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Cinema Verde has sourced and curated independent environmental films since 2010.
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While foreign and Indian tourists visit Goa’s beaches and night life, others clean the accumulating garbage and sell the fish that was caught in the sea. Due to its proximity to the ocean, Goa is highly prone to disasters caused by climate change. While the lifestyle of most tourists is accelerating the climate crisis, fishermen and marginalized locals are particularly vulnerable to floods or changes in the biodiversity. This artistic project explores the radically different worlds of Goa that the tourists and those particularly vulnerable to the climate crisis inhabit. Our lives are so connected, but the connection is all too often invisible. How can contact be made and a conversation be initiated? As can be experienced in any of the live jams characterizing Goa’s beaches, music is a universal practice that can create joy and community. But which communities are part of the live jams on the beach and which are not? The video traces an intervention that interrogates a highly unequal status quo. The results are sometimes awkward, sometimes heartwarming.

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This is the true story of one Formosan black bear’s encounter with civilization. A fateful encounter with a wild boar trap in mid-autumn 2019 first brought this bear to national attention. However, after months of recuperation and subsequent release back into the wild, it lingered worryingly near settled areas, damaging orchards and even ransacking a mountain cabin in search of food. Re-released in a remote forested area, the bear set out an incredible journey across arduous terrain in the direction of home. This is the moving story of “711” … also known as “568” – a wild Formosan black bear from Taichung’s Mt. Daxue area. The bear died on the 25th day of its long journey home in May 2022 in the Mt. Wujie region of Nantou County. News of the death was a devastating blow to the hundreds involved in 711/568’s rescue, recovery, and tracking efforts. It also offered a difficult lesson for us all about the work yet ahead for wildlife conservation. This film examines Formosan black bear conservation from multiple perspectives, including those involved in this bear’s rescue and care, living in areas affected by 711/568, and working in the many public and private organizations dedicated to the cause of wildlife conservation. We hope the story told here helps further raise public understanding and concern for wildlife conservation in Taiwan.

When Worlds Collide: A Formosan Black Bear's Deadly Dance with Civilization

Inspired by Herman Melville's epic tale, "Moby-Dick or The Whale", a late-blooming singer/songwriter and former toy designer, Jen Long, acts on a startling vision and commissions the design and build of a remarkable custom electric guitar. It's body is "The Whale" itself as it snags the mad Captain Ahab in the tangled ropes of his own obsession, and prepares to launch a boat of his whalers to their doom. The entire guitar reinterprets Melville's tale as an Anthropocene climate change warning, with the whale representing the seas and storms of climate change arising on this "third day" of late stage capitalism. Hundreds of guitarists, including J. Mascis of Dinosaur Jr., and Marissa Paternoster of Screaming Females, have played and signed this "Instrument of Change" to amplify the alarm to turn our ship of over-production and over-consumption around while there is still time. As the embroidered strap featuring Starbuck's last words implores: "oh! Ahab, not too late is it, even now, the third day, to desist."

The Whale Guitar: Instrument of Change

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