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Cinema Verde has sourced and curated independent environmental films since 2010.
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A documentary on the profits international chemical companies are gaining in Africa at cost of the health of small-scaled-farmers and consumers.International chemical companies sell high toxic agro-chemicals in Kenya, which are banned since long in Europe. They are banned because their ingredients cause cancer and have a major negative impact on the nature and environment. Anyhow – in developing countries like Kenya those toxic chemicals are sold without any regulations through small agro-shops all over the country. The small scaled farmers do believe in the promises of better and safer harvest those companies give. Today, the use of pesticides even inside the villages is already a daily business. Furthermore many of them already depend on hybrid seeds, old and resistant seeds supplants. Most of the consumers do not have the knowledge, how dangerous those agro-chemicals are: the WHO announced that annually 346.000 people die, caused by accidentally poisoning with those chemicals, 2/3 of them within developing countries.In the face of world food, industry is trying to push its way into the markets. On the contrary, statistics and alternative farming methods in East Africa show that it no longer needs chemicals and hybrid seeds to feed the world, but a general rethinking.

Toxic Business

The Carbon Chronicles: Who owns the air? The Carbon Chronicles is an experimental animated visualisation of the build-up of CO2 and other greenhouse gasses has radically altered the Earth’s atmosphere. It is a collaboration between artists from the Manifest Data Lab and scientists from the British Antarctic Survey. The animation maps from the industrial revolution to the present day the regions contributing most to the climate crisis, which can be traced through the stalagmite growths representing CO2 emissions growing out from the different countries. Beginning with the UK in the 1750s, emissions from coal start enveloping the planet, other regions soon follow. By the late 1800s through to the current period, growing industrial and extraction activity in the Global North is responsible for 92% of CO2 with 8% coming from the Global South. The spread of CO2 described in the animation mirrors the wider historic processes of power distribution visited on poorer countries and shows that the atmosphere is as contested a space as the territories beneath it. The work describes a living breathing planet, under the pressure of human produced exhalations of CO2. It attributes responsibility in ways that can inform the need for equitable solutions to the climate crisis that are mindful of the historic consequences of carbon exploitation and its impacts. The Carbon Chronicles informs the need for equitable solutions to the climate crisis that are mindful of the historic consequences of carbon exploitation to ask: Who Owns the Air?

The Carbon Chronicles

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