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An experimental short film from Iran.

This film focuses on the global problem of how plastic is destroying our wildlife and polluting our seas. A plastic cup is personified and goes on its own adventure. Awarded Film of the Festival at the Blaenau Gwent Film Festival for young people.

The concern of some young people in Vancouver, Canada, about an uncertain future in the face of climate change or a possible global catastrophe leads them to take the initiative to learn how to grow food on an urban plot. They embark on an adventure that surprises them not only for the power to feed themselves through their work on the land, but also for the community and health generated by the constant contact with nature. Finishing by knowing that growing food is within the reach of whoever wants it.

Laws prohibiting tree cutting in India have become stricter recently and actively enforced due to the lobbying of climate activists. As such, tree trimmers increasingly lose their jobs, contributing to the precarity they face. This ethnographic film shows the story of two tree trimmers belonging to a tribal community and living in an informal settlement in India.

In the near future, the climate crisis reaches an irreversible point. A nun and a priest meet to talk about the disappearance of insects.

In May 2010, Rulindo, Rwanda launched an ambitious plan to bring access to water and sanitation services to the entire district population. This film explores the story, challenges and ultimate success for reaching over 330,000 people with safe water in the rural and mountainous Rulindo District, and how this project is inspiring sustainable water (infrastructure and sanitation) models around the world.

"The Story of Lumshnong" by Aarti Srivastava highlights ‘mindless’ limestone mining by cement companies. Lumshnong is a village situated in the Jaintia Hills district of Meghalaya, India, which is rich in reserves of limestone. These rich reserves of limestone have attracted cement companies to set up their plants in the village, thus creating a hazardous environment for the local population. The documentary talks about “unthinkable stupidity of the cement companies”. There are as many as eight cement plants in a radius of just five kilometres in Lumshnong village. Limestone mining, as claimed in the documentary, has turned the Lumshnong village into a “dusty, waterless and barren” piece of land. “Studies revealed that loss of forest cover, pollution of water, soil and air, depletion of natural flora and fauna, reduction in biodiversity, erosion of soil, and degradation of agriculture land are some are some of the hazards of limestone mining,” the makers of the documentary stated. They added: “The hazards will not just be limited to the areas around the mines and cement factories but will spill to other regions if environmental checks are not put in place. It will also affect the lives of the people who live around the area.” The visuals of cement plants in the foreground, while the vegetations begins to look grey, and locals pointing at the shortcomings of limestone mining paint a sordid and truthful picture of what is happening in Lumshnong.

A searing expose uncovering the ugly truth behind the global plastic pollution crisis. Striking footage shot over three continents illustrates the ongoing catastrophe: fields full of garbage, veritable mountains of trash; rivers and seas clogged with waste; and skies choked with poisons from plastic production and recycling processes with no end in sight. Original animations, interviews with experts and activists, and never-before-filmed scenes reveal the disastrous consequences of the plastic flood around the world – and the global movement rising up in response.

In 2004, a generation of activists arose in South Florida, carrying the passion of direct action groups like Earth First. and the deep analysis of the global justice movement that had swept the country in the preceding years. These activists sought local issues that exemplified the threats of corporate globalization. They stumbled upon a plan from biotech industry giants acting in collusion with the administration of then-Governor Jeb Bush to clear a vast swath of land in the Northeast Everglades of Florida to accommodate The Scripps Biotech Research Institute - And it was on. Over the next ten years, endless county zoning meetings were counter-balanced by dozens of civil disobedience arrests and a near-constant flow of news headlines about the battle: lawsuits, scandal, corruption, tree sits, endangered species, pranks, blockades, and a roller coaster of incremental victories followed by devastating losses for years on end. THE STORY OF A FOREST captures it all in a 1/2 hour documentary about the Palm Beach County Environmental Coalition (PBCEC) and Everglades Earth First!'s (EEF!) ten-plus year campaign to stop the Scripps Biotech development, with a focus on protecting biodiversity in the Briger forest and the Florida wetlands.

Our animated short entertains while presenting eye-opening information on one of the fastest, most effective ways to slow the rate of global warming. Our film is an engaging way of addressing the dangers of climate change that educates in a non-threatening comical way. Individuals concerned about climate change can make relatively small personal choices that can have a huge positive effect.

Produced in the year 2007, a photographic essay realized in recognition of the indigenous roots, portrayed twelve adolescents belonging to Eleutério do katu, RN Brasil. Twelve years later the photographer returns to Katu in search of these protagonists, now adults, to know about his personal trajectories and his world views.

Inspired by Herman Melville's epic tale, "Moby-Dick or The Whale", a late-blooming singer/songwriter and former toy designer, Jen Long, acts on a startling vision and commissions the design and build of a remarkable custom electric guitar. It's body is "The Whale" itself as it snags the mad Captain Ahab in the tangled ropes of his own obsession, and prepares to launch a boat of his whalers to their doom. The entire guitar reinterprets Melville's tale as an Anthropocene climate change warning, with the whale representing the seas and storms of climate change arising on this "third day" of late stage capitalism. Hundreds of guitarists, including J. Mascis of Dinosaur Jr., and Marissa Paternoster of Screaming Females, have played and signed this "Instrument of Change" to amplify the alarm to turn our ship of over-production and over-consumption around while there is still time. As the embroidered strap featuring Starbuck's last words implores: "oh! Ahab, not too late is it, even now, the third day, to desist."