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Complex Life May Have Evolved Multiple Times

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Tuesday, October 14, 2025

In his laboratory at the University of Poitiers in France, Abderrazak El Albani contemplates the rock glittering in his hands. To the untrained eye, the specimen resembles a piece of golden tortellini embedded in a small slab of black shale. To El Albani, a geochemist, the pasta-shaped component looks like the remains of a complex life-form that became fossilized when the sparkling mineral pyrite replaced the organism’s tissues after death. But the rock is hundreds of millions of years older than the oldest accepted fossils of advanced multicellular life. The question of whether it is a paradigm-shifting fossil or merely an ordinary lump of fool’s gold has consumed El Albani for the past 17 years.In January 2008 El Albani, a talkative French Moroccan, was picking over an exposed scrape of black shale outside the town of Franceville in Gabon. Lying under rolling hills of tropical savanna, cut in places by muddy rivers lined by jungle, the rock layers of the Francevillian Basin are up to 2.14 billion years old. The strata are laced with enough manganese to support a massive mining industry. But El Albani was there pursuing riches of a different kind.Most sedimentary rocks of that age are thoroughly “cooked,” transformed beyond recognition by the brutal heat and pressure of deep burial and deeper time. Limestone is converted to marble, sandstone to quartzite. But through an accident of geology, the Francevillian rocks were protected, and their sediments have maintained something of their original shape, crystal structure and mineral composition. As a result, they offer a rare window into a stretch of time when, according to paleontologists, oxygen was in much shorter supply and Earth’s environments would have been hostile to multicellular organisms like the ones that surround us today.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.El Albani had been invited out by the Gabonese government to conduct a geological survey of the ancient sediments. He spent half a day wandering the five-meter-deep layer of the quarry, peeling apart slabs of shale as if opening pages of a book. The rocks were filled with gleaming bits of pyrite that occurred in a variety of bizarre shapes. El Albani couldn’t immediately explain their appearance by any common sedimentary process. Baffled, he took a few samples with him when he returned to Poitiers. Two months later he scraped together funding to head back to the Francevillian quarry. This time he went home with more than 200 kilograms of specimens in his luggage.In 2010 El Albani and a team of his colleagues made a bombshell claim based on those finds: the strangely shaped specimens they’d recovered in Franceville were fossils of complex life-forms—organisms made up of multiple, specialized cells—that lived in colonies long before any such thing is supposed to have existed. If the scientists were right, the traditional account of life’s beginning, which holds that complex life originated once around 1.6 billion years ago, is wrong. And not only did complex multicellular life appear earlier than previously thought, but it might have done so multiple times, sprouting seedlings that were wiped away by a volatile Earth eons before our lineage took root. El Albani and his colleagues have pursued this argument ever since.Rocks from the Francevillian Basin in Gabon are filled with gleaming shapes that have been interpreted as fossils of complex life-forms from more than two billion years ago.Abderrazak El Albani/University of PoitiersThe potential implications of their claims are immense—they stand to rewrite nearly the entire history of life on Earth. They’re also incredibly controversial. Almost immediately, prominent researchers argued that El Albani’s specimens are actually concretions of natural pyrite that only look like fossils. Mentions of the Francevillian rocks in the scientific literature tend to be accompanied by words such as “uncertain” and “questionable.”Yet even as most experts regard the Francevillian specimens with a skeptical eye, a slew of recent discoveries from other teams have challenged older, simpler stories about the origin of life. Together with these new finds, the sparkling rock El Albani held in his hands has raised some very tricky questions. What conditions did complex life need to emerge? How can we recognize remains of life from deep time when organisms then would have been entirely different from those that we know? And where do the burdens of proof lie for establishing that complex life arose far earlier than previously thought—and more than just once?By most accounts, life on Earth first emerged around four billion years ago. In the beginning, the oxygen that sustains most species today had yet to suffuse the world’s atmosphere and oceans. Single-celled microbes reigned supreme. In the anoxic waters, bacteria spread and fed on minerals around hydrothermal vents. Then, maybe 2.5 billion years ago, so-called cyanobacteria that gathered in mats and gave rise to great stone domes called stromatolites began feeding themselves using the power of the sun. In doing so, they kick-started a slow transformation of the planet, pumping Earth’s seas and atmosphere full of oxygen as a by-product of their feeding.That transformation would eventually devastate the first, oxygen-averse microbial residents of Earth. But amid a gathering oxygen apocalypse, something new appeared. Roughly two billion years ago a symbiotic union between two groups of single-celled organisms—one of which was able to process oxygen—gave rise to the earliest eukaryotes: larger cells with a membrane-bound nucleus, distinctive biochemistry and an aptitude for sticking together. Somewhere in the vast sweep of time between then and now, in something of a glorious accident, those eukaryotes began banding together in specialized ways, forming intricate and increasingly complex multicellular organisms: algae, seaweeds, plants, fungi and animals.Scholars have long endeavored to understand when that transition from the single-celled to the multicellular happened. By the mid-19th century researchers noticed that the fossil record got considerably livelier at a certain point, which we now know was around 540 million years ago. During this period, called the Cambrian, multicellular eukaryotes seemed to explode in diversity out of nowhere. Suddenly the seas were filled with trilobites, meter-long predatory arthropods, and even the earliest forerunners of vertebrates, the backboned lineage of animals to which we humans belong.But it wasn’t long before scientists began finding older hints of multicellular organisms, suggesting that complex life proliferated before the Cambrian. In 1868 a geologist proposed that tiny, disk-shaped objects from sediments more than 500 million years old in Newfoundland were fossils—only for other researchers to dismiss them as inorganic concretions. Similarly ancient fossils from elsewhere in the world turned up over the first half of the 20th century. The most famous of them—discovered in Australia’s Ediacara Hills by geologist Reginald Claude Sprigg, who took them to be jellyfish—helped to push the dawn of complex life back to least 600 million years ago, into what came to be called the Ediacaran period.Still, a gap of more than a billion years separates the earliest known eukaryotes and their great flowering in the Ediacaran. The contrast between the apparent evolutionary stasis of the bulk of this period and the eventful periods before and after it is so stark that researchers variously refer to it as “the dullest time in Earth’s history” and the “boring billion.” Why didn’t many-celled eukaryotes start diversifying earlier, wonders Susannah Porter, a paleontologist at the University of California, Santa Barbara? Why didn’t they explode until the Ediacaran?Researchers have historically blamed environmental conditions on ancient Earth for the delay. The dawn of the Ediacaran, they note, coincided with a noticeable shift in global conditions 635 million years ago. In the wake of a world-spanning glacial event—the so-called Snowball Earth period, when great sheets of ice scraped the continents and covered the seas—the available nutrients in the oceans shifted amid a surge in levels of available oxygen. The friendlier water chemistry and more abundant oxygen provided new opportunities for eukaryotic organisms that could exploit them. They diversified quickly and dramatically, first into the stationary animals of the Ediacaran and eventually into the more active grazers and hunters of the Cambrian. It’s a commonly cited explanation for the timing of life’s big bang, one that the field tends to accept, Porter says. And it may well be correct. But if you asked El Albani, he’d say it’s not the whole story—far from it.As a kid growing up in Marrakech, El Albani wasn’t interested in geology; football and medicine held more appeal. He drifted into the field when he was 20 largely because it let him spend time outside. He then fell in love with it in part because like his father, a police officer, he enjoys a good investigation, working out what happened in some distant event by laying out multiple lines of evidence.In the case of the ancient Gabon “fossils,” the first line of evidence involves the unusual geology of the Francevillian formation. Unlike most sedimentary rocks laid down two billion years ago—fated for deep burial and transformative heat and pressure—the Francevillian strata sit within a bowl of much tougher rock, which prevented them from being cooked. The result: shales able to preserve both biological forms and something close to the primary chemicals and minerals present in the marine sediments. “It gives us the possibility of actually reconstructing this environment that existed in the past, at a scale that we don’t see anywhere around this time,” says Ernest Chi Fru, a biogeochemist at Cardiff University in Wales, who has worked with El Albani on the Francevillian material. If you were searching for fossils of relatively large, soft-bodied multicellular organisms from this period, the Francevillian is exactly the kind of place you’d look in.“I don’t know what we need to show to prove, to convince.” —Abderrazak El Albani University of PoitiersEl Albani’s team has recovered quite a few such specimens. Three narrow rooms in the geology building at the University of Poitiers house the Francevillian collection. More than 6,000 pieces—all of them collected from the same five-meter scrape of Gabonese shale—sprawl over wood shelves and tables and glass display cabinets, the black slabs arranged in puzzle-piece configurations under white walls. El Albani is eager to show them off. He plucks out rock after rock, no sooner highlighting one when he’s distracted by another. Here are the ripplelike remnants of bacterial mats. There are the specimens encrusted with pyrite: the common, tortellinilike “lobate” forms that made the cover of the journal Nature in 2010, “tubate” shapes that resemble stethoscopes and spoons, and other forms similar to strings of pearls several centimeters long. There are strange, wormlike tracks that the team has suggested could be traces of movement. There are nonpyritized remains, too: sand-dollar-like circles ranging from one to several centimeters across imprinted on the shales.“Et voilà,” El Albani says, tapping one specimen and then another. “You see? This is totally different.” The sheer variety of forms is why he’s always surprised that people could look at them and assume they aren’t in fact fossils. Nevertheless, his lab has been exploring ways to attempt to prove their identity.One approach El Albani’s lab has taken recently is looking into the chemistry of the specimens. Eukaryotic organisms tend to take up lighter forms, or isotopes, of elements such as zinc rather than heavy ones. When examining the sand-dollar-shaped impressions in 2023, the team found that the zinc isotopes in them were mostly lighter forms, suggesting the impressions could have been made by eukaryotes. (An independent team ran a similar study of one of the pyritized specimens and reached a similar conclusion.)Earlier this year El Albani’s Ph.D. student Anna El Khoury reported another potential chemical signal for life in the contested rocks. Organisms in areas thick with arsenic sometimes absorb the poisonous chemical instead of necessary nutrients such as phosphate. Whereas confirmed mineral concretions from the Francevillian show a random distribution of arsenic in the rock, the possibly organic specimens El Khoury looked at showed dramatic concentrations of the toxin only in certain parts of the specimens, as would be expected if an organism’s cells were working to isolate the absorbed substance from more vulnerable tissues.What El Albani and his colleagues find most telling, however, are the environmental conditions that are now known to have prevailed when the putative fossils formed. The sediments that make up the Francevillian strata appear to have been deposited in something like an inland sea. The rocks show signals of dramatic underwater volcanism and hydrothermal vent activity from long before the first fossil specimens appear, which left the basin awash in nutrients such as phosphorus and zinc that are crucial for the chemical processes that power living cells.Chemical analyses of the Francevillian specimens suggest that they are the remains of eukaryotic organisms.Abderrazak El Albani/University of PoitiersWhat is more, the Francevillian samples, like the Ediacaran fossils, are from a time after a major period of ice ages: the Huronian glaciation event, wherein a surge in oxygen levels and a reduction in the greenhouse effect 2.4 billion to 2.1 billion years ago unleashed massive walls of ice from the poles. According to some analyses, that spike in oxygen levels might have hit a peak close to that in the Ediacaran before eventually falling again. In other words, the same environmental conditions that are thought to have allowed complex life to flower during the Ediacaran also occurred far earlier and could have set the stage for the emergence of Francevillian life-forms.Talk with the people in El Albani’s lab about the Francevillian, and they’ll paint you a picture of an alien world. Ancient shorelines run under the brooding gaze of distant mountains, silent but for the wind and the waves. Thick mats of bacteria stretch across the underwater sediments. Swim down 20 meters offshore, through waters thick with nutrients and heavy metals such as arsenic, and you might see colonies of spherical and tube-shaped organisms clustered amid the mats. In the oxygen-rich water column, soft-bodied organisms drift like jellyfish, sinking now and then into the mire. Below the silt, unseen movers leave spiraling mucus trails in the ooze.What were these strange forms of life? Not plants or animals as we understand them. Based on the sizes, shapes and geochemical signatures of the putative fossils, El Albani thinks they might belong to a lineage of colonial eukaryotes—perhaps something resembling a slime mold—that independently developed the complex multicellular processes needed to survive at large sizes. These colonial organisms would have been comparatively early offshoots of the eukaryotic tree, making them an entirely independent flowering of complex multicellular life from the Ediacaran bloom that took place more than a billion years later.The Francevillian organisms flourished for a time, but they did not last. After a few millennia, underwater volcanism started up again, and oxygen levels crashed. A billion years would pass before another global icebox phase and another oxygen spike gave multicellular eukaryotes another shot at emergence.This story flies in the face of decades of thinking about how complex life arose. El Albani’s team argues that rather than long epochs of stillness and stasis, rather than the rise of complex life being an extraordinary and long-brewing accident in Earth’s long history, multicellular organisms might not have been a singular innovation. “It seems to me that [the Francevillian material] is showing that complex life might have evolved twice in history,” Chi Fru says. And if ancient complex life can emerge so quickly when conditions are right, who knows where else in Earth’s rocks—or another planet’s—signs of another blossoming might turn up next? “If,” of course, being the operative word.Skeptics of El Albani’s Francevillian “fossils”—and there are many—have tended to gather around similar sticking points, says Leigh Anne Riedman, a paleontologist at the University of California, Santa Barbara. For one thing, the bizarre shapes of the rocks show a lot more variety than tends to be seen in accepted early complex multicellular forms, and with their amorphous, asymmetrical features, they do not scan easily as organisms.The pyritized nature of the rocks may also be cause for concern. Colonies of bacteria living in oxygen-poor environments often deposit pyrite as a by-product. Although such colonies can grow a sparkling rind around biological material, the mineral concretions can also develop on their own, developing lifelike appearances without any biological process. Critics of the Francevillian hypothesis point to a well-known phenomenon of pyrite “suns” or “flowers,” superficially fossil-like accumulations of minerals that occasionally turn up in sediments rich in actual fossils. Shuhai Xiao, a paleontologist at Virginia Tech specializing in the Precambrian era, notes that the Francevillian material resembles similar-looking inorganic structures from Michigan that date to 1.1 billion years ago.If ancient complex life can emerge so quickly when conditions are right, who knows where else signs of another blossoming might turn up next?Even scientists who are more amenable to the idea that El Albani’s specimens are fossils tend to conclude that the pyritized specimens are probably just the remains of bacterial mats, not complex life-forms. An independent radiation of colonial eukaryotes at such an age? That’s a hard sell. “I have no problem with there being oxygen oases and there being certain groups that proliferated during those periods,” Riedman says. But the idea that they would have proliferated to that size—a jump in scale that another researcher equated to that between a human and an aircraft carrier—without any similar fossils turning up elsewhere gives her pause. “It just seems a little bit of a stretch.”Absence of evidence is not evidence of absence, however. In the case of the Proterozoic fossil record, the lack of other candidate fossils of complex life as old as those from the Francevillian may reflect a lack of effort in searching for them. That is, the apparent quiet of the deep past may be an illusion—less the “boring billion” than, as Porter puts it, the “barely sampled billion.”The dullness of vast chunks of the Proterozoic has been a self-fulfilling prophecy, Riedman says. After all, who wants to devote time and scarce funding to a period when nothing much is supposed to have happened? “That name, man,” Riedman says of the boring billion. “We’ve got to kill it. Kill it with fire.”Recent findings may help reform the Proterozoic’s cursed reputation—and cast the Francevillian rocks in a more plausible light. Just last year Lanyun Miao of the Nanjing Institute of Geology and Paleontology at the Chinese Academy of Sciences and her colleagues announced that they had discovered the oldest unequivocal multicellular eukaryotes in 1.6-billion-year-old rocks from northern China. The fossils preserve small, threadlike organisms. They’re a far cry from the much larger, more elaborate forms associated with complex multicellularity. But they show that these simpler kinds of multicellular life existed some 500 million years earlier than previously hypothesized.There’s good reason to think the roots of the eukaryote family tree could run considerably deeper than that. Analyses of genome sequences and fossils have hinted that the earliest common ancestor of all living eukaryotes may have appeared as long as 1.9 billion years ago.Critics argue that the forms evident in the Francevillian rocks are merely mineral concretions, not fossils of complex eukaryotic organisms.Abderrazak El Albani/University of PoitiersAnd complex multicellularity itself may develop surprisingly fast. In a fascinating experiment published a few years ago, a team at the Georgia Institute of Technology was able to get single-celled eukaryotes—in this case, yeasts—to chain together in multicellular forms visible to the naked eye in just two years. These findings, along with the growing fossil record, suggest to some researchers that multicellular eukaryotes have a deeper history than is generally recognized.But recognizing early life in the rock is notoriously tricky. Brooke Johnson, a paleontologist at the University of Liège in Belgium, has visited Ediacaran outcrops in the U.K. with his colleagues and sometimes struggled to spot the specific fossils he knows are there.Assessing unfamiliar structures is even more fraught. Researchers constantly second-guess themselves for fear of overinterpreting any given shape or shadow in the stone. The specter of crankhood—of being the kind of researcher who drives their work off a cliff by refusing to be proved wrong—hangs over everybody. “It’s very easy to get yourself tricked into thinking that you can see something that isn’t there, because you’re used to seeing a particular pattern,” Johnson says.One spring morning in 2023, while working through hundreds of samples of rock more than one billion years old from drill cores from Australia, Johnson knocked over one of the pieces. The rock rolled into a strip of sunlight cutting through the blinds. Johnson abruptly noticed structures picked out by the low-angle light like tiny, quilted chains across the surface of the stone. A careful reexamination of many of the drill cores—rocks many previous geologists had handled without comment—showed the structures were common across the samples.Johnson speaks cautiously about the structures and has yet to publish his findings on them formally. But he thinks they might be some type of colony-living eukaryote of a size significantly larger than the microscopic examples known from elsewhere in the early fossil record.The fact that Johnson noticed the structures in the drill core samples only by chance has shaken his initial skepticism of El Albani’s work. “Something like the Francevillian stuff, people might have found it already in other rocks and just not seen it,” he says. “It just might be because they haven’t looked at it in the right way.”The sheer vanity of forms is why El Albani is surprised that people could look at them and assume they aren’t fossils.Dealing with material like the Francevillian requires trying to understand a time when Earth looked virtually nothing like the world we know now, Porter says. Much of the history of multicellular life occurred across an abyss of time on what was effectively an alien planet, with environmental conditions that were remarkably different from those of the past 600 million years. These conditions affected life in ways that are still only dimly understood. And the further back in time one goes, the more likely it is that any fossils will be difficult to recognize, to say nothing of categorize.The temptation for the field to dismiss “fossil-ish” forms as mineral concretions or the product of some other nonbiological process rather than a biogenic one therefore exerts a nearly gravitational pull. “I would imagine they’re probably frustrated [and thinking], ‘Why isn’t everybody already excited about this and coming along with us?’” Riedman says of El Albani and his colleagues. “And we’re just like, ‘We’re stuck on step one, man. We haven’t gotten past the biogenic part.’”“I don’t know what we need to show to prove, to convince,” El Albani says, his expression hangdog. He’s sitting in his office below a poster of the cover of a June 2024 issue of Science in which he and his team published their discovery of a remarkable trilobite fossil. “There’s no trouble with trilobites,” he remarks wistfully. El Albani is not a bomb thrower by nature and is not in a rush to name names. But a visible exasperation creeps in when he discusses the Gabonese specimens, along with a tendency to simultaneously pick at and try to dismiss the wound.At the end of the day, it is a question not really of belief but of arguments, El Albani says. If his critics believe the Gabonese specimens are concretions, they need to try to prove that rather than simply asserting it. If they disagree that the rocks contain fossils of eukaryotes, nothing is stopping them from subjecting the specimens to their own analyses. So far he feels that nobody has published any research that takes their conclusions apart point by point and reckons with all the strands of evidence they’ve marshaled. “If I give my opinion that your iPhone is Samsung,” he says, pulling a phone across the desk, “I should explain why!”Porter, the U.C.S.B. paleontologist, agrees. She’s not convinced by the team’s arguments for what the Francevillian samples represent—an independent lineage of colonial multicellular organisms, swiftly flowering, swiftly snuffed out. But the idea that they’re all just mineral concretions has never satisfied her. If they’re concretions, that’s something researchers need to affirmatively show, she says. Doing so, after all, would add to the field’s knowledge about how pseudofossils form in a way that simply writing them off does not. “We don’t want to discourage people from publishing these weird structures that are difficult to understand,” Porter says.“It’s fine if they’re wrong,” Porter says of El Albani and his colleagues. Everyone is offering competing hypotheses, which are always subject to new evidence from the fossil record. In the end, “we’ll probably all be somewhat wrong about our interpretation, actually.”Seventeen years after El Albani first stopped to examine a glinting blob in the Gabonese shale, his lab shows no signs of slowing down. There are always more specimens to publish, avenues of research to pursue, dissertations to finish. Members of the group are working on closer comparisons between the different environments preserved in the Francevillian quarry and the Cambrian deposits, between the chemistry of the Gabonese specimens and fossils from the Ediacaran and the Burgess Shale.They’re also digging further into the question of how, precisely, chemistry can definitively distinguish between biological and nonbiological origins for a given specimen. Findings from research like theirs could eventually be used to evaluate rock samples from other planets. In 2020 a team of researchers reported that the NASA Mars Science Laboratory rover Curiosity had photographed millimeter-size, sticklike structures in an ancient lake bed that resembled fossils left by miniature tunnelers on Earth. To date, it’s been impossible to disprove nonbiological explanations for their presence. But if a lab could develop a reliable conceptual model for chemically distinguishing between signs of life and nonlife, “you could apply this on Mars or another planet based on the sediment,” El Albani says.Every year El Albani and his team make the trip to Gabon to work the scrape of black stone that reoriented his life. There they comb the flaking shales, prying apart slabs, alert to the glimmer of pyrite or the soft, subtle impression of a circular form stamped in the petrified silt. Sometimes El Albani live-streams the expeditions to French schoolchildren, explaining to them how the cellular revolution that gave rise to them lies far back in the mists of prehistory. Sometimes he bends down to examine a glittering form in the rock. It’s probably something. The question, as always, is what.

Controversial evidence hints that complex life might have emerged hundreds of millions of years earlier than previously thought—and possibly more than once

In his laboratory at the University of Poitiers in France, Abderrazak El Albani contemplates the rock glittering in his hands. To the untrained eye, the specimen resembles a piece of golden tortellini embedded in a small slab of black shale. To El Albani, a geochemist, the pasta-shaped component looks like the remains of a complex life-form that became fossilized when the sparkling mineral pyrite replaced the organism’s tissues after death. But the rock is hundreds of millions of years older than the oldest accepted fossils of advanced multicellular life. The question of whether it is a paradigm-shifting fossil or merely an ordinary lump of fool’s gold has consumed El Albani for the past 17 years.

In January 2008 El Albani, a talkative French Moroccan, was picking over an exposed scrape of black shale outside the town of Franceville in Gabon. Lying under rolling hills of tropical savanna, cut in places by muddy rivers lined by jungle, the rock layers of the Francevillian Basin are up to 2.14 billion years old. The strata are laced with enough manganese to support a massive mining industry. But El Albani was there pursuing riches of a different kind.

Most sedimentary rocks of that age are thoroughly “cooked,” transformed beyond recognition by the brutal heat and pressure of deep burial and deeper time. Limestone is converted to marble, sandstone to quartzite. But through an accident of geology, the Francevillian rocks were protected, and their sediments have maintained something of their original shape, crystal structure and mineral composition. As a result, they offer a rare window into a stretch of time when, according to paleontologists, oxygen was in much shorter supply and Earth’s environments would have been hostile to multicellular organisms like the ones that surround us today.


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El Albani had been invited out by the Gabonese government to conduct a geological survey of the ancient sediments. He spent half a day wandering the five-meter-deep layer of the quarry, peeling apart slabs of shale as if opening pages of a book. The rocks were filled with gleaming bits of pyrite that occurred in a variety of bizarre shapes. El Albani couldn’t immediately explain their appearance by any common sedimentary process. Baffled, he took a few samples with him when he returned to Poitiers. Two months later he scraped together funding to head back to the Francevillian quarry. This time he went home with more than 200 kilograms of specimens in his luggage.

In 2010 El Albani and a team of his colleagues made a bombshell claim based on those finds: the strangely shaped specimens they’d recovered in Franceville were fossils of complex life-forms—organisms made up of multiple, specialized cells—that lived in colonies long before any such thing is supposed to have existed. If the scientists were right, the traditional account of life’s beginning, which holds that complex life originated once around 1.6 billion years ago, is wrong. And not only did complex multicellular life appear earlier than previously thought, but it might have done so multiple times, sprouting seedlings that were wiped away by a volatile Earth eons before our lineage took root. El Albani and his colleagues have pursued this argument ever since.

Rocks from the Francevillian Basin in Gabon are filled with gleaming shapes

Rocks from the Francevillian Basin in Gabon are filled with gleaming shapes that have been interpreted as fossils of complex life-forms from more than two billion years ago.

Abderrazak El Albani/University of Poitiers

The potential implications of their claims are immense—they stand to rewrite nearly the entire history of life on Earth. They’re also incredibly controversial. Almost immediately, prominent researchers argued that El Albani’s specimens are actually concretions of natural pyrite that only look like fossils. Mentions of the Francevillian rocks in the scientific literature tend to be accompanied by words such as “uncertain” and “questionable.

Yet even as most experts regard the Francevillian specimens with a skeptical eye, a slew of recent discoveries from other teams have challenged older, simpler stories about the origin of life. Together with these new finds, the sparkling rock El Albani held in his hands has raised some very tricky questions. What conditions did complex life need to emerge? How can we recognize remains of life from deep time when organisms then would have been entirely different from those that we know? And where do the burdens of proof lie for establishing that complex life arose far earlier than previously thought—and more than just once?

By most accounts, life on Earth first emerged around four billion years ago. In the beginning, the oxygen that sustains most species today had yet to suffuse the world’s atmosphere and oceans. Single-celled microbes reigned supreme. In the anoxic waters, bacteria spread and fed on minerals around hydrothermal vents. Then, maybe 2.5 billion years ago, so-called cyanobacteria that gathered in mats and gave rise to great stone domes called stromatolites began feeding themselves using the power of the sun. In doing so, they kick-started a slow transformation of the planet, pumping Earth’s seas and atmosphere full of oxygen as a by-product of their feeding.

That transformation would eventually devastate the first, oxygen-averse microbial residents of Earth. But amid a gathering oxygen apocalypse, something new appeared. Roughly two billion years ago a symbiotic union between two groups of single-celled organisms—one of which was able to process oxygen—gave rise to the earliest eukaryotes: larger cells with a membrane-bound nucleus, distinctive biochemistry and an aptitude for sticking together. Somewhere in the vast sweep of time between then and now, in something of a glorious accident, those eukaryotes began banding together in specialized ways, forming intricate and increasingly complex multicellular organisms: algae, seaweeds, plants, fungi and animals.

Scholars have long endeavored to understand when that transition from the single-celled to the multicellular happened. By the mid-19th century researchers noticed that the fossil record got considerably livelier at a certain point, which we now know was around 540 million years ago. During this period, called the Cambrian, multicellular eukaryotes seemed to explode in diversity out of nowhere. Suddenly the seas were filled with trilobites, meter-long predatory arthropods, and even the earliest forerunners of vertebrates, the backboned lineage of animals to which we humans belong.

Timeline of early life on earth extends from prokaryotic cells dating back to around 3.9 billion years ago through the Ediacaran and Cambrian Explosion. Received wisdom holds that complex multicellular life did not emerge and diversify until the Ediacaran. Mounting evidence suggests that such organisms may have arisen hundreds of millions of years earlier than that, during the supposedly uneventful Proterozoic.

But it wasn’t long before scientists began finding older hints of multicellular organisms, suggesting that complex life proliferated before the Cambrian. In 1868 a geologist proposed that tiny, disk-shaped objects from sediments more than 500 million years old in Newfoundland were fossils—only for other researchers to dismiss them as inorganic concretions. Similarly ancient fossils from elsewhere in the world turned up over the first half of the 20th century. The most famous of them—discovered in Australia’s Ediacara Hills by geologist Reginald Claude Sprigg, who took them to be jellyfish—helped to push the dawn of complex life back to least 600 million years ago, into what came to be called the Ediacaran period.

Still, a gap of more than a billion years separates the earliest known eukaryotes and their great flowering in the Ediacaran. The contrast between the apparent evolutionary stasis of the bulk of this period and the eventful periods before and after it is so stark that researchers variously refer to it as “the dullest time in Earth’s history” and the “boring billion.” Why didn’t many-celled eukaryotes start diversifying earlier, wonders Susannah Porter, a paleontologist at the University of California, Santa Barbara? Why didn’t they explode until the Ediacaran?

Researchers have historically blamed environmental conditions on ancient Earth for the delay. The dawn of the Ediacaran, they note, coincided with a noticeable shift in global conditions 635 million years ago. In the wake of a world-spanning glacial event—the so-called Snowball Earth period, when great sheets of ice scraped the continents and covered the seas—the available nutrients in the oceans shifted amid a surge in levels of available oxygen. The friendlier water chemistry and more abundant oxygen provided new opportunities for eukaryotic organisms that could exploit them. They diversified quickly and dramatically, first into the stationary animals of the Ediacaran and eventually into the more active grazers and hunters of the Cambrian. It’s a commonly cited explanation for the timing of life’s big bang, one that the field tends to accept, Porter says. And it may well be correct. But if you asked El Albani, he’d say it’s not the whole story—far from it.


As a kid growing up in Marrakech, El Albani wasn’t interested in geology; football and medicine held more appeal. He drifted into the field when he was 20 largely because it let him spend time outside. He then fell in love with it in part because like his father, a police officer, he enjoys a good investigation, working out what happened in some distant event by laying out multiple lines of evidence.

In the case of the ancient Gabon “fossils,” the first line of evidence involves the unusual geology of the Francevillian formation. Unlike most sedimentary rocks laid down two billion years ago—fated for deep burial and transformative heat and pressure—the Francevillian strata sit within a bowl of much tougher rock, which prevented them from being cooked. The result: shales able to preserve both biological forms and something close to the primary chemicals and minerals present in the marine sediments. “It gives us the possibility of actually reconstructing this environment that existed in the past, at a scale that we don’t see anywhere around this time,” says Ernest Chi Fru, a biogeochemist at Cardiff University in Wales, who has worked with El Albani on the Francevillian material. If you were searching for fossils of relatively large, soft-bodied multicellular organisms from this period, the Francevillian is exactly the kind of place you’d look in.

“I don’t know what we need to show to prove, to convince.” —Abderrazak El Albani University of Poitiers

El Albani’s team has recovered quite a few such specimens. Three narrow rooms in the geology building at the University of Poitiers house the Francevillian collection. More than 6,000 pieces—all of them collected from the same five-meter scrape of Gabonese shale—sprawl over wood shelves and tables and glass display cabinets, the black slabs arranged in puzzle-piece configurations under white walls. El Albani is eager to show them off. He plucks out rock after rock, no sooner highlighting one when he’s distracted by another. Here are the ripplelike remnants of bacterial mats. There are the specimens encrusted with pyrite: the common, tortellinilike “lobate” forms that made the cover of the journal Nature in 2010, “tubate” shapes that resemble stethoscopes and spoons, and other forms similar to strings of pearls several centimeters long. There are strange, wormlike tracks that the team has suggested could be traces of movement. There are nonpyritized remains, too: sand-dollar-like circles ranging from one to several centimeters across imprinted on the shales.

Et voilà,” El Albani says, tapping one specimen and then another. “You see? This is totally different.” The sheer variety of forms is why he’s always surprised that people could look at them and assume they aren’t in fact fossils. Nevertheless, his lab has been exploring ways to attempt to prove their identity.

One approach El Albani’s lab has taken recently is looking into the chemistry of the specimens. Eukaryotic organisms tend to take up lighter forms, or isotopes, of elements such as zinc rather than heavy ones. When examining the sand-dollar-shaped impressions in 2023, the team found that the zinc isotopes in them were mostly lighter forms, suggesting the impressions could have been made by eukaryotes. (An independent team ran a similar study of one of the pyritized specimens and reached a similar conclusion.)

Earlier this year El Albani’s Ph.D. student Anna El Khoury reported another potential chemical signal for life in the contested rocks. Organisms in areas thick with arsenic sometimes absorb the poisonous chemical instead of necessary nutrients such as phosphate. Whereas confirmed mineral concretions from the Francevillian show a random distribution of arsenic in the rock, the possibly organic specimens El Khoury looked at showed dramatic concentrations of the toxin only in certain parts of the specimens, as would be expected if an organism’s cells were working to isolate the absorbed substance from more vulnerable tissues.

What El Albani and his colleagues find most telling, however, are the environmental conditions that are now known to have prevailed when the putative fossils formed. The sediments that make up the Francevillian strata appear to have been deposited in something like an inland sea. The rocks show signals of dramatic underwater volcanism and hydrothermal vent activity from long before the first fossil specimens appear, which left the basin awash in nutrients such as phosphorus and zinc that are crucial for the chemical processes that power living cells.

Close up of Francevillian specimens

Chemical analyses of the Francevillian specimens suggest that they are the remains of eukaryotic organisms.

Abderrazak El Albani/University of Poitiers

What is more, the Francevillian samples, like the Ediacaran fossils, are from a time after a major period of ice ages: the Huronian glaciation event, wherein a surge in oxygen levels and a reduction in the greenhouse effect 2.4 billion to 2.1 billion years ago unleashed massive walls of ice from the poles. According to some analyses, that spike in oxygen levels might have hit a peak close to that in the Ediacaran before eventually falling again. In other words, the same environmental conditions that are thought to have allowed complex life to flower during the Ediacaran also occurred far earlier and could have set the stage for the emergence of Francevillian life-forms.


Talk with the people in El Albani’s lab about the Francevillian, and they’ll paint you a picture of an alien world. Ancient shorelines run under the brooding gaze of distant mountains, silent but for the wind and the waves. Thick mats of bacteria stretch across the underwater sediments. Swim down 20 meters offshore, through waters thick with nutrients and heavy metals such as arsenic, and you might see colonies of spherical and tube-shaped organisms clustered amid the mats. In the oxygen-rich water column, soft-bodied organisms drift like jellyfish, sinking now and then into the mire. Below the silt, unseen movers leave spiraling mucus trails in the ooze.

What were these strange forms of life? Not plants or animals as we understand them. Based on the sizes, shapes and geochemical signatures of the putative fossils, El Albani thinks they might belong to a lineage of colonial eukaryotes—perhaps something resembling a slime mold—that independently developed the complex multicellular processes needed to survive at large sizes. These colonial organisms would have been comparatively early offshoots of the eukaryotic tree, making them an entirely independent flowering of complex multicellular life from the Ediacaran bloom that took place more than a billion years later.

The Francevillian organisms flourished for a time, but they did not last. After a few millennia, underwater volcanism started up again, and oxygen levels crashed. A billion years would pass before another global icebox phase and another oxygen spike gave multicellular eukaryotes another shot at emergence.

This story flies in the face of decades of thinking about how complex life arose. El Albani’s team argues that rather than long epochs of stillness and stasis, rather than the rise of complex life being an extraordinary and long-brewing accident in Earth’s long history, multicellular organisms might not have been a singular innovation. “It seems to me that [the Francevillian material] is showing that complex life might have evolved twice in history,” Chi Fru says. And if ancient complex life can emerge so quickly when conditions are right, who knows where else in Earth’s rocks—or another planet’s—signs of another blossoming might turn up next? “If,” of course, being the operative word.

Skeptics of El Albani’s Francevillian “fossils”—and there are many—have tended to gather around similar sticking points, says Leigh Anne Riedman, a paleontologist at the University of California, Santa Barbara. For one thing, the bizarre shapes of the rocks show a lot more variety than tends to be seen in accepted early complex multicellular forms, and with their amorphous, asymmetrical features, they do not scan easily as organisms.

The pyritized nature of the rocks may also be cause for concern. Colonies of bacteria living in oxygen-poor environments often deposit pyrite as a by-product. Although such colonies can grow a sparkling rind around biological material, the mineral concretions can also develop on their own, developing lifelike appearances without any biological process. Critics of the Francevillian hypothesis point to a well-known phenomenon of pyrite “suns” or “flowers,” superficially fossil-like accumulations of minerals that occasionally turn up in sediments rich in actual fossils. Shuhai Xiao, a paleontologist at Virginia Tech specializing in the Precambrian era, notes that the Francevillian material resembles similar-looking inorganic structures from Michigan that date to 1.1 billion years ago.

If ancient complex life can emerge so quickly when conditions are right, who knows where else signs of another blossoming might turn up next?

Even scientists who are more amenable to the idea that El Albani’s specimens are fossils tend to conclude that the pyritized specimens are probably just the remains of bacterial mats, not complex life-forms. An independent radiation of colonial eukaryotes at such an age? That’s a hard sell. “I have no problem with there being oxygen oases and there being certain groups that proliferated during those periods,” Riedman says. But the idea that they would have proliferated to that size—a jump in scale that another researcher equated to that between a human and an aircraft carrier—without any similar fossils turning up elsewhere gives her pause. “It just seems a little bit of a stretch.”

Absence of evidence is not evidence of absence, however. In the case of the Proterozoic fossil record, the lack of other candidate fossils of complex life as old as those from the Francevillian may reflect a lack of effort in searching for them. That is, the apparent quiet of the deep past may be an illusion—less the “boring billion” than, as Porter puts it, the “barely sampled billion.”

The dullness of vast chunks of the Proterozoic has been a self-fulfilling prophecy, Riedman says. After all, who wants to devote time and scarce funding to a period when nothing much is supposed to have happened? “That name, man,” Riedman says of the boring billion. “We’ve got to kill it. Kill it with fire.”

Recent findings may help reform the Proterozoic’s cursed reputation—and cast the Francevillian rocks in a more plausible light. Just last year Lanyun Miao of the Nanjing Institute of Geology and Paleontology at the Chinese Academy of Sciences and her colleagues announced that they had discovered the oldest unequivocal multicellular eukaryotes in 1.6-billion-year-old rocks from northern China. The fossils preserve small, threadlike organisms. They’re a far cry from the much larger, more elaborate forms associated with complex multicellularity. But they show that these simpler kinds of multicellular life existed some 500 million years earlier than previously hypothesized.

There’s good reason to think the roots of the eukaryote family tree could run considerably deeper than that. Analyses of genome sequences and fossils have hinted that the earliest common ancestor of all living eukaryotes may have appeared as long as 1.9 billion years ago.

A hand holding up Francevillian rocks

Critics argue that the forms evident in the Francevillian rocks are merely mineral concretions, not fossils of complex eukaryotic organisms.

Abderrazak El Albani/University of Poitiers

And complex multicellularity itself may develop surprisingly fast. In a fascinating experiment published a few years ago, a team at the Georgia Institute of Technology was able to get single-celled eukaryotes—in this case, yeasts—to chain together in multicellular forms visible to the naked eye in just two years. These findings, along with the growing fossil record, suggest to some researchers that multicellular eukaryotes have a deeper history than is generally recognized.

But recognizing early life in the rock is notoriously tricky. Brooke Johnson, a paleontologist at the University of Liège in Belgium, has visited Ediacaran outcrops in the U.K. with his colleagues and sometimes struggled to spot the specific fossils he knows are there.

Assessing unfamiliar structures is even more fraught. Researchers constantly second-guess themselves for fear of overinterpreting any given shape or shadow in the stone. The specter of crankhood—of being the kind of researcher who drives their work off a cliff by refusing to be proved wrong—hangs over everybody. “It’s very easy to get yourself tricked into thinking that you can see something that isn’t there, because you’re used to seeing a particular pattern,” Johnson says.

One spring morning in 2023, while working through hundreds of samples of rock more than one billion years old from drill cores from Australia, Johnson knocked over one of the pieces. The rock rolled into a strip of sunlight cutting through the blinds. Johnson abruptly noticed structures picked out by the low-angle light like tiny, quilted chains across the surface of the stone. A careful reexamination of many of the drill cores—rocks many previous geologists had handled without comment—showed the structures were common across the samples.

Johnson speaks cautiously about the structures and has yet to publish his findings on them formally. But he thinks they might be some type of colony-living eukaryote of a size significantly larger than the microscopic examples known from elsewhere in the early fossil record.

The fact that Johnson noticed the structures in the drill core samples only by chance has shaken his initial skepticism of El Albani’s work. “Something like the Francevillian stuff, people might have found it already in other rocks and just not seen it,” he says. “It just might be because they haven’t looked at it in the right way.”

The sheer vanity of forms is why El Albani is surprised that people could look at them and assume they aren’t fossils.

Dealing with material like the Francevillian requires trying to understand a time when Earth looked virtually nothing like the world we know now, Porter says. Much of the history of multicellular life occurred across an abyss of time on what was effectively an alien planet, with environmental conditions that were remarkably different from those of the past 600 million years. These conditions affected life in ways that are still only dimly understood. And the further back in time one goes, the more likely it is that any fossils will be difficult to recognize, to say nothing of categorize.

The temptation for the field to dismiss “fossil-ish” forms as mineral concretions or the product of some other nonbiological process rather than a biogenic one therefore exerts a nearly gravitational pull. “I would imagine they’re probably frustrated [and thinking], ‘Why isn’t everybody already excited about this and coming along with us?’” Riedman says of El Albani and his colleagues. “And we’re just like, ‘We’re stuck on step one, man. We haven’t gotten past the biogenic part.’”


“I don’t know what we need to show to prove, to convince,” El Albani says, his expression hangdog. He’s sitting in his office below a poster of the cover of a June 2024 issue of Science in which he and his team published their discovery of a remarkable trilobite fossil. “There’s no trouble with trilobites,” he remarks wistfully. El Albani is not a bomb thrower by nature and is not in a rush to name names. But a visible exasperation creeps in when he discusses the Gabonese specimens, along with a tendency to simultaneously pick at and try to dismiss the wound.

At the end of the day, it is a question not really of belief but of arguments, El Albani says. If his critics believe the Gabonese specimens are concretions, they need to try to prove that rather than simply asserting it. If they disagree that the rocks contain fossils of eukaryotes, nothing is stopping them from subjecting the specimens to their own analyses. So far he feels that nobody has published any research that takes their conclusions apart point by point and reckons with all the strands of evidence they’ve marshaled. “If I give my opinion that your iPhone is Samsung,” he says, pulling a phone across the desk, “I should explain why!”

Porter, the U.C.S.B. paleontologist, agrees. She’s not convinced by the team’s arguments for what the Francevillian samples represent—an independent lineage of colonial multicellular organisms, swiftly flowering, swiftly snuffed out. But the idea that they’re all just mineral concretions has never satisfied her. If they’re concretions, that’s something researchers need to affirmatively show, she says. Doing so, after all, would add to the field’s knowledge about how pseudofossils form in a way that simply writing them off does not. “We don’t want to discourage people from publishing these weird structures that are difficult to understand,” Porter says.

“It’s fine if they’re wrong,” Porter says of El Albani and his colleagues. Everyone is offering competing hypotheses, which are always subject to new evidence from the fossil record. In the end, “we’ll probably all be somewhat wrong about our interpretation, actually.”

Seventeen years after El Albani first stopped to examine a glinting blob in the Gabonese shale, his lab shows no signs of slowing down. There are always more specimens to publish, avenues of research to pursue, dissertations to finish. Members of the group are working on closer comparisons between the different environments preserved in the Francevillian quarry and the Cambrian deposits, between the chemistry of the Gabonese specimens and fossils from the Ediacaran and the Burgess Shale.

They’re also digging further into the question of how, precisely, chemistry can definitively distinguish between biological and nonbiological origins for a given specimen. Findings from research like theirs could eventually be used to evaluate rock samples from other planets. In 2020 a team of researchers reported that the NASA Mars Science Laboratory rover Curiosity had photographed millimeter-size, sticklike structures in an ancient lake bed that resembled fossils left by miniature tunnelers on Earth. To date, it’s been impossible to disprove nonbiological explanations for their presence. But if a lab could develop a reliable conceptual model for chemically distinguishing between signs of life and nonlife, “you could apply this on Mars or another planet based on the sediment,” El Albani says.

Every year El Albani and his team make the trip to Gabon to work the scrape of black stone that reoriented his life. There they comb the flaking shales, prying apart slabs, alert to the glimmer of pyrite or the soft, subtle impression of a circular form stamped in the petrified silt. Sometimes El Albani live-streams the expeditions to French schoolchildren, explaining to them how the cellular revolution that gave rise to them lies far back in the mists of prehistory. Sometimes he bends down to examine a glittering form in the rock. It’s probably something. The question, as always, is what.

Read the full story here.
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A Foot-Tall Elephant? 'Prehistoric Planet: Ice Age' on Apple TV Reveals Surprising Creatures

Apple TV has launched “Prehistoric Planet: Ice Age,” a five-part series that brings the Pleistocene era to life with stunning visuals

It was an incredible time when the Earth was going through immense systemic changes and was filled with often nightmarish creatures — carnivorous kangaroos, 14-foot-tall bears and armadillos bigger than cars. Sid the sloth's eyes would bulge even more.A hyper-realistic picture of life during that Pleistocene era emerges with Apple TV's five-part, computer-driven “Prehistoric Planet: Ice Age,” which takes place millions of years after the dinosaurs’ extinction.“Nobody’s made a natural history representation of these creatures behaving and interacting in the way that we have in this series,” says Mike Gunton, co-executive producer and senior executive at the storied BBC Natural History Unit. This is the third chapter in the “Prehistoric Planet” series, blending cinematic storytelling with photorealistic visual effects and the latest scientific knowledge to give viewers a treat: Nostrils flare, fur is rustled by howling winds and eyelashes twitch. “Within one second of turning the show on, I do not want people to think, ‘Oh, it’s a CGI show.’ I want them to think, ‘Oh my gosh, what’s that animal? Where did they film that?'” Gunton says.The filmmaking style mimics the visual vocabulary of documentary nature shows like “Planet Earth” or “Blue Planet” but conjures up animals dead for millions of years with the latest digital innovations. “Even five years ago, we couldn’t have done it,” says Gunton. “Even in the time we’ve been making it, the acceleration of the power of the visual effects has been absolutely noticeable.”The series is narrated by Golden Globe- and Olivier Award-winner Tom Hiddleston, with an original score by Hans Zimmer, Anže Rozman and Kara Talve from Bleeding Fingers Music.Jon Favreau is co-executive producer and came at the series after directing the live-action/CGI “The Jungle Book” in 2016 with Idris Elba, Lupita Nyong’o and Scarlett Johansson, and 2019's “The Lion King,” with a voice cast including Donald Glover and Chiwetel Ejiofor. “I was very struck by the photorealism we were able to achieve in both of those projects and this seemed like a really good application for using realism in both animation and environmental design and render to create the illusion that you’re actually looking at something real and to apply it to dinosaurs and ice age megafauna,” he says.Gunton, who has produced such nature shows as “Hidden Kingdoms” and “The Green Planet,” turned to the topic of the ice age more than three years ago after wrapping up two dino-filled previous chapters and quickly learned he had a lot to learn. “I was thinking, ‘Well, this is all going to be ice and woolly mammoths and mastodons and saber-tooth tigers,” he says. What he found out was there wasn’t just one ice age but a series of eight, and while as much as a quarter of Earth’s landmass was covered by ice, the rest was becoming arid and desert, changing animals' evolution.There were Diprotodons, rhino-sized relatives of wombats and the largest marsupials of all time. There were giant short-faced kangaroos and 14-foot-tall bears. One of the cutest creatures is a dwarf Stegodon, which resembled a 3-foot elephant. The filmmakers added its baby, standing just 12 inches, and we meet him playing with a butterfly. “A swishing trunk and tail means a Stegodon wants to play,” says Hiddleston. But the little guy gets into trouble when a gang of 6-foot giant storks come hunting. Mom, thankfully, comes to the rescue. “In a world where birds can eat elephants, you should never stray too far from Mother,” Hiddleston concludes.“These animals feel alive,” says Gunton. “That comes from spending 35, nearly 40 years filming animals, watching animals, knowing how they react to each other and also knowing how to photograph these kind of behaviors.”While the look of the series is cutting edge, Favreau points out that it was crafted with artists and traditional technological techniques, not AI, and that helps it connect.“At the end of the day, to be working side by side with artists, animators, filmmakers — there is something that creates a very specific and personal and emotional connection with tremendous specificity, which is still something that eludes the other technologies.”During the ice age, sea levels dropped, creating land bridges and connecting North and South America to create a kind of animal superhighway, with creatures going in both directions and encountering new rivals and food.The filmmakers leaned on the visual effects company Framestore and consulted over 50 ice age specialists to create the series, often using puppets to get the shots right before removing them and adding the visual effects. Fossil records are better than with dinosaurs because many of the ice age creatures were captured in the permafrost.“We see that the species that were most able to adapt still survive to this day, and there are many that didn’t,” says Favreau. “We’re capturing a moment here where there was transition in relatively short amount of time. Even though it would be thousands of years, it’s still a blink of an eye in the history of our planet.”“Prehistoric Planet: Ice Age,” tells little vignettes for each animal, showing how they hunt or mate, travel and play. Gunton says he's not interested in making an endless loop of predators chasing prey. He'd rather show how a pregnant woolly mammoth lost in a blizzard can be protected by her herd.“I think that audiences are more engaged in complexity of relationships and what animals do and how they behave with each other,'' he said. “The voyeuristic kill doesn’t interest me particularly, and I don’t think it interests most of the audience.”Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.Photos You Should See – Nov. 2025

AI Is Coming for Your Toddler’s Bedtime Story

I began this morning, as I do every morning, by reading my daughter a book. Today it was Arthur Dorros’ Abuela, illustrated by Elisa Kleven. Abuela is a sweet story about a girl who imagines that she and her grandmother leap into the sky and soar around New York City. Dorros does an elegant job […]

I began this morning, as I do every morning, by reading my daughter a book. Today it was Arthur Dorros’ Abuela, illustrated by Elisa Kleven. Abuela is a sweet story about a girl who imagines that she and her grandmother leap into the sky and soar around New York City. Dorros does an elegant job weaving Spanish words and phrases throughout the text, often allowing readers to glean their meaning rather than translating them directly. When Rosalba, the bilingual granddaughter, discovers she can fly, she calls to her grandmother, “Ven, Abuela. Come, Abuela.” Her Spanish-speaking grandmother replies simply, “Sí, quiero volar.” Their language use reflects who they are—a move that plenty of authors who write for adults fail to make. Abuela was one of my favorite books growing up, and it’s one of my 2-year-old’s favorites now. (And yes, we’re reading my worn old copy.) She loves the idea of a flying grandma; she loves learning bits of what she calls Fanish; she loves the bit when Rosalba and Abuela hitch a ride on an airplane, though she worries it might be too loud. Most of all, though, she loves Kleven’s warm yet antic illustrations, which capture urban life in nearly pointillist detail. Every page gives her myriad things to look for and gives us myriad things to discuss. (Where are the dogs? What does Rosalba’s tío sell in his store? Why is it scary when airplanes are loud?) I’ve probably read Abuela 200 times since we swiped it from my parents over the summer, and no two readings have been the same. I don’t start all my days with books as rich as Abuela, though. Sometimes, my daughter chooses the books I wish she wouldn’t: ones that have wandered into our house as gifts, or in a big stack someone was giving away, and that I have yet to purge. These books have garish, unappealing computer-rendered art. Some of them have nursery rhymes as text, and the rest have inane rhymes that don’t quite add up to a story. One or two are Jewish holiday-oriented, and a couple more are tourist souvenirs. Not a single one of these books has a named author or illustrator. None of their publishers, all of which are quite small, responded to my requests for interviews, but I strongly suspect that these books were written and generated by AI—and that I’m not supposed to guess. The maybe-AI book that has lasted the longest in our house is a badly illustrated Old MacDonald Has a Farm. Its animals are inconsistently pixelated around the edges; the pink circles on its farmer’s cheeks vary significantly in size from page to page, and his hands appear to have second thumbs instead of pinkies. All of these irregularities are signs of AI, according to the writer and illustrator Karen Ferreira, who runs an author coaching program called Children’s Book Mastery. On her program’s site, she warns that because AI cannot create a series of images using the same figures, it generates characters that are—even if only subtly—dissimilar from page to page. Noting this in our Old MacDonald, I checked to see whether it was copyrighted, because the US copyright office has ruled out copyright for images created by machine learning. Where other board books have copyright symbols and information—often the illustration and text copyright holders are different—this one reads only, “All rights reserved.” It’s unclear what these “rights” refer to, given that there is no named holder; it’s possible that the publisher is gesturing at the design, but equally possible that the statement is a decoy with no legal meaning. What makes a good children’s book, and how much does it matter if a children’s book is good? I have many objections to maybe-AI books like this one. They’re ugly, whereas all our other children’s books are whimsical, beautiful, or both. They aren’t playful or sly or surprising. Their prose has no rhythm, in contrast to, let’s say, Sandra Boynton’s Barnyard Dance! and Dinosaur Dance!, which have beats that inspire toddlers to leap up and perform. (The author-illustrator Mo Willems has said children’s books are “meant to be played, not just to be read.”) They don’t give my daughter much to notice or me much to riff on, which means she gets sick of them quickly. If she chooses one, she’s often done with it in under a minute. It gives me a vague sting of guilt to donate such uninspiring books, but I still do, since the only other option is the landfill. I imagine they’ll end up there anyway. But I should admit that I also dislike the books that trigger my AI radar—that uncanny-valley tingle you get when something just seems inhuman—out of bias. I am a writer and translator, a person whose livelihood is entirely centered and dependent on living in a society that values human creativity, and just the thought of a children’s book generated by AI upsets me. Some months ago, I decided I wanted to know whether my bias was right. After all, there are legions of bad children’s books written and illustrated (or stock photo–collaged) by humans. Are those books meaningfully and demonstrably different from AI ones? If they are, how big a threat is AI to quality children’s publishing, and does it also threaten children’s learning? In a sense, my questions—not all of which are answerable—boil down to this: What makes a good children’s book, and how much does it matter if a children’s book is good? I’m not the only one worried about this. My brother- and sister-in-law, proud Minnesotans, recently sent us a book called Count On Minnesota—state merch, precisely the sort of thing that’s set my AI alarms ringing in the past—whose publisher, Gibbs Smith, includes a warning on the back beside the copyright notice: “No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies and systems.” Count On Minnesota is nearly wordless and has no named author, but the names of its artist and designer, Nicole LaRue and Brynn Evans, sit directly below the AI statement, reminding readers who will be harmed if Count On Minnesota gets scraped to train large vision models despite its copyright language. In this sense, children’s literature is akin to the many, many other fields that generative AI threatens. There’s a danger that machines will take authors’ and illustrators’ jobs, and the data sets on which they were trained have already taken tremendous amounts of intellectual property. Larry Law, executive director of the Great Lakes Independent Booksellers Association, told me that his organization’s member stores are against AI-created books—and, as a matter of policy, refuse to stock anything they suspect or know was generated by a large language or vision model—because “as an association, we value artists and authors and publishers and fundamentally believe that AI steals from artists.” Still, Law and many of GLIBA’s members are comfortable using AI to streamline workflow. So are many publishers. Both corporate publishing houses and some reputable independent ones are at least beginning to use AI to create the marketing bibles called tip sheets and other internal sales documents. According to industry sources I spoke to on background, some corporate publishers are also testing large language and vision models’ capacities to create children’s books, but their attempts aren’t reaching the market. The illustrations aren’t good enough yet, and it’s still easier to have a human produce text than to make a person coach and edit a large language model. “Kids are weird! They’re joyfully weird, and if you spend time with them and are able to get that weirdness and that playfulness out of them, you can really understand why a moralizing book really comes across as gross.” Other publishers, meanwhile, are shying away. Dan Brewster, owner of Prologue Bookshop in Columbus, Ohio—a shop with an explicit anti-AI policy—told me, “The publisher partners we work with every day have not done anything to make me suspect them” of generating text or illustrations with AI; many, he added, have told him, “‘You’re never going to see that from us.’” (Whether that’s true, of course, remains to be seen.) In contrast, Brewster has grown more cautious in his acquisitions of self-published books and those released by very small independent presses. He sees these as higher AI risks, as does Timothy Otte, a co-owner and buyer at Minneapolis’ Wild Rumpus, a beloved 33-year-old children’s bookstore. Its legacy and reach, he says, means they “get both traditionally published authors and self-published authors reaching out asking you to stock their book. That was true before AI was in the picture. Now, some of those authors that are reaching out, it is clear that what they’re pitching to me was at least partly, if not entirely, generated by AI.” Otte always says no, both on the grounds Law described and because the books are no good. The art often has not just inconsistencies, but errors: Rendering models aren’t great at getting the right number of toes on a paw. The text can be equally full of mistakes, as children’s librarian Sondra Eklund writes in a horrified blog post about acquiring a book about rabbits from children’s publisher Bold Kids, only to discover that she’d bought an AI book so carelessly produced that it informs readers that rabbits “can even make their own clothes…and can help you out with gardening.” (Reviews of Bold Kids’ hundreds of books on Amazon suggest that its rabbit book isn’t the only one with such issues. Bold Kids did not respond to repeated efforts to reach them for comment.) The text of more edited AI books, meanwhile, tends to condescend to young readers. Otte often sees books whose authors have “decided that there is a moral that they want to give to children, and they have asked a large language model to spit out a picture book that shows a kid coming up against some sort of problem and being given a moral solution.” In his experience, that isn’t what children want or how they learn. “Kids are weird!” Otte says. “They’re joyfully weird, and if you spend time with them and are able to get that weirdness and that playfulness out of them, you can really understand why a moralizing book really comes across as gross. The number of times I’ve seen kids make a stank face at a book that’s telling them how to be!” AI could be no menace at all to picture-book classics, but it could make high-quality contemporary board books go extinct. But is a lazy, moralizing AI book any worse than a lazy, moralizing one written by a person? When I put this question to Otte, the only distinction he could come up with was the “ancillary ethical concerns of water usage and the environmental impact that a large language model currently has.” Other book buyers, though, pointed out that while AI can imitate a particular writer or designer’s style or mash multiple perspectives together, it cannot have a point of view of its own. Plenty of big publishers create picture books and board books—which are simple, sturdy texts printed on cardstock heavy enough to be gnawed on by a teething 8-month-old—in-house, using stock photos and releasing them without an author’s name. Very rarely is the result much good, and yet each publisher does have its own visual signature. If you’re a millennial, you can likely close your eyes and summon the museum-text layout of the pages in a DK Eyewitness book. It’s idiosyncratic even if it’s not particularly special. To deny our children even that is to assume, in a sense, that they have no point of view: that they can’t tell one book from another and wouldn’t care if they could. Frankly, though, I’m less concerned with the gap between bad AI and bad human than I am with the yawning chasm between bad AI and good human, since bad children’s books by humans are the ones more likely to become rarer or cease existing. If rendering models get good enough that corporate publishers stop asking humans to slap together, let’s say, stock-photo books about ducks, those books could, in theory, vanish. That doesn’t mean Robert McCloskey’s canonical, beautiful Make Way for Ducklings will go out of print. But it’s much less expensive to publish a book that was written years ago than it is to pay an author and illustrator for something new. It’s also less expensive to print a picture book like Make Way for Ducklings than a board book, with its heavier paper and nontoxic (again: gnawing baby) inks. AI could be no menace at all to picture-book classics, but it could make high-quality contemporary board books go extinct. Only instinct and imagination can tell you what Sandra Boynton means when she writes in ‘Dinosaur Dance!’ that “Iguanodon goes dibbidy DAH.” It doesn’t help that everyone from parents to publishers is susceptible to undervaluing board books. It’s very difficult to argue that the quality of a picture book doesn’t matter, since they are the ones that most children use to learn to read. But it’s easy to dismiss board books, which are intended for children not only too young to read, but too young to even follow a story. Can’t we just show a baby anything? According to Dr. John Hutton, a pediatrician and former children’s bookstore owner who researches the impact reading at home has on toddlers’ brain function and development, we shouldn’t. In fact, we should avoid reading our kids anything that bores us. Beginning in utero, one of the greatest benefits of shared reading is bonding, and unsurprisingly, Hutton has found that the more engaged parents are in the book they’ve chosen, the greater its impact on that front. But reading to babies is also important, he explained, because the more words a child hears, the greater their receptive and expressive vocabularies (that is, the words they know and can say) will be. This, starting around age 1, lets parents and children discuss the books they’re reading, a process that Hutton told me “builds social cognition and later dovetails with empathy.” It does this by training children’s brains to connect language to emotion—and to do so through imagination. Hutton presented this as vital neurological work. “Nothing in the brain comes for free,” he told me, “and unless you practice empathy skills—connecting, getting along, feeling what others are feeling—you’re not going to have as well-developed neural infrastructure to be able to do that.” It’s also a social equalizer. Research has shown that reading aloud exposes children whose parents have lower income levels or educational backgrounds to more words and kinds of syntax than they might otherwise hear—and, Hutton notes, this isn’t a question of proper syntax. Rather, what matters here is creativity. Some of the best board books out there bend or even invent language—only instinct and imagination can tell you what Boynton means when she writes in Dinosaur Dance! that “Iguanodon goes dibbidy DAH”—and this teaches their little listeners how to do the same. Of course, not all good board books’ strength is linguistic. Ideally, Hutton says, a book’s text and illustrations should “recruit both the language and visual parts of your brain to work together to understand what’s going on.” From ages 6 months to 18 months, my daughter was enamored with books from Camilla Reid and Ingela Arrhenius’ Peekaboo series, which have minimal text, cheery yet sophisticated illustrations, and a pop-up or slider on each page. My daughter loved it when I read Peekaboo Pumpkin to her, but she also loved learning to manipulate it herself. It was visually and tactilely appealing enough to become not just a book, but a toy—and it was sturdy enough to do so. She’s got plenty of other books with pop-ups, but Peekaboo Pumpkin and Peekaboo Lion are the only ones she hasn’t more or less destroyed. Reid and Arrhenius publish with Nosy Crow, a London-based independent press. I reached out to ask if the company was concerned about AI threatening its business and got an emphatic no from its preschool publishing director and senior art director, Tor England and Zoë Gregory. England immediately highlighted the physical durability of Nosy Crow’s books. “We believe in a book as an object people want to own,” she said, rather than one meant to be disposable. They invest in them accordingly: England and Gregory visit Arrhenius in Sweden to discuss new ideas and often spend two or three years working on a book. Neither fears that AI could compete with the quality of such painstaking work, which, for the most part, is entirely analog. Some of Nosy Crow’s books do make sounds, though—something I generally hate, but I make an exception for the shockingly realistic toddler giggle in What’s That Noise? Meow! Gregory told me that while working on that book, she couldn’t find a laugh she liked in the sound libraries Nosy Crow normally uses, so she went home, set her iPhone to record, and tickled her daughter. A good board book could become one more educational advantage that accrues disproportionately to the elite. But somebody shopping on Amazon won’t hear that giggle. Nor can an online shopper identify a shoddily printed book, which may well be cheaper than Nosy Crow’s but will certainly withstand less tugging and chewing before it falls apart. A risk that Otte and the other buyers I spoke to identified—and while it serves booksellers’ interests to say this, it is also an entirely reasonable projection—is that while independent bookstores and well-curated libraries will continue to stock high-quality books like Nosy Crow’s, Amazon, which is both the largest book retailer and the largest self-publishing service in the nation, will grow ever fuller of AI dreck. If corporate publishers turn to AI to write and illustrate their board books, this strikes me as very likely to occur. It would mean that parents with the time and resources to browse in person would be likely to provide significantly higher-quality books to their pre-reading-age children than parents searching for “train book for toddlers” online. A good board book could become one more educational advantage that accrues disproportionately to the elite. In Empire of AI, journalist Karen Hao writes that technology revolutions “promise to deliver progress [but have a] tendency instead to reverse it for people out of power, especially the most vulnerable.” She argues that this is “perhaps truer than ever for the moment we now find ourselves in with artificial intelligence.” The key word here is perhaps. As of now, AI children’s books are on the fringes of publishing. Large publishers can choose to keep them that way. Doing so would be a statement of conviction that the quality and humanity of children’s books matter, no matter how young the child in question is. When I asked Hutton, the pediatrician, what worried him most about AI books, he mentioned the example of “lazy writing” they set, which he fears might disincentivize both hard work and creativity. He also pointed to an often-cited MIT study showing that writing with ChatGPT dampened creativity and less fully activated the brain—that is, it’s bad for the authors, not just the readers. Then he said, “You know, there are things we can do versus things we should do as a society, and that’s where we struggle, I think.” On this front, I hope to see no more struggle. We should not give our children, whose brains are vulnerable and malleable, books created by computers. We shouldn’t give them books created carelessly. That’s up to parents and teachers, yes—but it’s also up to authors, illustrators, designers, and publishers. Gregory told me that “there’s a lot of love and warmth and heart” that goes into the books she works on. Rejecting AI is a first step toward a landscape of children’s publishing where that’s always true.

Beloved eagle, a school mascot, electrocuted on power lines above Bay Area elementary school

A beloved eagle, a school mascot, was electrocuted on PG&E power lines near an elementary school in the Bay Area. Could anything have been done to prevent it? How often does this happen?

MILPITAS, Calif. — As scores of students swarmed out of their Milpitas elementary school on a recent afternoon, a lone bald eagle perched high above them in a redwood tree — only occasionally looking down on the after-school ruckus, training his eyes on the grassy hills along the western horizon.The week before, his mate was electrocuted on nearby power lines operated by PG&E.Kevin Slavin, principal of Curtner Elementary School, said the eagles in that nest are so well-known and beloved here that they were made the school’s mascots and the “whole ethos of the school has been tied around them” since they arrived in 2017. What exactly happened to send Hope the eagle off the pair’s nest in the dark of night and into the live wires on the night of Nov. 3 is not known (although there’s some scandalous speculation it involved a mysterious, “interloper” female). According to a spokesperson from PG&E, an outage occurred in the area at around 9 p.m. Line workers later discovered it was caused by the adult eagle.The death, sadly, is not atypical for large raptors, such as bald and golden eagles.According to a 2014 analysis of bird deaths across the U.S., electrocution on power lines is a significant cause of bird mortality. Every year, as many as 11.6 million birds are fried on the wires that juice our televisions, HVAC systems and blow driers, the authors estimated. The birds die when two body parts — a wing, foot or beak — come in contact with two wires, or when they touch a wire and ground source, sending a fatal current of electricity through the animal’s body.Because of their massive size, eagles and other raptors are at more risk. The wingspan of an adult bald eagle ranges from 5.5 to 8 feet across; it’s roughly the same for a golden eagle.According to a report from the U.S. Fish and Wildlife Service’s National Forensics Laboratory, which analyzed 417 electrocuted raptors from 13 species between 2000 and 2015, nearly 80 percent were bald or golden eagles.Krysta Rogers, senior environmental scientist at the California Department of Fish and Wildlife Investigations Laboratory, examined the dead eagle.She found small burns on Hope’s left foot pad and the back of her right leg. She also had singed feathers on both sides of her body, but especially on the right, where Rogers said the wing looked particularly damaged. She said most birds are electrocuted on utility poles, but Hope was electrocuted “mid-span,” where the wires dip between the poles. Melissa Subbotin, a spokesperson for PG&E, said the poles and wires near where the birds nested had been adapted with coverings and other safety features to make them safe for raptors. However, it appears the bird may have touched two wires mid-span. Subbotin said the utility company spaces lines at least 5 feet apart — a precaution it and other utility companies take to minimize raptor deaths. “Since 2002, PG&E has made about 42,990 existing power poles and towers bird-safe,” Subbotin said. The company has also retrofitted about 41,500 power poles in areas where bird have been injured or killed. In addition, she said, in 2024, the company replaced nearly 11,000 poles in designated “Raptor Concentration Zones” and built them to avian-safe construction guidelines.Doug Gillard, an amateur photographer and professor of anatomy and physiology at Life Chiropractic College West in Hayward, who has followed the Milpitas eagles for years, said while there is safety equipment near the school, it does not extend into the nearby neighborhood, where Hope was killed.Gillard said a photographer who lives in the neighborhood took a photo of the eagle hanging from the wires that Gillard has seen. The Times was unable to access the photo.Not far from the school is a marshy wetland, where ducks, geese and migrating birds come to rest and relax, a smorgasbord for a pair of eagles and their young. There are also fish in a nearby lake. Gillard said one of the nearby water bodies is stocked with trout, and that late fall is fishing season for the eagles. He said an army of photographers is currently hanging around the pond hoping to catch a snapshot of the father eagle catching a fish.Rogers said the bird was healthy. She had body fat, good muscle tone and two small feathers in her gut — presumably the remnants of a recent meal. She also had an enlarged ovary and visible oviduct — an avian fallopian tube — suggesting she was getting ready for breeding, which typically happens in January or February.Slavin, the principal, said that a day or two before the mother’s death, he saw the couple preparing their nest, and saw a young female show up. “It was a very tense situation among the eagles,” he said. Gillard, the photographer, said the “girlfriend” has black feathers on her head and in her tail, suggesting she isn’t quite five years old.Gillard and Slavin say they’ve heard from residents there may have been some altercation between the mom and the interloper that sent Hope off the nest and into the wires that night.The young female remains at the scene, and is not only being “tolerated” by the father, but occasionally accompanies him on his fishing trips, Gillard said. Eagles tend to mate for life, but if one dies, the other will look for a new mate, Gillard said. If the female eagle sticks around, it will be the dad’s third partner.Photographers can identify the father, who neighbors just call “Dad,” by the damaged flexor tendon on his right claw, which makes it appear as if he is “flipping the bird” when he flies by.

‘Forever chemicals’ contaminate more dolphins and whales than we thought – new research

The sex and age of an animal turn out to be stronger predictors than habitat for higher PFAS levels, suggesting they accumulate over a lifetime.

Getty ImagesNowhere in the ocean is now left untouched by a type of “forever chemicals” called “per- and polyfluoroalkyl substances”, known simply as PFAS. Our new research shows PFAS contaminate a far wider range of whales and dolphins than previously thought, including deep-diving species that live well beyond areas of human activity. But most surprising of all, where an animal lives does not predict its exposure. Instead, sex and age are stronger predictors of how much of these pollutants a whale or dolphin accumulates in its body. This means chemical pollution is more persistent and entrenched in ocean food webs than we realised, affecting everything from endangered coastal Māui dolphins to deep-diving beaked and sperm whales. This graphic shows that PFAS contamination affects a range of marine mammals, from nearshore dolphins to deep-diving predators. Science of the Total Environment, CC BY-ND PFAS were originally designed to make everyday products more convenient, but they have ultimately become a widespread environmental and public health concern. Our work provides stark evidence that no part of the ocean is now beyond the reach of human pollution. What are PFAS, and why are they a problem? PFAS are a group of more than 14,000 synthetic chemicals that have been used since the 1950s in a wide range of everyday products. This includes non-stick cookware, food packaging, cleaning products, waterproof clothing, firefighting foams and even cosmetics. Many everyday products contain PFAS. Author provided, CC BY-SA They’re known as forever chemicals because they don’t break down naturally. Instead, they travel through air and water, eventually reaching their final destination: the ocean. There, PFAS percolate through seawater and sediments and enter the food web, taken up by animals through their diet. Once inside an animal, PFAS can attach to proteins and accumulate in the blood and organs such as the liver, where they can disrupt hormones, immune function and reproduction. Like humans, whales and dolphins sit high in the food web, which makes them especially vulnerable to building up these pollutants over their lifetime. Whales and dolphins are the ocean’s canaries Marine mammals are an early warning system of the ocean. Because they are large predators with long lifespans, their health reflects what’s happening in the wider ecosystem, including risks that can affect people, too. This idea is at the heart of the OneHealth concept, which links environmental, animal and human health. New Zealand is one of the best places in the world to study human impacts in a OneHealth framework. More than half of the world’s toothed whales and dolphins (odontocetes) occur here, making Aotearoa a rare hotspot for marine mammals and an ideal place to assess how deeply PFAS have entered ocean food webs. We analysed liver samples from 127 stranded whales and dolphins, covering 16 species across four families, from coastal bottlenose dolphins to deep-diving beaked whales. For eight of these species, including Hector’s dolphins and three beaked whale species, this was the first time PFAS had ever been measured globally. PFAS contamination is an additional stress factor for Hector’s dolphins, which are endemic to New Zealand and already threatened. Getty Images We expected coastal species living closer to pollution sources to show the highest contamination, with deep-ocean species being much less exposed. However, our results told a different story. Habitat played only a minor role in predicting PFAS levels. Some deep-diving species had PFAS concentrations comparable to (or even higher than) coastal animals. It turns out biology matters more than habitat. Older, larger animals had higher PFAS levels, indicating they accumulate these chemicals over time. Males also tended to have higher burdens than females, consistent with mothers transferring PFAS to their calves during pregnancy and lactation. These patterns were consistent across all major types of PFAS chemicals. Why this matters Our findings show PFAS contamination has now entered every layer of the marine food web, affecting everything from nearshore dolphins to deep-diving predators. While diet is a major exposure pathway, animals could also be absorbing PFAS through other mechanisms, including potentially their skin. PFAS may further interact with other stressors, including climate change, shifting prey availability and disease, adding further pressure to species already under threat. Knowing that PFAS are present across different habitats and species raises urgent questions about their health impacts. Are these chemicals already affecting populations? Could PFAS contamination weaken immunity and increase disease risk in vulnerable species, such as Māui dolphins? Understanding how PFAS exposure affects reproduction, immunity and resilience to environmental pressures is now central to predicting whether species already under threat can withstand accelerating environmental change. Even the most remote whales carry high PFAS loads and we know humans are not isolated from these contaminations either. Answering these questions is not optional but essential if we want to protect both marine wildlife and the oceans we all depend on. The research was a trans-Tasman collaboration which also included Gabriel Machovsky at Massey University, Louis Tremblay at the Bioeconomy Science Institute and Shan Yi at the University of Auckland. Frédérik Saltré receives funding from the Australian Research Council.Emma Betty, Karen A Stockin, and Katharina J. Peters do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

Watch a Wolf Cleverly Raid a Crab Trap for a Snack. It Might Be the First Evidence of a Wild Canid Using a Tool

Footage from British Columbia shows just how intelligent wild wolves can be, but scientists are divided as to whether the behavior constitutes tool use

Watch a Wolf Cleverly Raid a Crab Trap for a Snack. It Might Be the First Evidence of a Wild Canid Using a Tool Footage from British Columbia shows just how intelligent wild wolves can be, but scientists are divided as to whether the behavior constitutes tool use Sarah Kuta - Daily Correspondent November 19, 2025 11:53 a.m. Members of the Haíɫzaqv (Heiltsuk) Nation caught the crafty female wolf on camera. Artelle et al. / Ecology and Evolution, 2025 Key takeaways: A dispute over tool use A female wolf figured out how to pull a crab trap from the ocean onto shore to fetch a tasty treat. Scientists debate whether the behavior represents tool use, or if the animal needed to have modified the object for it to count. Something strange began happening on the coast of British Columbia, Canada, in 2023. Traps set by members of the Haíɫzaqv (Heiltsuk) Nation to control invasive European green crabs kept getting damaged. Some had mangled bait cups or torn netting, but others were totally destroyed. But who—or what—was the culprit? Initially, the Indigenous community’s environmental wardens, called Guardians, suspected sea lions, seals or otters were to blame. But only after setting up several remote cameras in the area did they catch a glimpse of the true perpetrators: gray wolves. On May 29, 2024, one of the cameras recorded a female wolf emerging from the water with a buoy attached to a crab trap line in her mouth. Slowly but confidently, she tugged the line onto the beach until she’d managed to haul in the trap. Then, she tore open the bottom netting, removed the bait cup, had a snack and trotted off. Now, scientists say the incident—and another involving a different wolf in 2025—could represent the first evidence of tool use by wild wolves. They describe the behavior and lay out their conclusions in a new paper published November 17 in the journal Ecology and Evolution. This wolf has a unique way of finding food | Science News “You normally picture a human being with two hands pulling a crab trap,” says William Housty, a Haíɫzaqv hereditary chief and the director of the Heiltsuk Integrated Resource Management Department, to Global News’ Amy Judd and Aaron McArthur. “But we couldn’t figure out exactly what had the ability to be able to do that until we put a camera up and saw, well, there’s other intelligent beings out there that are able to do this, which is very remarkable.” Members of the Haíɫzaqv Nation weren’t surprised by the wolves’ cleverness, as they have long considered the animals to be smart. That view has largely been shaped by the community’s oral history, which tells of a woman named C̓úṃqḷaqs who birthed four individuals who could shape-shift between humans and wolves, reports Science News’ Elie Dolgin. Scientists weren’t shocked, either, as they have long understood that wolves are intelligent, social creatures that often cooperate to take down their prey. People aren’t sure how the wolves figured out the crafty crab trap trick. The animals may have learned by watching Haíɫzaqv Guardians pull up the traps, or their keen sense of smell may have helped them sniff out the herring and sea lion bait inside. Or perhaps they started with traps that were more easily accessible, before moving on to more challenging targets submerged in deep water. Wolves are also largely protected in Haíɫzaqv territory, which may have given them the time and energy they needed to learn a new, complex behavior, reports the Washington Post’s Dino Grandoni. Whatever the explanation, experts are divided as to whether the behavior technically constitutes nonhuman tool use, which has been previously documented in crows, elephants, dolphins and several other species. The debate stems mostly from varying definitions of tool use. Under one definition, animals can’t simply use an external object to achieve a specific goal—the creature must also manipulate the object in some way, like a crow transforming a tree branch into a hooked tool for grabbing hidden insects. Against this backdrop, some researchers say the wolves’ behavior represents object use, not tool use. However, some of the disagreement may also be rooted in bias. “For better or for worse, as humans, we tend to afford more care and compassion to other people or other species that we see most like us,” says study co-author Kyle Artelle, an ecologist with the State University of New York College of Environmental Science and Forestry, to the Washington Post. Marc Bekoff, a biologist at the University of Colorado Boulder who was not involved with the research, echoes that sentiment, telling Science’s Phie Jacobs that “if this had been a chimpanzee or other nonhuman primate, I’m sure no one would have blinked about whether this was tool use.” Regardless, scientists say the footage suggests wild wolves are even smarter than initially thought. In less than three minutes, the female efficiently and purposefully executed a complicated sequence of events to achieve a specific goal. She appeared to know that the trap contained food, even though it was hidden underwater, and she seemed to understand exactly which steps she needed to take to access that food. Tool use or not, the findings point to “another species with complex sociality [that] is capable of innovation and problem solving,” says Susana Carvalho, a primatologist and paleoanthropologist at Gorongosa National Park in Mozambique who was not involved with the research, to the New York Times’ Lesley Evans Ogden. Get the latest stories in your inbox every weekday.

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