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GoGreenNation news

Countries agree landmark deal to halt global decline in nature by 2030

News Feed
Monday, December 19, 2022

Nations have pledged to 'reverse biodiversity loss' by 2030 at the COP15 summit, but campaigners say the deal does not do enough to ensure accountability

Nations have pledged to 'reverse biodiversity loss' by 2030 at the COP15 summit, but campaigners say the deal does not do enough to ensure accountability

Nations have pledged to 'reverse biodiversity loss' by 2030 at the COP15 summit, but campaigners say the deal does not do enough to ensure accountability
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Confronting the Unbelievable

A photograph that dramatizes the power of nature

Photograph by Irina RozovskyWhen the photographer Irina Rozovsky moved from Boston to Athens, Georgia, she began taking walks around her new neighborhood. She’d push her daughter’s stroller to a nearby wooded path, trying to get the baby to sleep, and photograph what she could along the way. One day in 2018, after a storm, the path was flooded. A young girl stood in the bright sun at the edge of the murky water, observing the strange new scene before her—“confronting the unbelievable,” as Rozovsky puts it. The image reminded Rozovsky of the fairy-tale trope of a child getting lost in the forest. “It’s both a romance and a nightmare,” she told me.Rozovsky’s untitled photograph will be on display this fall at the High Museum of Art in Atlanta, as part of the exhibition “A Long Arc: Photography and the American South Since 1845.” In an introduction to an accompanying book, the Atlantic contributing writer Imani Perry reflects on the 21st-century photographers who capture the region’s distinctive landscapes with compositions that evoke a 19th-century sense of the sublime. In the South, Perry writes, “nature takes over everything that humans create and destroy.”Rozovsky insists that the work is not making an environmental statement. As a mother, she worries about the role that humans have played in warming the world her daughter will inherit. But as a photographer, she told me, she was drawn to this particular scene for its “serene and surreal” beauty, its unsettling scale.A relative newcomer to the South, Rozovsky has been struck by the high drama of its nature. “It can be so wild,” she said, even just down the street in Athens. She’s not religious—but when trees fall, or a path floods like this, Rozovsky said, it can feel almost biblical. “There’s something larger than us.”This article appears in the October 2023 print edition with the headline “Confronting the Unbelievable.” When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.

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Suggested Viewing

Rise and Fall

A film to provide an awareness of climate change and the individual measures we can take to combat it. The production process of Rise and Fall began as your stereotypical documentary meant to showcase various aspects of the Earth and Ocean Sciences Department at UNCW. Still, as the interview process was underway, it was quickly decided to move in another direction. It is an essay film about the science of climate change, what we can do in our day-to-day lives to combat it, and its impacts. Without using talking heads, the images of the natural world provide a sensual look at what will be affected by climate change.

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Capturing The Fire

When Louise Coghill saw the first plume of smoke begin to rise behind her parents property, she could never have predicted that in less than four hours, it would become a wall of flames, swallowing everything in its path. A photographer by trade, Louise has travelled the world documenting everything from the nomadic wanderers of Mongolia, to base life at Mount Everest. Capturing the extraordinary comes naturally to Louise, so when her family home in the semi-rural Western Australian town of Gidgegannup became engulfed in flames, her first instinct wasn’t to take shelter, it was to pick up her camera.

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We Are Nature

We made this short film under lockdown conditions throughout the pandemic of Covid-19. The film argues that policies are not enough to prevent a future outbreak. We need a paradigm shift in how we view nature and the rest of life on this planet. The film was made remotely via zoom, a fact made clear in the style of the film. Our speakers appear on screens, which we filmed from inside our homes. Each speaker offers a different perspective on the origins of the pandemic in the ways we see and value nature. If humans can’t escape their connection to the natural world, it’s time for a better one. The health of us and the planet depends on it.

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Sustainable Living with Patrick Lang

A day in the life of Patrick Lang living a sustainable life in Malibu… filmed before his home and community were consumed by fire in the fall of 2018.

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