This short film, produced by three high school students in our Huliau Environmental Filmmaking Club, explores the causes and impacts of brush fires on Maui. It also highlights actionable steps that the public can take to prevent these devastating incidents. Created in partnership with the Maui Fire Department and Maui Nui Marine Resource Council, the students deliver a powerful message that educates and inspires viewers to take action.
Explore Our Current Streams
Cinema Verde is showcasing our most impactful films yet to encourage every culture across the globe to help save our environment before it’s too late. Become immersed in the trailers for our Cinema Verde Virtual Screenings and Exclusive Director Discussions to learn how you can help build a sustainable future.
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Heavily armed officers of the University of Florida police department in Gainesville, FL, responding to a 911 call from a neighbor who heard screams, break into the campus apartment of Ghanaian graduate student, Kofi Adu-Brempong. Clad in SWAT gear and ready to attack, they see the disabled doctoral student, sitting with a metal table leg in his hand and within a minute of entry, shoot the unarmed man in the face. Adu-Brempong, who because of childhood polio, needed a cane to walk, and had been suffering from mental illness, now has severe facial injuries, and is charged with resisting arrest. He is guarded outside his hospital door, his legs shackled together when going to the bathroom. The officer who shoots Kofi, and who had previously been caught cruising through town throwing eggs at residents of a Black neighborhood, is not suspended or fired. Student protests lead the administration to drop charges but calls for revoking SWAT-like teams on campus go unheard. Kofi’s shooting is not an isolated incident but part of an ongoing pattern of police brutality against Blacks and a stark reminder of the dangers of increasingly militarized campuses nationwide. In His Own Home came out of outrage by a small group of concerned community members committed to seeing social justice happen on a local level. This documentary is an educational and organizing tool, especially calling for our communities to be safe from violence by racist and over-armed police.
Insects were here before humanity, but often we eliminate them as a nuisance. They are a fundamental element of this world. Without them, most of the plants would not be pollinated and birds would lose their food and become extinct. Despite their vital role, they are silently disappearing at a rapid rate.... without us noticing. ‘In Praise of Insects’ is a project to help us rethink the tiny subtle lives that are so entwined with our own. The common Bluebottle is one of the few butterflies that can be seen in central Tokyo. Even if you occasionally see the butterfly flying between buildings, you can see the miracle of life by closely observing its appearance and growth.
Follows the construction of the first net-zero, passive house built in the Greater Tetons-Yellowstone region near Jackson, WY, while explaining the Passive House building approach for designing and constructing more sustainable buildings and exploring the many associated climate and energy performance benefits. Features the home’s designers – Lindsey Love and Lindsay Schack, co-founders of a sustainable architecture and design firm based out of Bozeman, MT and Driggs, ID – along with building and climate experts.
Follow Dark Sky Defender Sriram Murali on a journey into the Western Ghats of India, in quest of the stars. From the Fireflies to the Great Hornbills, a naturally dark place is also a naturally wild place. In Search of the Stars explores the profound relationship between the night skies, wildlife and humans.
IN THE LAND OF PALM OIL focuses on the casualties, both human and environmental, of palm oil exploitation in Indonesia. The film fuses first hand accounts of villagers -- victims of land-grabbing by large global corporations who pay off local and national officials -- and vérité observations of young Dayak activists who are trying to expose the brutal human rights violations. The narrative thread of the film centers on Emmanuela Shinta, a rising Dayak activist who sees video and social media exposure as the key to holding her government to account. Acting as an eyewitness to both the civil rights abuses and the environmental degradation, Shinta and her team visit Dayak villagers to record their experiences and ride along with firefighting teams during the dry seasons to expose the tragic consequences of the modern day palm oil empire in her home province of Central Kalimantan (Indonesian Borneo). Through a close collaboration with local people, the film develops and threads this narrative into the reality of the situation there. The film weaves together the many personal narratives of loss with broader observations on current political and social conditions within the Dayak community. In tandem with a quest for answers and accountability, the film constructs a stark portrait of the lasting effects of crony capitalism, now over two decades into the Post-Suharto Reformation.
This guerrilla style documentary film captures a Colorado River rafting expedition through the Grand Canyon. Exhilarating and sometimes dangerous expeditions like this are not often considered when discussing global climate change but could be helpful to enlighten more folks about the changes to our planet. This rafting trip will soon be a thing of the past with record draughts continuing due to ongoing global climate change caused largely by humans. This is just a tiny slice of natures many warning signs of things to come. We find ourselves in a world of ongoing disbelief and hesitation in lieu of planning for the clear and present dangers from climate change. The Colorado River has already reached devastating levels for communities that depend on the water and electrical power resource. Government study in 2022 showed that Lake Powell could reach ""dead pool"" by 2023. There is no plan to mitigate the catastrophe that will leave over a million and a half people with no electricity.
The main character, Young-eun, lives with her mother, a haenyo diver, in a fishing village on Jeju Island. She learns eco-friendly photography from her friend Seung-hwan, who is a beachcomber. One day, her mother gets caught in a discarded net submerged in the sea and drowns. Young-eun moves away from Jeju and returns two years later for her mother’s death anniversary. She decides to begin taking pictures of sea debris on beaches, and Seung-hwan leaves the island to find a giant floating trash island in the Pacific Ocean on a boat made of recycled materials.
Jetty Cats explores contemporary animal rights issues through a focus on a feral cat colony that has survived on a rocky, seaside jetty in Southern California for decades. There is an ongoing debate over feral cat colonies involving advocates who support the trap, neuter, and return -- or "TNR" -- model of management, and those who argue that trapping and euthanizing the cats is more humane. This documentary’s point-of-view supports the TNR model and the related “no-kill” animal shelter policy, and features an exclusive interview with Richard Avanzino, the "Father" of the no-kill movement.
Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii—an archipelago on Canada’s Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People’s territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.