue that Australia’s prosperity was being “compromised” by unnamed activist groups backed by foreign donors.It recommended that the federal electoral and intelligence agencies be required to submit a joint report to parliament each year on the supposed threats to Australia’s energy security, including from “malicious” foreign interference and the dissemination of misinformation and disinformation.The submission did not name specific agencies but the Australian Security Intelligence Organisation is responsible for monitoring foreign interference.The first report should include an audit of all funding to the groups, it continued, which are not captured under existing foreign donation rules.“Such reporting would also ensure maximum community awareness and vigilance of manipulative and deceptive campaign tactics,” the chief executive of Coal Australia, Stuart Bocking, wrote.The coal lobby’s push came as the Human Rights Commission and environmental groups warned the inquiry of the corrosive influence of climate changed-related mis- and disinformation.The commission said false narratives about climate change delay urgent action to combat global heating, erode trust in science and institutions and distort the public’s understanding of the challenge.“False claims about climate change, shared either in good faith or deceptively, can result in community polarisation, decreased support for climate-change mitigation policies and obstruction of political action,” the submission read.“This undermines public information and debate, which in turn affects the realisation of the human right to a healthy, clean and sustainable environment.”The commission recommended the Albanese government pursue laws to combat the spread of misinformation and disinformation online after abandoning plans in the last term of parliament due to a lack of political support.However, it said any new laws must have the “upmost regard for free speech”, suggesting the previous attempt failed to strike the right balance.In another submission, the Environment Defenders’ Office called for a blanket national ban on fossil fuel advertising as recommended by the UN special rapporteur on climate change, Elisa Morgera.Morgera lodged her own submission to the inquiry, which summarised other recommendations to governments put forward in other reports. That included the criminalisation of “greenwashing” by fossil fuel companies and amplification of it by media companies.“There is a need for states to reckon with the impacts of climate disinformation tactics and the prolonged six-decade failure to take effective climate action, compounded by widespread misinformation,” she wrote.“In order to support an informed, transparent and participatory process for defossilization, states need to ‘defossilize’ information systems, to protect human rights in the formation of public opinion and debate from the long-standing undue commercial influence of the fossil fuel industry.”The inquiry will hold its first public hearing on 29 September.A final report is due on 4 February.

Coal Australia also wants government to broaden restrictions on foreign donations to stop money flowing to environmental groupsAn Australian coal industry lobby group wants national intelligence agencies to report on any involvement of foreign interests in unnamed “activist groups” it claims are attempting to undermine the nation’s prosperity.Coal Australia also wants the government to broaden restrictions on foreign donations to stop money being channelled to Australia-based environmental groups and create powers to terminate grants and rescind charity status to organisations who aren’t transparent about funding sources. Continue reading...

An Australian coal industry lobby group wants national intelligence agencies to report on any involvement of foreign interests in unnamed “activist groups” it claims are attempting to undermine the nation’s prosperity.

Coal Australia also wants the government to broaden restrictions on foreign donations to stop money being channelled to Australia-based environmental groups and create powers to terminate grants and rescind charity status to organisations who aren’t transparent about funding sources.

The wave of demands are outlined in one of almost 150 submissions to a parliamentary inquiry examining the prevalence of climate change-related misinformation and disinformation.

The lobby group, whose members include Whitehaven and Yancoal, argue that Australia’s prosperity was being “compromised” by unnamed activist groups backed by foreign donors.

It recommended that the federal electoral and intelligence agencies be required to submit a joint report to parliament each year on the supposed threats to Australia’s energy security, including from “malicious” foreign interference and the dissemination of misinformation and disinformation.

The submission did not name specific agencies but the Australian Security Intelligence Organisation is responsible for monitoring foreign interference.

The first report should include an audit of all funding to the groups, it continued, which are not captured under existing foreign donation rules.

“Such reporting would also ensure maximum community awareness and vigilance of manipulative and deceptive campaign tactics,” the chief executive of Coal Australia, Stuart Bocking, wrote.

The coal lobby’s push came as the Human Rights Commission and environmental groups warned the inquiry of the corrosive influence of climate changed-related mis- and disinformation.

The commission said false narratives about climate change delay urgent action to combat global heating, erode trust in science and institutions and distort the public’s understanding of the challenge.

“False claims about climate change, shared either in good faith or deceptively, can result in community polarisation, decreased support for climate-change mitigation policies and obstruction of political action,” the submission read.

“This undermines public information and debate, which in turn affects the realisation of the human right to a healthy, clean and sustainable environment.”

The commission recommended the Albanese government pursue laws to combat the spread of misinformation and disinformation online after abandoning plans in the last term of parliament due to a lack of political support.

However, it said any new laws must have the “upmost regard for free speech”, suggesting the previous attempt failed to strike the right balance.

In another submission, the Environment Defenders’ Office called for a blanket national ban on fossil fuel advertising as recommended by the UN special rapporteur on climate change, Elisa Morgera.

Morgera lodged her own submission to the inquiry, which summarised other recommendations to governments put forward in other reports. That included the criminalisation of “greenwashing” by fossil fuel companies and amplification of it by media companies.

“There is a need for states to reckon with the impacts of climate disinformation tactics and the prolonged six-decade failure to take effective climate action, compounded by widespread misinformation,” she wrote.

“In order to support an informed, transparent and participatory process for defossilization, states need to ‘defossilize’ information systems, to protect human rights in the formation of public opinion and debate from the long-standing undue commercial influence of the fossil fuel industry.”

The inquiry will hold its first public hearing on 29 September.

A final report is due on 4 February.



Read the full story here.
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Climate activists gather in New York for ‘Sun Day’ solar energy and anti-billionaire rallies

Sun Day national action supported renewable energy, day after ‘Make Billionaires Pay’ march ahead of Climate WeekHundreds of environmentalists gathered in New York City’s Stuyvesant Square Park and a nearby Quaker meeting house on Sunday to rally in support of solar power and other forms of renewable energy. The event was part of a national “day of action” billed Sun Day, founded by veteran environmental activist Bill McKibben and first Earth Day coordinator Denis Hayes.“It’s so sad to watch the sun going to waste,” McKibben said at a press conference, standing beside environmentalists and their children. “Every single day, energy from heaven going to waste while we drill down to hell for another dose of the stuff that is wrecking this planet.” Continue reading...

Hundreds of environmentalists gathered in New York City’s Stuyvesant Square Park and a nearby Quaker meeting house on Sunday to rally in support of solar power and other forms of renewable energy. The event was part of a national “day of action” billed Sun Day, founded by veteran environmental activist Bill McKibben and first Earth Day coordinator Denis Hayes.“It’s so sad to watch the sun going to waste,” McKibben said at a press conference, standing beside environmentalists and their children. “Every single day, energy from heaven going to waste while we drill down to hell for another dose of the stuff that is wrecking this planet.”McKibben was joined at the press conference by other activists, as well as officials from New York and his home state of Vermont.“We have the ability here to protect our children, to protect our future,” said New York’s lieutenant governor, Antonio Delgado.The event in the park followed an all-afternoon celebration of clean power, with displays of solar panels, child-friendly lessons on renewable technology, and panel discussions. One popular panel featured McKibben and New York City’s comptroller, Brad Lander.In other parts of the country, activists held more than 500 other actions meant to highlight the creative ways Americans are ditching fossil-based energy. In Virginia, volunteers climbed rooftops to install solar panels on affordable homes built by Habitat for Humanity. In North Carolina, families gathered at a farm powered by solar panels. And in Michigan, organizers held a car show to show off electric vehicles; families also held a beach clean up nearby.Renewable energy sources have seen unprecedented growth in recent years. Last year, they accounted for over 90% of total energy expansion globally, one analysis found. And the US generated less than half of its energy from fossil fuels for the first time this past March.Yet the day of action came amid unprecedented attacks on climate protections and the renewable energy transition by the Trump administration. Since January, his administration has rolled back grants for solar, kicked off an all-of-government approach to shut down wind, halted and delayed wind projects, and launched more than 150 other anti-environmental and anti-renewable energy actions. The plans are threatening not only the climate but also Americans’ pocketbooks, said Vermont senator Peter Welch.“Clean energy is really good for affordability. It lowers the utility bills people are struggling to pay and creates really good jobs,” Welch said in an interview. “What Trump is doing is wrecking that economic potential. Customers are going to get hammered.”Despite these attacks, the event had an overall air of optimism. McKibben said though the US is backsliding on climate progress, much of the rest of the world is continuing to build out renewable power.“The pattern around the world is unmistakable,” he said in an interview. “The reason that it’s happening is partly because of the climate crisis but also largely because this is the cheapest form of energy, and it’s getting cheaper every year.”The Sun Day action came ahead of Climate Week in New York City, an annual event that convenes government officials, corporate actors and activists for a vast array of climate-focused events. It also came one day after the “Make Billionaires Pay” march, for which 25,000 people took to the streets in New York City.“Billionaires caused the climate chaos, spearheaded the rise of authoritarianism and they continue to profit from our suffering. But they forgot one thing: there are more of us than there are of them,” said Renata Pumarol, an organizer with the environmental justice non-profit Climate Defenders, in a statement about the Saturday protest.Sun Day participants did not shy away from naming the fossil fuel companies who have been the primary cause of global warming. But it focused largely on solutions aimed at taking on the climate crisis instead of the actors behind it.McKibben, for instance, praised Utah’s move three months ago to legalize the installation of solar panels on balconies – something that is illegal in all other US states. And New York assemblymember Emily Gallagher previewed a state bill she will introduce next week aimed at helping renters access solar panels.At the press conference, McKibben noted that though the forecast for Sunday showed cloudy skies, the day was bright and warm.“The collective power of all of us is enough to bring out the sun,” he said.

Robert Redford the Activist: Hollywood Icon Was Lifelong Champion of Environment & Independent Film

Robert Redford, the legendary Oscar-winning director, actor and activist, died at the age of 89 on Tuesday. Redford was a longtime environmental activist who served for five decades as a trustee of the Natural Resources Defense Council. He was also the creator of the Sundance Film Festival, which he helped grow into one of the largest independent film festivals in the world. Democracy Now! interviewed Redford many times over the years about his career, the importance of independent cinema and his environmental activism. “I guess you could call me an activist,” Redford said in 2015. “The deniers of climate change are probably people who are afraid of change. They don’t want to see change.”

Robert Redford, the legendary Oscar-winning director, actor and activist, died at the age of 89 on Tuesday. Redford was a longtime environmental activist who served for five decades as a trustee of the Natural Resources Defense Council. He was also the creator of the Sundance Film Festival, which he helped grow into one of the largest independent film festivals in the world. Democracy Now! interviewed Redford many times over the years about his career, the importance of independent cinema and his environmental activism. “I guess you could call me an activist,” Redford said in 2015. “The deniers of climate change are probably people who are afraid of change. They don’t want to see change.”

Robert Redford Remembered for His Deep Legacy in Environmental Activism and Native American Advocacy

Robert Redford, who died Tuesday at 89, was known for his deep commitment to activism, especially for Native American rights and the environment

NEW YORK (AP) — Lorie Lee Sekayumptewa, a former administrator with the Navajo Nation Film Office, remembers seeing Robert Redford at traditional cultural dances at the Hopi village of Hotevilla in New Mexico. It was more than 30 years ago and he was serving as executive producer of the 1991 release “The Dark Wind," a drama about Navajo life.Redford stood out for his Hollywood looks and for his un-Hollywood behavior, from his earnest desire to learn more about the tribe’s spiritual knowledge to his visits to the Navajo Nation, where Sekayumptewa’s father served as the dean of students at the tribal college and would show Redford’s movies at the student union building.“Even at home, he would bring that camera and film home to us, put up a sheet and we would invite our neighbors and the kids and we would all be there in our living room, watching these movies,” the 54-year-old Sekayumptewa, who is Navajo, Hopi and Sac and Fox Nation, said of Redford.Redford, who died Tuesday at age 89, was hardly the only liberal activist to emerge out of Hollywood, but few matched his knowledge and focus, his humility and dedication. Fellow actors and leaders of the causes he fought for spoke of his unusually deep legacy, his fight for Native Americans and the environment that began at the height of his stardom.In the mid-1970s, around the same time he was appearing in such blockbusters as “The Sting” and “The Way We Were," he immersed himself in the emerging environmental movement. He successfully opposed a power plant being built in his adopted state, Utah, and lobbied for the landmark bills the Clean Air Act and the Clean Water Act. He also joined the board of the non-profit Natural Resources Defense Council, where he remained a guiding force up to his death.“His legacy was extraordinary,” says NRDC CEO and President Manish Bapna. “One of the things that was most extraordinary about him was that he understood the power of storytelling. He could talk about climate change and the toll it was inflicting on people and communities — the fisherman coping with rising seas, a family fleeing for their lives from a raging wildfire. He would record messages, give talks or speak in front of Congress."Bapna last saw Redford a few months ago, when they dined in New York City.“He chose his words carefully, and every word he said was profound. He said we must continue to find ways to tell stories that reach people,” Bapna said.Redford had a longtime affinity for the environment. After growing up in Southern California in the 1930s and '40s, he was disheartened to see Los Angeles transform after World War II into a mecca of pollution and traffic jams. In the early 1960s, when he came upon Provo Canyon, Utah, during a cross-country motorcycle trip, he was so awed and invigorated by the landscape that he eventually settled in the area.Entertainers over time have come to identify and, be identified with, a given cause: Harry Belafonte and civil rights, Paul Newman and nuclear disarmament, Jane Fonda and the Vietnam War. Redford, as much as anyone, helped make the environment an issue for the Hollywood elite, whether for Fonda or Julia Louis-Dreyfus or Leonardo DiCaprio, a fellow NRDC board member who called Redford's death “a huge loss to our community” and cited his legacy an actor and activist.“More so than anything, he was a staunch environmental leader,” DiCaprio said Monday.In 2013, Redford joined with then-Gov. Bill Richardson to create the Foundation to Protect New Mexico Wildlife to fight efforts by a Roswell, New Mexico, company and others to slaughter horses. The following year, the foundation reached an agreement with the Navajo Nation to manage thousands of wild horses on the reservation and keep the animals from being sent to slaughter houses.For Redford, the wild horse was representative of the American West. His advocacy also was channeled through the nonprofit group Return to Freedom, Wild Horse Conservation. The group posted on social media Tuesday that they were heartbroken.“We have all lost an irreplaceable artist, activist and environmentalist,” said Neda DeMayo, founder of RTF. “Robert Redford was and is an iconic and inspiring human being forever interwoven with the beauty and majesty of the West. I feel very grateful to have known him and to have had his support.”Redford's activism extended to some of his film projects, whether the probes of the political system in “All the President's Men” and “The Candidate” or the drama “The Milagro Beanfield War,” in which a local resident fights a real estate mogul for control of his land. His final work was “Dark Winds,” an AMC show that premiered in 2022 and is based, like “The Dark Wind,” on the fiction of Tony Hillerman.John Wirth, the series showrunner, said that “Dark Winds” wouldn’t exist without Redford, who served as an executive producer and appeared in a short cameo that aired earlier this year. The show, Wirth said, gives audiences a look into the Navajo community, with actors and writers largely holding Native identities.Redford “endeavored to give people a shot at making art, you know, where they maybe hadn’t had the ability to have access to mainstream media.”Susan Montoya Bryan in Albuquerque, New Mexico; Itzel Luna in Los Angeles; and Sian Watson in London contributed to this report.Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – Sept. 2025

Robert Redford Embodied an American Ideal, and Often Lived the Part, Too

Born during the Great Depression with sun-kissed California looks, Robert Redford never failed to epitomize something quintessential and hopeful about the American character

NEW YORK (AP) — Born during the Great Depression with sun-kissed California looks, Robert Redford never failed to epitomize something quintessential and hopeful about the American character.Redford, who died Tuesday at the age of 89, left a movie trail etched into land. He seemed to reside as much across the American landscape as he did on movie screens. He was in the Rocky Mountains of “Jeremiah Johnson,” the Wyoming grasslands of “Butch Cassidy and the Sundance Kid,” the Washington, D.C., alleyways of “All the President’s Men” and the Montana streams of “A River Runs Through It.”Redford, a movie-star paragon, was surely savvy with how he played with and used his all-American image. No one who starred in the baseball drama “The Natural” (1984) and gave Bernard Malamud’s novel a storybook ending couldn't have some sense of self-mythology. But it was one of Redford’s greatest feats that, despite his fame, he remained innately connected to some aspirational American ideal. Redford, an open-air actor of easy, rugged charm, evoked the kind of regular guy decency that stars like Jimmy Stewart did before him — only Redford did it through an era of distrust and disillusionment. “He was to me a throwback to the actors that I was nuts about when I was growing up and going to movies: real, classical, traditional, old-fashioned movie stars who were very, very redolent of some kind of American essence,” said Sydney Pollack, who directed Redford in “Jeremiah Johnson,” “The Way We Were” and “Three Days of the Condor,” in 1993. “They were very much a part of the American landscape and they were heroic in a kind of understated way.” Underscoring ‘independence’ That was most true, perhaps, in Utah. Wanting to escape paved-over Los Angeles, Redford first began buying land there early in his career. In Utah, he would fight to protect both untrampled wilderness and a spirit of moviemaking that had grown increasingly difficult in Hollywood. As a longtime trustee of the Natural Resources Defense Council, a nonprofit environmental advocacy group, Redford was an outspoken environmentalist. In the 1970s, he successfully opposed a pair of rural Utah proposals: a six-lane highway and coal-fired power plant.In the Utah mountains, Redford also launched the Sundance Institute. Beyond Sundance's annual festival for independent film, the institute has been a lifeblood young filmmakers. Its year-round laboratory — the part of Sundance that Redford was most proud of — has helped nurture some of the most vital voices in American cinema for decades.“For me, the word to be underscored is ‘independence,’” Redford once said of his legacy. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard. The industry was pretty well controlled by the mainstream, which I was a part of. But I saw other stories out there that weren’t having a chance to be told.”That spirit of independence often infused his films, too. When Redford wanted to make “All the President’s Men,” the seminal 1976 film directed by Alan Pakula about Bob Woodward and Carl Bernstein’s Watergate investigation, few in the film industry thought there was much drama to be found in a story that was then several years old.“Nixon had already resigned, and the held opinion (in Hollywood) was ‘No one cares. No one wants to hear about this,’” Redford, who also co-produced the film, said in 2006. “And I said, ‘No, it’s not about Nixon. It’s about something else. It’s about investigative journalism and hard work.’”If “All the President’s Men,” one of the greatest newspaper movies, detailed the hard-earned revelations of Watergate, “Three Days of the Condor” — one of the greatest political thrillers — captured the paranoia and disillusionment that followed. If anyone was completely unfamiliar with why Redford was so good, “Three Days of the Condor” would be a good place to start.As a bookish CIA employee code-named Condor, he returns from lunch to his office to find, as he soon reports, “Everybody is dead.” Condor, untrained for such lethal spy activities, is left dangling in the wind.“Will you bring me in, please?” he pleads by phone to his superiors. “I’m not a field agent. I just read books.”Not so different from his Woodward of “All the President’s Men,” Redford is a fresh-faced novice thrown into a high-stakes scheme where few, including those in the government, can be trusted. No one has ever been better at playing the regular guy trying to think fast on his feet, and make sense of an ever-darker world. A politician only on screen Though some called for him to, Redford never entered politics, himself. He remained outspoken — he's in some way the model for the modern Hollywood activist — on a wide range of issues, including Indigenous and LGBTQ+ rights. The closest he came to running for office was Michael s 1972 satire “The Candidate,” in which Redford played an idealistic lawyer enlisted to challenge a highly favored incumbent Republican senator. Redford’s candidate ultimately wins, but not without sacrificing his principles and seeing much of what he stands for diluted.Redford’s place, instead, was outside politics. The perfect bookend to his ’70s movies is “Sneakers,” Phil Alden Robinson’s absurdly underrated 1992 caper starring Redford as a former ’60s radical now living under a false moniker and leading a band of security specialists. They stumble into possession of a computer device that brings the attention of the NSA, CIA, FBI and many others, forcing Redford to, yet again, try to figure out what’s moral in a dangerous (and now newly digital) America.The world that Redford’s films often presciently depicted seemed to push him further into the wilderness, on screen and off. He largely retreated into retirement over the last decade. When Redford died, he was at his home in the Utah mountains, outside Provo. One of his last films was 2015's “A Walk in the Woods,” playing Bill Bryson ambling along the Appalachian Trail. The most fitting and elegiac swan song, though was J.C. Chandor’s “All Is Lost,” a near-wordless 2013 drama about an old man at sea. Redford plays a solo mariner whose sailboat collides with a shipping container. Though terse, the movie reverberates with economic and ecological metaphor. A visibly older and weathered Redford — no longer the golden, freckled face of his youth — suffers through increasingly rough and stormy seas, improvising his survival. For an actor who had covered so much ground, “All Is Lost” was one last frontier. Redford's unnamed character was credited only as “Our Man.” Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – Sept. 2025

Robert Redford, 1970s sex symbol and Oscar-winning director, dies at 89

After rising to stardom in the 1960s, Redford was one of the biggest stars of the ’70s.

Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. No cause of death was provided.After rising to stardom in the 1960s, Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980’s “Ordinary People,” which also won best picture in 1980. His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.His roles ranged from Washington Post journalist Bob Woodward to a mountain man in “Jeremiah Johnson” to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was Paul Newman. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford’s Sundance Institute and festival got their names. He also teamed with Newman on 1973’s best-picture Oscar-winner, “The Sting,” which earned Redford his only acting Academy Award nomination.Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing, and his new role as patriarch of the independent-film movement in the 1980s and ’90s through his Sundance Institute. But he starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”“I just figure that I’ve had a long career that I’m very pleased with. It’s been so long, ever since I was 21,” he told The Associated Press shortly before the film came out. “I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family.”Sundance is bornRedford had watched Hollywood grow more cautious and controlling during the 1970s and wanted to recapture the creative spirit of the early part of the decade. Sundance was created to nurture new talent away from the pressures of Hollywood, the institute providing a training ground and the festival, based in Park City, Utah, where Redford had purchased land with the initial hope of opening a ski resort. Instead, Park City became a place of discovery for such previously unknown filmmakers as Quentin Tarantino, Steven Soderbergh, Paul Thomas Anderson and Darren Aronofsky.Actor-director and environmentalist Robert Redford speaks at an environmental news conference at Baltimore's Middle Branch Park Rowing Facility, Md., Oct. 7, 1988. Redford is supporting Gov. Michael Dukakis' stand on environmental issues. (AP Photo/Carlos Osorio)ASSOCIATED PRESS“For me, the word to be underscored is ‘independence,’” Redford told the AP in 2018. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard.“The industry was pretty well controlled by the mainstream, which I was a part of. But I saw other stories out there that weren’t having a chance to be told and I thought, ‘Well, maybe I can commit my energies to giving those people a chance.’ As I look back on it, I feel very good about that.”Sundance was even criticized as buyers swarmed in looking for potential hits and celebrities overran the town each winter.“We have never, ever changed our policies for how we program our festival. It’s always been built on diversity,” Redford told the AP in 2004. “The fact is that the diversity has become commercial. Because independent films have achieved their own success, Hollywood, being just a business, is going to grab them. So when Hollywood grabs your films, they go, ‘Oh, it’s gone Hollywood.’”By 2025, the festival had become so prominent that organizers decided they had outgrown Park City and approved relocating to Boulder, Colorado, starting in 2027. Redford, who had attended the University of Colorado in Boulder, issued a statement saying that “change is inevitable, we must always evolve and grow, which has been at the core of our survival.”Redford was married twice, most recently to Sibylle Szaggars. He had four children, two of whom have died — Scott Anthony, who died in infancy, in 1959, and James Redford, an activist and filmmaker who died in 2020.Redford’s early lifeRobert Redford was born Charles Robert Redford Jr. on Aug. 18, 1937, in Santa Monica, a California boy whose blond good looks eased his way over an apprenticeship in television and live theater that eventually led to the big screen.Redford attended college on a baseball scholarship and would later star as a middle-aged slugger in 1984’s “The Natural,” the adaptation of Bernard Malamud’s baseball novel. He had an early interest in drawing and painting, then went on to study at the American Academy of Dramatic Arts, debuting on Broadway in the late 1950s and moving into television on such shows as “The Twilight Zone,” “Alfred Hitchcock Presents” and “The Untouchables.”Actor Robert Redford in 1988. (AP Photo)APAfter scoring a Broadway lead in “Sunday in New York,” Redford was cast by director Mike Nichols in a production of Neil Simon’s “Barefoot in the Park,” later starring with Fonda in the film version. Redford did miss out on one of Nichols’ greatest successes, “The Graduate,” released in 1967. Nichols had considered casting Redford in the part eventually played by Dustin Hoffman, but Redford seemed unable to relate to the socially awkward young man who ends up having an affair with one of his parents’ friends.“I said, ‘You can’t play it. You can never play a loser,’” Nichols said during a 2003 screening of the film in New York. “And Redford said, ‘What do you mean? Of course I can play a loser.’ And I said, ‘OK, have you ever struck out with a girl?’ and he said, ‘What do you mean?’ And he wasn’t joking.”Indie champion, mainstream starEven as Redford championed low-budget independent filmmaking, he continued to star in mainstream Hollywood productions himself, scoring the occasional hit such as 2001’s “Spy Game,” which co-starred Brad Pitt, an heir apparent to Redford’s handsome legacy whom he had directed in “A River Runs Through It.”Ironically, “The Blair Witch Project,” “Garden State,” “Napoleon Dynamite” and other scrappy films that came out of Sundance sometimes made bigger waves — and more money — than some Redford-starring box-office duds like “Havana,” “The Last Castle” and “An Unfinished Life.”Redford also appeared in several political narratives. He satirized campaigning as an idealist running for U.S. senator in 1972’s “The Candidate” and uttered one of the more memorable closing lines, “What do we do now?” after his character manages to win. He starred as Woodward to Hoffman’s Carl Bernstein in 1976’s “All the President’s Men,” the story of the Washington Post reporters whose Watergate investigation helped bring down President Richard Nixon.With 2007’s “Lions for Lambs,” Redford returned to directing in a saga of a congressman (Tom Cruise), a journalist (Meryl Streep) and an academic (Redford) whose lives intersect over the war on terrorism in Afghanistan.His biggest filmmaking triumph came with his directing debut on “Ordinary People,” which beat Martin Scorsese’s classic “Raging Bull” at the Oscars. The film starred Donald Sutherland and Mary Tyler Moore as the repressed parents of a troubled young man, played by Timothy Hutton, in his big screen debut. Redford was praised for casting Moore in an unexpectedly serious role and for his even-handed treatment of the characters, a quality that Roger Ebert believed set “the film apart from the sophisticated suburban soap opera it could easily have become.”Robert Redford died Tuesday at his home, according to his publicist. Here he is seen attending the premiere of "The Old Man and the Gun" at the Paris Theater on Thursday, Sept. 20, 2018, in New York. (Photo by Charles Sykes/Invision/AP, File)Charles Sykes/Invision/APRedford’s other directing efforts included “The Horse Whisperer,” “The Milagro Beanfield War” and 1994’s “Quiz Show,” the last of which also earned best picture and director Oscar nominations. In 2002, Redford received an honorary Oscar, with academy organizers citing him as “actor, director, producer, creator of Sundance, inspiration to independent and innovative filmmakers everywhere.”“The idea of the outlaw has always been very appealing to me. If you look at some of the films, it’s usually having to do with the outlaw sensibility, which I think has probably been my sensibility. I think I was just born with it,” Redford said in 2018. “From the time I was just a kid, I was always trying to break free of the bounds that I was stuck with, and always wanted to go outside.”-- The Associated PressIf you purchase a product or register for an account through a link on our site, we may receive compensation. By using this site, you consent to our User Agreement and agree that your clicks, interactions, and personal information may be collected, recorded, and/or stored by us and social media and other third-party partners in accordance with our Privacy Policy.

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