Cinema Verde is showcasing our most impactful films yet to encourage every culture across the globe to help save our environment before it’s too late. Become immersed in the trailers for our Cinema Verde Virtual Screenings and Exclusive Director Discussions to learn how you can help build a sustainable future.
A day in the life of Patrick Lang living a sustainable life in Malibu… filmed before his home and community were consumed by fire in the fall of 2018.
Swallowtail: An Apprenticeship Story follows six young aspiring farmers as they navigate the rollercoaster season of 2019-2020 in North Central Florida. The film centers on the thoughts and experiences of these apprentices who leave home to live at Swallowtail Farm and how the COVID-19 pandemic turned an already challenging learning experience into an unprecedented one. Throughout their journey, they reflect on issues of food security, sustainability practices, and community.
In an area where traditional education fails students, one Mayan woman starts her own school in order to rebuild her community from the ground up. Through her integral education, which includes meals for students and workshops for their parents, Ingrid Villaseñor strengthens her home of Panajachel one step at a time.
Highlighting one of the coolest and most ambitious projects in the history of rare species conservation, this short film takes us to Kaua'i, Hawai'i, where a group of passionate plant people are working to save some of the rarest plants on the archipelago -- and tell us why we need a new generation of biodiversity lovers to help battle the extinction crisis.
"Tellus" is a love letter for Mother Earth which celebrates our connection with her - from pure joy and love towards nature’s elements, to our collective fears and worries about the damage that humankind has done to our planet, to an inspiring call for action and a hope for a greener, more united future. "Tellus" is a sustainable, female-led community project that captures love, concern and hope for our planet from voices across the world.
With a growth rate of up to a meter/day—the world record of living plants—and structural properties that in cases equal steel’s and concrete’s, bamboo is a versatile design material. A material that provide an interesting alternative in an ongoing contemporary material/sustainability dialogue. The Bamboo Dialogues seeks to answer the questions: What is this material? and Why are we not using more of it in contemporary design, engineering and architecture? The narrative of the movie spans five continents and is told by “ bamboo whisperers”: such as engineers, artisans, students, architects, designers, historians, biologists, and farmers as well as bamboo constructions and artifacts. The material in the movie is partly a crowd sourced. Successful contemporary projects and best practices in bamboo are mostly found off the beaten track and away from trendsetting metropolises in remote and peripheral areas and locations. Therefore, The Bamboo Dialogue would not have been possible to make during the restricted travel situation around the Covid 19 pandemic without the generous joint effort by a number of: institutions, companies, and individuals from around the globe. Bamboo have had a soft voice in the contemporary material discourse. The film seeks to amplifies this soft voice and showing possibilities and challenges for this miracle plant. The Bamboo Dialogues is the second movie in a series, portraying the versatile and sustainable material—bamboo. It follows the successful documentary Bamboo—the Tradition of the Future.
Jeanne's last cutting tree site has been destroyed by environmental activists. While she tries to save some equipment, she ends up stuck on the first branch of a 30 meters high, centuries-old tree. Her only hope: to climb higher to find some network and call for help.
The Carbon Chronicles: Who owns the air? The Carbon Chronicles is an experimental animated visualisation of the build-up of CO2 and other greenhouse gasses has radically altered the Earth’s atmosphere. It is a collaboration between artists from the Manifest Data Lab and scientists from the British Antarctic Survey. The animation maps from the industrial revolution to the present day the regions contributing most to the climate crisis, which can be traced through the stalagmite growths representing CO2 emissions growing out from the different countries. Beginning with the UK in the 1750s, emissions from coal start enveloping the planet, other regions soon follow. By the late 1800s through to the current period, growing industrial and extraction activity in the Global North is responsible for 92% of CO2 with 8% coming from the Global South. The spread of CO2 described in the animation mirrors the wider historic processes of power distribution visited on poorer countries and shows that the atmosphere is as contested a space as the territories beneath it. The work describes a living breathing planet, under the pressure of human produced exhalations of CO2. It attributes responsibility in ways that can inform the need for equitable solutions to the climate crisis that are mindful of the historic consequences of carbon exploitation and its impacts. The Carbon Chronicles informs the need for equitable solutions to the climate crisis that are mindful of the historic consequences of carbon exploitation to ask: Who Owns the Air?
What exactly is the connection between bats and coronavirus? And how has sheltering-in-place disrupted field research in California and beyond? State and local governments have set restrictions on bat research and rescue in an effort to curtail the spread of the coronavirus. Dr. Winifred Frick, chief scientist of Bat Conservation International, describes how the new restrictions have affected conservation efforts.
The Cost of Sand highlights the potential destruction of a crucial bio-link on the edge of the Ramsar wetlands from proposed expansion of sandmining in Bass Coast, Victoria. It features interviews with scientists and conservationists about the significance of preserving the last remnant coastal bushland in the region and the vulnerable wildlife and ecosystems it supports.
In the Peruvian and Bolivian Andes, more than 3 800 meters above sea level, live alpaca and vicunia breeders. Quechua and Aymara families protect their animals live off of the sale of the animals’ fiber. Gold mining is another activity that predates the Conquest and is widespread among families living in the border area between Peru and Bolivia. The difficult compatibility on the same territory of these two production activities increases the need for environmental protection and workers' rights. It has become indispensable to support producers so that this activity does not disappear with the migration of native peoples, abandoning traditions and animals.
