Award-Winning Films For A Sustainable Future

Embark on a journey across the breathtaking landscape of Maui, where scientists, land restorationists, and passionate volunteers are drawing upon the ancient wisdom of the Hawaiian people to breathe new life into their cherished ecosystems. Even amidst profound loss in the wake of recent wildfires, these resilient islanders are unwavering in their commitment to revive traditional watersheds, safeguarding the invaluable coral reefs that define their coastline. Rooted in the principles of aloha ʻāina—love of the land—and mālama ʻāina—caring for the land—they are reconnecting water pathways from mauka to makai—from the mountains to the ocean—and working together to heal their island home.

The main character, Young-eun, lives with her mother, a haenyo diver, in a fishing village on Jeju Island. She learns eco-friendly photography from her friend Seung-hwan, who is a beachcomber. One day, her mother gets caught in a discarded net submerged in the sea and drowns. Young-eun moves away from Jeju and returns two years later for her mother’s death anniversary. She decides to begin taking pictures of sea debris on beaches, and Seung-hwan leaves the island to find a giant floating trash island in the Pacific Ocean on a boat made of recycled materials.

100 Short Stories is a collage ranging from the serious to the humorous. This original and engaging documentary tackles opinions regarding governance, public policy, and questions what are sound ideas socially, environmentally and culturally in today’s society. It’s about predatory Capitalism, renewable energy, stopping the frakers, and contemporary life in Atlantic Canada. Created by Neal Livingston, a well-known Nova Scotian documentary filmmaker and artist – as well as renewable energy practitioner, developer and policy advocate – who calls the film partly autobiographical.

Twenty minutes outside of Visalia, amidst the seemingly endless rows of citrus trees, Yolanda Cuevas packs enchiladas with shredded chicken for her husband Benjamin, their adult daughters and two teenaged grandchildren in her modest single-story home. Their house is the first one off the main drag, one of 83 lining the two crumbling roads that comprise the tiny town of Tooleville. Yolanda must wash the tomatoes for the salsa first in the sink and then again with a splash of clean water from a 5-gallon jug. The process is arduous, and though she’s resigned to do it, she’s not happy about it. Along with Tooleville’s several hundred other residents, Yolanda’s family has survived on bi-weekly delivery of water to their homes for the past 12 years. It’s an annoyance for the family, and it’s expensive for the State of California, which has been paying for the replacement water since the discovery of Chromium-6 (the same chemical featured in Erin Brokovich) in the water. The simpler solution would be to consolidate the town’s water system with that of its larger, affluent neighbor to the west, Exeter. And for this purpose, Yolanda has become a reluctant activist, attending community meetings in Tooleville and lobbying for consolidation at Exeter’s city council meetings under the expert guidance of Pedro Hernandez, an organizer with the Leadership Counsel. While Exeter has resisted the consolidation since it was first proposed, organizers like Pedro feel that this could be the year Exeter finally succumbs to the growing community pressure and brings Tooleville into the fold. The decision will echo around the Central Valley and across the state, as hundreds of similar community water systems find themselves in a nearly identical predicament.